Category Archives: Kristin Luna

The Good, the Bad, and the Meh, I Guess That Went Okay

Has anyone told you lately that this is hard job? Here, allow me:

THIS IS A VERY HARD JOB.

Sure, on one hand, we’re doing what we love. Writing stories, letting our imaginations run with interesting, and sometimes crazy, ideas. We write late, wake up early, and do it all over again because we love it. Not only that, we gotta write. It’s just what we do.

And then there’s the other hand. We polish our stories, make them the best we can for human consumption, and submit them for editor and agent approval. Ninety to ninety-nine times out of a hundred? Those precious stories are rejected. Our craft is rejected. And we are expected to smile, say thank you, and do it again and again and again. Because we are insane, yes, and because what else are we gonna do? We gotta write. It’s just what we do.

At the end of 2017, I find myself here, with these two hands. Thankful and grateful I’m still here after five years, working hard, grinding away at a career even if it feels like it’s moving at a snail’s pace. And on the other hand, I’m asking myself: “Am I crazy?” Because I have to be honest, reader. Sometimes I feel like what I’m doing is crazy. Working for days and sometimes weeks on a short story. Asking friends and family to spend their hours beta reading it. Submitting it, receiving a rejection. Submit again, receive another rejection. And occasionally, an acceptance. If I’m lucky, $100 for all those combined hours, and a publishing credit I pray to the gods will somehow entice an agent to take a chance on me.

I had a very frank talk with my husband about these battling feelings on our date night at our favorite hole-in-the-wall Indian food restaurant. It’s usually the one night a week I put on real pants (if you work from home, you feel me so hard right now), even put on a little make-up. But instead, I looked down-right sloppy. No make up, hair hardly brushed. I couldn’t even pretend to put on a mask. I was just tired. (I should give myself a little credit…I did put on pants.)

I explained everything that I was feeling to my husband – feeling beaten down and pretty exhausted. And true to form, he was nothing but supportive. “Take a week off. Take a month off. Hell, take a year off,” he suggested. “Don’t write for publication. Just write for you.”

“Would it help if you focused on novels instead of short stories?”

I nodded. They were all great suggestions. I dug into my matter paneer and he his bengan bharta (tandoor baked eggplant with peas and herbs). I temporarily forgot about our conversation as we both burned our mouths on way-too-spicy food, drank pitchers of water to cool the burn without avail, and laughed.

The next morning, I woke up feeling better. I got to work on research for my novel. I wrote a draft for this very post you’re reading now.

To be honest, I don’t know why. The only thing I know for sure is that no matter what, I’m going to write. No matter what I’m feeling, no matter how many rejections pile up. No matter how many acceptances grace my inbox. I don’t know why.

I gotta write. It’s just what I do.

Write Like It’s Your Job

For many of us, writing isn’t our primary job. We have day jobs, night jobs, side jobs, odd jobs, freelance jobs, and job jobs. While we’re working toward writing becoming our full-time job, we just do not have the luxury of having it yet. In the meantime, we seize our free hours and moments, developing stories and getting better at our craft.

But this month? No. This month, writing is your job. Priority uno.

The truth about NaNoWriMo is that while 1,667 words a day for a month seems perfectly manageable, it’s realistic that you will not get to write every day. You might miss one day a week, and then you have some extra words to make up. You might miss a few days in two weeks, and your word count will continually snowball from there. It can become overwhelming very quickly.

I’ve only done NaNoWriMo twice, but I have some tips for success so that you won’t feel overwhelmed during November.

  1. 1. Sit down with your loved ones. Tell them you will be writing every day, and it will take at least an hour. That hour isĀ yours. That hour is damn-near holy. Tell them they cannot disturb you during your writing session. Assure them they will survive your absence for that hour.
  2. Write more than 1,667 words per day. When you’re in the zone and you’ve reached your 1,667-word goal, keep going. Go until your brain starts to get tired and fuzzy. Keep going until your alarm goes off or your kid storms in and demands you change his diaper.
  3. Treat yo self on days you’d rather be doing anything but writing. Promise yourself a cookie when you finish your word count. Get a drink at the bar after writing. Ignore the rest of your to-do list and take a magical bubble bath and listen to your favorite podcast.
  4. Go to the library or coffeeshop to write. If you live in the middle of no where, go outside and write. Sometimes, staying in the same place to write can be distracting. Being in our house, apartment, or space can be distracting. There are a hundred other things you could do in your space instead of write. Don’t let yourself become tempted to do something else.
  5. Close all tabs in your internet browser. You can now only use the internet to Google a fact or for research during your writing sessions.
  6. Turn off your phone, or at least silence that mofo.
  7. Commiserate with writing buddies. Don’t have any writing buddies? Sign up on the NaNoWriMo website and find your local chapter. Research a Facebook group or a forum dedicated to NaNoWriMo.
  8. Plan a big reward at the end of November. A small trip, a vacation, a tub of your favorite ice cream, tickets to see your favorite band, a camping trip. Whatever it is, make sure it’s a big deal to you, and make sure you don’t buy your tickets until you have officially written 50,000 words in November.

Got more tips or tricks for staying focused during NaNoWriMo? Write them in the comments below!

 

 

Treat Yoself to a Dragon*Con

First, if you haven’t seen Parks and Recreation, do that. Do it. All of it.

Next, go to Dragon*Con.

This year was my first Dragon*Con, and can I just say “wow”? Wow. While it has a reputation as being a party Con, I found Dragon*Con to be one of the best. There’s something about being in a place with thousands of other people, taking up a lot of space, and being there for the same reason: to geek out together! I especially loved that I could look at anyone and smile. I felt the excitement and camaraderie almost immediately.

Dragon*Con has a few unique aspects. The panels and events are held in six hotels and buildings in downtown Atlanta, Georgia. Also, because it’s such a big Con, the organizers put the events and panels along a number of tracks. You can access the schedule and information about these panels via the Dragon*Con app. For example, if you are particularly interested in Anime/Manga, the organizers have a proposed schedule for you for each day. Some of the tracks include: Animation, BritTrack, Comics and Pop Art, Costuming, Fantasy Literature, High Fantasy, Horror, Military Sci-Fi Media, Paranormal, Podcasting, Sci-Fi Literature, Star Wars, Table Top Gaming, Urban Fantasy, Writer’s Track, Young Adult Literature, and many more.

But what’s in it for you as a writer? Lots.

I attended about 13 panels at Dragon*Con this year, most along the Writer’s Track. I loved the YA panels – it felt like we were all there together, laughing and geeking out over YA literature instead of an audience watching writers talk about writing.

I especially liked two panels over the weekend. The Magical Mavens of Fantasy/SF panel included Laurell K. Hamilton, Sherrilyn Kenyon, Mercedes Lackey, Chelsea Quinn Yarbro, and Jane Yolen (I’ll save you the play-by-play of my geek-out over Jane Yolen). Hearing these women talk about the industry, the people who told them they wouldn’t make it, and how they paved the way for the rest of us really made an impact on me. The sister (brother?) panel to Magical Mavens of Fantasy/SF I attended was Magnificent Men of Fantasy/SF with Kevin J. Anderson, Jim Butcher, Larry Correia, Peter David, and Larry Niven. I wasn’t expecting to laugh that hard, nor come near tears when they told touching stories.

Each night, the Westin hotel hosted a Writer’s Bar where professional writers could go to meet fans and fellow writers. I spotted and/or talked with Myke Cole, Sam Sykes, Jim Butcher, and Delilah Dawson. The cast of Wynonna Earp also showed up to hang out, which blew a lot of our minds. The accessibility of writing professionals at this convention seems abnormal, especially compared to other bigger Cons like San Diego. But nothing will light a fire under your ass to get published more than talking with professional writers and wanting to be on panels with them.

I’ve attended smaller conventions and a few huge conventions. Dragon*Con was my favorite. The Writer’s Track, High Fantasy Track, Sci-Fi Track, Urban Fantasy Track, and the Young Adult Literature Track provided multiple choices of panels each hour, and I didn’t attend one panel that I didn’t love. The access to professional writers was unlike any other convention I’ve been to. You’ll find that price of admission is well worth it to attend Dragon*Con. Oh yeah, and you’ll have a blast, too.

Finding Momentum When It’s Gone

I work on one big project at a time. The art of juggling two or three big projects at once is lost on me, as all the projects start to blend together in a weird, self-referencing word-soup. That means my writing process is a one-step-at-a-time deal. For a few weeks, I will do nothing but planning, plotting, and outlining. Then, for a few months, all I’m doing is writing. And then for up to year after that, I’m editing.

After I’ve been editing my work for so long, I’m often intimidated when I think of going back to writing. I’m worried I haven’t learned anything, or that I won’t apply what I’ve learned when I edited. I’m worried the flow and creativity has been stilted by too much editing work. I’m afraid I’ve lost my voice. I’m concerned I’m too focused on what will sell instead of what it is I’ve got to say.

It’s taken some time for me to learn how to get back into writing after time away. The “just sit down and write” advice doesn’t always cut it. You can plan your time down to the minute and regiment yourself to your schedule, and that works for a lot of people. Most people. But that doesn’t take care of the lack of confidence or the worries, and making myself sit in a chair and stare at a screen doesn’t help me find the heart of why I’m writing.

Over the years, I’ve learned the painful lesson that inspiration is incredibly important to my writing and my creative identity. It is true that, many times, you’ll have to write when the muse isn’t slinking around your shoulders and whispering in your ear. However, I think it’s easy to become distracted working that way – distracted from your core, from the reason you wanted to write in the first place. Viewing writing as a job, as work, is allowing it one step closer to becoming your job instead of your vocation, and divorcing it from passion altogether. In the day to day, it’s easy to get caught up in the minutia. I’ve found it’s vital to be able to stop and ask myself what I’m looking to accomplish with the project in the first place. What am I trying to communicate?

Those answers don’t always come immediately. I often have to search for them. This is how:

  1. Journal
  2. Go to a natural history museum or cultural center
  3. Watch a documentary or two about subjects that I know very little about.
  4. Go for a hike/ go camping. Don’t allow myself my phone or any digital tethers
  5. Allow myself to daydream. Allow myself to forget my schedule and my to-do list
  6. Use my hands to make. Bake. Work on a motorcycle. Throw a pot on a wheel. Learn glassblowing. Draw. Make. Learn. Do. And let the mind wander

*Bring journal or a notebook when doing 2-6

These things have helped me focus back on my voice, consider my point of view, helped me remember what is important, and reminded me of our connection points as humans and therefore what we can all relate to on a primal and emotional level. I find allowing my mind to wander on these subjects through art, journaling, and being a student of life and nature itself helps focus my mind and prepare it for creativity and communication.

I mean, I get it. I sound like a neo-hippy. Check that language, man. Connection, point of view, creation, daydream, communication. All I’m missing are some essential oils to drip all over this blog post and some vegan gluten-free cookies for you, my awesome readers.

I acknowledge that most people can just put ass-in-seat and write, treating it like a job. Set a timer. Schedule writing time. Have strict daily, weekly, and monthly goals. These are all fantastic strategies to get you back on track with writing after a long break.

But if you happen to be somewhat like me, you need reflection. You need to ask yourself questions about not only your story, but why you’re writing it. And then you need time to think through the answers. Our culture has made it easy to become very busy very fast – to work through a to-do list everyday, go to bed, wake up, and repeat. But if you’re finding that you need less structure, more time – prioritize that. Prioritize time. Loosen your daily schedule. Allow four hours of writing time instead of two, knowing that some of those four hours may be you taking a walk, sitting outside, listening to music, thinking. Sometimes a few of those all at once. I think you’ll be surprised to find how much inspiration follows you on those walks and mind-walks, and soon, you’ll be back in your seat and writing, refreshed, collected, and ready.