Category Archives: Kevin Ikenberry

Phoenix Comic Con

This year, I had the privilege of attending a few cons that I’ve never been to courtesy of Bard’s Tower. Much more than a traveling bookstore, Bard’s Tower is a celebrity author experience. All of the books at the booth for a particular show have their authors there selling, signing, taking photographs, and much more. It’s been a great experience with them this year at both Florida SuperCon and Phoenix Comic Con.

Out of all the shows and cons I went to this year, my favorite (to this point) was Phoenix. I used to live in the Phoenix area and I have many family and friends there, so in a sense going to Phoenix was like going home. Being back in the Valley of the Sun was outstanding, but the show itself taught me a lot of how successful conventions really operate. The staff took exceptional care of all the authors present, and there were some outstanding science fiction and fantasy authors present. The panels were well themed and always attended well. For me, it was my first real chance to get to know several authors I’ve been social media friends with for years and even to meet a few new ones. I have the opportunity to sit on a panel of military fiction authors including Jason M. Hough, Weston Ochse, Myke Cole, Alan Smale, and me. I can’t even begin to tell you how nervous I was at the start of the panel. We had a tremendous discussion and I left there with some incredible role models in how to be a great panelist. Everyone brought a unique perspective to the discussion and their professionalism was incredible.

At the booth, on the convention floor, was another area that completely astounded me. When I arrived, my books were placed next to the legendary Alan Dean Foster. I’d met Alan last year at WorldCon and we had several great discussions during our time at the booth. On the other side of me was Dan Wells. I seriously had imposter syndrome for about an hour until I heard Dan Wells pitch someone my novel SLEEPER PROTOCOL. At that point, I settled down and got to work. Meeting fans and potential readers is a great experience and Phoenix did not disappoint at all. Many of you might have heard of the security incident on Thursday that snarled up the entrances on Friday for a little while. Standing in a line anytime is frustrating – imagine doing it in near triple digit temperatures by 9am. The delays that fans experienced on Friday were quickly solved by the amazing uniformed security personnel and the con staff. More importantly, the fans took it in stride with more than I could count trading their cosplay weaponry for weapons made from cardboard. It was outstanding to see everyone working together to keep the con a great safe experience. I was completely impressed.

While there, I had the chance to hang out with my brother James A. Owen, my friends Mark Gardner and Christopher Ferguson, and I got to meet one of my comics idols from the 90s, artist Whilce Portacio. I got to talk with Chaos Comics founder Brian Pulido and his wife Francesca again (and again in Denver, too) and met too many readers and fans to count. Our Bard’s Tower booth was a pretty big hit anyway, with authors like Jim Butcher, Claudia Gray, and Sherrilyn Kenyon joining the others I’ve mentioned along with Kevin J. Anderson, Michelle Cori, S. Usher Evans, Quincy J. Allen, Neo Edmund, Ramon Terrell, LJ Hachmeister and Steve Diamond. The weekend was a whirlwind. Several fellow Superstars came by the booth, too – Jace Killian, Helen Savore, Holly Heisey, and Eva Eldridge. I barely sat down the entire time. During the convention, I sold more books that at any other convention I’d previously attended. It was amazing. Outside of the convention, I had drinks with amazing authors and got the chance to have one of my favorite Phoenix food experiences after a too long wait.

Will I return to Phoenix next year? Yes. I’m looking forward to it already. That’s the thing about good conventions that go the extra mile to take care of their guests and their fans. Sometimes a convention will choose one over the other and the effects are noticeable. Phoenix was never that way. Every day, at least one staff member stopped by and asked if they could help us in any way. The security personnel were amazing, too. To have a serious incident one day and be a smoothly ran machine by the end of the convention was incredible. I’m in awe of their effort.

If you’re in the Phoenix area next year, come to the convention. I guarantee you that you will not be disappointed.

When Disaster Strikes – Getting My Momentum Back

I’ve blogged on the Fictorians before about the infection that nearly killed me in 2014. What I may not have mentioned that outside of that scary situation and hospital stay, it really wrecked my writing momentum. This was February 2014. If we rewind back to mid-2013, I went into the most productive period of my writing at that point. From July 2013 to January 14, I wrote two novels. I wrote what became my debut novel SLEEPER PROTOCOL and another shorter novel that’s my tribute to Elmore Leonard called SUPER SYNC. In that six month period, I also wrote a few short stories and my overall total of words written was probably somewhere near 180,000. This was an incredible time and I really felt like I was getting into a higher gear when everything came crashing down.

After my illness, I barely wrote anything new for a year. Yes, I sold and went through subsequent edits on both SLEEPER PROTOCOL and an earlier novel RUNS IN THE FAMILY, so I was “writing” but I wasn’t writing anything new, which we all know are two entirely different things. But, in that period from April 2015 to January 2016 came the impetus for the sequel VENDETTA PROTOCOL and I decided to try my hand at a prequel to RUNS IN THE FAMILY. Writing was slow and arduous. There were several times when I wanted to simply give up. I was going to publish a novel, after all. I ultimately decided that I wasn’t going to be happy with one book on that shelf by my deathbed. It was time to write more, so in January 2016, I decided that it was time to get off my ass and write. I’d been incredibly productive before then, and I believed I could get back to, or surpass, my productivity. It just required self-discipline to get into the chair and write and a little faith that I would get better, both mentally and physically.

It was slow going at first, but I outlined an alternate history novel. From there, I went into the draft of VENDETTA PROTOCOL with the goal of writing it in three months. SLEEPER PROTOCOL took me 7 weeks and I figured I would need about double the time. Turns out, I wrote VENDETTA PROTOCOL in 9 weeks. Because I could feel myself getting faster and I trusted myself as a writer. Was it perfect? Hell, no. But I was getting it out of my head. I turned around from that draft and wrote a novella LANCER ONE. After that, I was asked to submit to a military science fiction anthology, so I wrote a 9,000 word story “Stand On It.” At the end of 2016, I started work on the alternate history novel I’d outlined in February-March. I worked on that draft into February of 2017.

Not long after I finished that project, my military science fiction anthology story turned into a novel titled PEACEMAKER. I wrote that novel in less than three months. During that time, I was asked on short notice to provide a story for the upcoming X-PRIZE: Avatars anthology. I had to turn it around in two weeks – I did it in a week. All of that “new writing” ended back in June of this year. I’ve been editing ever since. The results are crazy.

PEACEMAKER get worldwide release on August 25th. VENDETTA PROTOCOL gets an ebook release on September 13th and a print version following. The novella LANCER ONE is due out in October. The first anthology A FISTFUL OF CREDITS was released in June and is selling like hotcakes. The X-PRIZE anthology is due later this year.

Two weeks ago, I turned in the alternate history project to my editor/mentor. It’s the most difficult book I’ve written to date. I’ve now laid out a plan for the rest of 2017 and it’s ambitious as hell. I can get it done, though. My momentum is back. How did I do it?

Go back a few paragraphs. For me, it’s about putting my butt in the chair and writing. Yes, I plot and outline, but I’m also thinking about the books and projects all the time. I take a lot of notes. Some of them work, others don’t. The best ideas I don’t have to write down because they stay with me. Once I’m committed to writing the project, I let go of my inner critic – that little bastard that likes to click the backspace button more than he types. I write because I know that I can fix it later. I get the story out of my head. If it comes in short or over the desired word count, I go back and fix it. All of that is faith in myself. Will I make mistakes? Yes. Can I fix them? Yes. I’ve taken very strongly to the belief that I can fix anything in editing. The result is my productivity is higher than ever.

Let go. Have faith. Write.

Home As Setting and Theme

When my debut novel, Sleeper Protocol, was released in 2016, many of my childhood friends, family, and even my teachers commented about my use of “home.” Where I call home is a long way from where I live now, but every time I’m there the feeling of peace is as palpable as wrapping a blanket around my shoulders. I was born and raised in upper east Tennessee in an area called the Tri-Cities. My family actually lived very near a small community known as Midway – it was Midway between Johnson City and Tennessee’s Oldest City, Jonesborough. The Appalachian mountains filled the eastern horizon, running in a roughly southwest to northeast line. It’s a beautiful place.

And I never intended for my story to go there.

As the story of a cloned soldier trying to find his identity unwound from my brain to the keyboard, I initially struggled with “What’s the point?” or even Eric Flint’s famous guidance of “Who gives a $^#@?” I needed something to make the character’s emotional struggle hit home and that’s where the inspiration hit. So, I took my character home. In the third act, he descends Cherokee Mountain, crosses the Nolichucky River, and ends up on a small knoll where a farmhouse once stood. All of those are real places and the knoll is where my family’s homestead still stands. My cousins own “The Farm” as we call it, and it’s wonderful to know that it’s still there and open for my family to visit any time we want. That openness and warmth led me to bringing my character to an very different emotional level. I gave him a sense of place, a sense of a home that he’d once had and was very different than the future one, but a place he could identify with fully and embrace his identity. Once I’d opened that door, I proceeded to move him further along the path by having him stand over his own gravesite in the Mountain Home National Cemetery.

The journey to find his “home” was really the key to unlocking his identity. My first ideas to bring him through familiar territory to help with my description and emotional resonance gave way to something else entirely: a theme I’d never intended. Our sense of home is a large part pf our identity. Even our home nation, or state, or municipality is much more than a common bond to our neighbors. We identify ourselves to that place forever. No matter where I go, when I am asked where I’m from I always say that I’m from Tennessee and just happen to live elsewhere.

My point is this – write about your home or wherever you consider your home to be. Pull that emotion and identity into your own writing. Your voice will improve, your characters will seem more grounded and real, and your readers – especially those who claim the same sense of home – will keep asking for more. When you’re not writing about your home? Put that same warmth and emotion into the characters who are there. It makes a difference to the story and to your characters.

A Small Press With Big Accomplishments

When I prepared to submit my debut novel Sleeper Protocol for publication, I decided that I would look into small presses as well as larger more traditional ones. As I prepared my list of potential “candidates” a good friend and co-author of mine mentioned a publisher I’d never heard of before: Red Adept Publishing. I added them to the list of potential publishers that I would research. As soon as I looked closer, I realized that Red Adept would move to the top of the list.

At that time, in 2014, I discovered that Red Adept Publishing had already published a New York Times Bestselling novel. That was a huge plus for them on my scoresheet. I also discovered they were located in North Carolina and being from Tennessee, this was another plus. Not too shabby. When I checked the normal sources (Preditors and Editors, Author Beware), I found nothing negative to speak of and so when the time came, I sent them Sleeper Protocol and kept my fingers crossed.

One October afternoon, I had some scheduled writing time before I was to pick up our youngest child from daycare. I walked out of Starbucks, got into the car, and my phone rang with a North Carolina area code. I picked it up and so began my first conversation with Red Adept Publishing. Lynn McNamee and her amazing team go much farther above and beyond than most small presses I know. Not only was I told that Sleeper Protocol would get a copy edit and a line edit, a spectacular cover, and marketing assistance, I found myself folded into a group of authors across many genres (fantasy, romance, thriller, paranormal, science fiction) who support each other and really are one big, happy family. I could not have been happier to have signed a contract with them.

It’s fair to say now, though, that Red Adept was not the first small press I submitted to, nor was my contract on Sleeper Protocol the first small press contract I received. The first publisher has since gone out of business and their contract, which they touted as “negotiable,” was a learning experience in and of itself. When I look back and compare that publisher and Red Adept Publishing? Yeah, there’s no comparison at all. Why? Red Adept’s contract is very friendly to authors and the quality of work they’ve produced over the last several years stands for itself.

Since I signed with Red Adept, the publisher has seen another author hit the New York Times list and two authors hit the USA Today Bestsellers List. Those are tremendous accomplishments for any press, not just a small press. What sets them apart is very simple: they are the most professional, enthusiastic, and supportive team of authors and editors that I know and I’m thrilled to be a part of them going forward.

Just the other day, I received an email from my line editor that it was time for Vendetta Protocol to start its final march to publication. We already have an amazing cover and I was fortunate enough to have the same editing team from Sleeper Protocol sign on for the sequel. I’m looking forward to publishing more with Red Adept Publishing in the future. They certainly have changed my life. I’m very glad that I decided to go with a small publisher, but it matters most that I went with one of the right ones. They’re out there.