Three years ago my life changed.

Before dismissing that statement as being melodramatic, just hear me out.

It was 2010 and I was thinking that I might actually be interested in maybe someday pursuing a writing career. I was receiving Dave Farland’s Daily Kicks, and he mentioned he was putting together this seminar-thing (okay, he was far more eloquent than that) with a bunch of other top-notched and top-selling fantasy writers about everything you needed to know about the publishing industry, but no one was willing to tell you. The other instructors–Kevin J. Anderson, Eric Flint, Rebecca Moesta and James Owen–all have equally impressive resumes. The seminar-thingy was the Superstars Writing Seminar. I figured what the heck, I’d been going to “skills” seminars for about five years now, maybe it was time to get an insider’s look at the industry I wanted to be part of.

Best (professional) decision of my life.

Why?

The information and insight into the publishing market, including the self-publishing v. traditional publishing debate, was invaluable. Knowing the risks inherent for a publisher in taking on a new writer, I understood (and could work to circumvent) the barriers to publishing.

The time with the instructors was unprecedented. Remember that I said I’d been attending seminars for five years. Even with instructor-intense workshops, there wasn’t a whole lot of out-of-class time with the instructors. Superstars blew that distance out of the water. We went to lunch with the instructors. We went out drinking with Kevin Anderson. If you wanted a few minutes of their time, all of them where happy to oblige.

The instructor time ties in with a very important point.  They are some of the nicest and most open people you could ever want to meet. They genuinely want to help other writers succeed. They are invested in helping them do so. They have a wealth of information on many disparate topics and are more than happy to share that knowledge, whether it’s publishing, queries, hiking, micro-brew beers, mafia, European history or whatever.  For the price of asking, they gave us hours of their time to help us Superstars attendees move forward in our careers. And the guest speakers are just as open and wonderful as the regular instructors.

Then, of course, there’s the connections you form with the other attendees. The Superstars attendees are as amazing as the instructors. A group of the 2010 Superstars alums formed the writing group that grew into Fictorians. The picture to the right is of some of us at World Fantasy 2012. In addition to Fictorians, Superstars alums have an active Facebook group. We encourage and commiserate with each other. We are our own best cheerleaders. That network of people going through exactly what you are going through is invaluable. It’s also how I found my publisher.

Most of all, what Superstars did for me was give me the confidence to say, “I am going to be a professional writer.” It’s not a crazy dream. It’s a goal. Superstars gave me an understanding of the business side of the industry that I couldn’t get anywhere else.

Seriously folks, if you are interested in a writing career or maybe you’re already pursuing one, you are doing yourself a disservice by not attending Superstars. I highly recommend you attend Superstars Writing Seminar, which will be held May 14-16, 2014 in Colorado Springs, Colorado this year. Prices go up on  May 1, 2013, so sign up now.

I hope to see you there.

If you’re still on the fence, check out another great posts on this site about the Superstars Experience:

Q&A with the Superstars: Part I

Share on Facebook

Any of you trying to decide whether to take that cruise to the Bahamas or attend a writing workshop?  Well, now you can do both!  The Sail to Success writing workshop combines the awesome vacation experience of a Bahamas cruise with a professional level writing workshop.

I attended this year’s first-ever workshop, and it was well worth the cost, which was higher than some other venues, given that we combined a vacation with a small group workshop with top talent.

When I heard about the Sail to Success writing workshop, I had to go. Not only was the venue uniquely enticing (I’d never cruised before), but the line-up of faculty presenting to the small group was outstanding. Presenters included:

• The prolific and always helpful Kevin J Anderson and his wife, Rebecca Moesta,
• Legendary author Mike Resnick
• Top literary agent Eleanor Wood
• Novelist, instructor, and editor Nancy Kress
• Author and instructor Jack Skillingstead
• Author and teacher Paul Cook
• and Toni Weiskopf, head of Baen Books.

Wow. And the reality lived up to the expectation.

The workshop proved extremely productive, although being on a cruise ship proved to be a challenge as well as a great benefit.  It was a little difficult to focus on class time while the ship was docked in Freeport or Nassau.

The class schedule was intensive: from 8 AM to noon, and from 6 PM to midnight most nights. We managed to slip ashore in the afternoons, but lacked the time for extensive excursions like scuba diving (we had to return to the ship by 4:30). Luckily, my wife came along since the purchase included cruise for two, and she vacationed for both of us while I sat in class.

I didn’t mind. The classes were excellent. Not only did we receive excellent instruction on craft from Nancy Kress, but we learned from these long-time, successful professionals about the nuts and bolts of the publishing business.

The highlights of the class were the critique sessions from Nancy Kress and Toni Weiskopf. Nancy reviewed samples of our writing from an editor’s perspective, and provided wonderful feedback. Toni reviewed other samples from her perspective as a purchasing editor. What a rare opportunity to sit with a publisher and see exactly how they look at your work. It proved enlightening, and a little scary.

Toni receives over a thousand manuscript submissions per month. When she considers those submissions, she’s not looking for reasons to like a manuscript. She’s looking for any excuse to stop reading, and to give that submission the dreaded ‘red mark of doom’. It might come in the first paragraph if she sees it’s not the type of story they’re looking for, or it might come on page two when she finds herself confused, or sees too many grammatical mistakes. If she can’t find a reason to throw the manuscript away quickly, then it just might be a work she’d consider reading further.  Of the fifteen students in the class, only three of us earned that distinction, which was a rare moment of validation.

The only complaint about those critique sessions was the lack of time. Given the time constraints, feedback was limited to 7-10 minutes per manuscript. It just wasn’t enough time.  However, in 2013 the program will be structured slightly different.  Each student will select if they want a critique from Nancy or from Toni, not both, although all students will get to sit in on both critique sessions and hear the reviews of all of the submitted works.  That should allow for more time per submitted work.

So overall, this workshop proved well worth the investment in time and money, and I strongly recommend it to anyone who’s a serious aspiring writer.

Share on Facebook

And no, I don’t mean with an iron despite the picture.

Whether your traditionally published, e-published by a publisher, or indie/ self-published, marketing is where it’s at. With the rise of Kindle Direct and other media that allow self-published writers to get into the larger marketplace, writers, especially new ones, struggle to get noticed. One of the ways to do that is to establish strong “brand” recognition. Your brand is what and how you market. So, let’s start with the concept of brand recognition. You, dear writer, are a product just like a Hershey Bar. And just like a Hershey Bar, you want an immediate connection to the consumer (reader) on the mention of your name (brand). I know for me, when hear or even type “Hershey Bar” a vision of the dark brown wrapper full of chocolaty goodness pops into my head. That’s good brand recognition Some products so dominate the market that the brand name is synonymous with the product – as examples look at Kleenex and Xerox. Excellent branding and marketing.

The interesting thing about Hershey Bars is that at one point the product so dominated the market it had become synonymous with chocolate bars. Then it made a mistake. Hershey decided it could stop advertising, that’s right just stop. But it lost that dominance when it did because Nestle, among others, increased advertising. Hershey tumbled from the top of its chocolate mountain.

My publisher’s first anniversary is in a few weeks. As part of prepping for the event, I typed “Musa Publishing” into Amazon to see what there was to see. Here’s what I noticed. While the search brought up non-Musa books, at least 90% of the time  I could tell if it was really a Musa book by looking at the thumbnail picture of the cover. I was able to reject books that didn’t fit my profile by looking at them. That’s good branding (and a great art and marketing division).

What does this tell writers about branding? Several things.

(1) You MUST create a brand.

Writers like Neil Gaiman have a brand. Again, if you’ve seen a picture of Neil or met him in person, he is always wearing black on black. Kevin J. Anderson has a brand. Take a look at his press releases and photos, he’s always in a sport coat, usually camel colored, or  a dark brown leather jacket, a softly colored oxford shirt (usually with the sleeves rolled to the elbow (if no jacket), and jeans. That’s his brand. I could recall it without looking at any of his press photos making it a successful brand. Dean Wesley Smith has his hat. And so on. If you look at the superstars in the writing field, you’ll note each one of them has a consistent look or brand. That’s not a coincidence. It’s done very intentionally and by design.

The picture on tthe right is part of my brand. I’m a mommy, writer, lawyer who writes fantasy, often with romantic story lines.  What was I aiming for in a look then? Something polished and professional, but that was soft around the edges to suggest that romancey feel. Did I do it? Feel free to tell me in the comments. I’m a lawyer, which means thick-skinned and I can take it.

Anyway, I go to professional writing events – seminars and conferences dressed in at least business casual. If weather permits, I wear a blazer. Why? I’m trying to create a look  or a brand.

(2) Get professional help.

I don’t mean a therapist. I didn’t take the photo on the right. I hired a professional do to it. I also hired a fashion consultant, who went through my wardrobe and engaged in the Ceasar-like task of indicating thumbs up or down.  We went shopping. I now have a new wardrobe that “fits” all of my jobs – mommy, writer, lawyer.

(3) Use your website and blog.

Okay, don’t look at my website yet. It’s under construction to fit with the current branding attempts. Or actually, look at the website as what not to do. It’s a mess. I hired (see item #2) a website designed who’d never worked with a writer before, didn’t understand what I wanted/needed, and didn’t know what a falcon was or at least couldn’t find an image of one for the site. This last one is tough since the website’s called Falcon’s Fables. Sigh.  Anyway, the original website is a lesson in better than no website than a bad one. I now have a webpage designer who has worked with a lot of writers, knew what a falcon was, and designed a kick-butt new logo, which is in the same color family as the rest of my items. I’ll let you know when we’re ready to reveal.

My blog is a different story. I designed that, and while it’s still not perfect it’s a closer fit to the brand I’m trying to create.

(4) Market

Don’t make Hershey’s mistake. You must market. Even the superstars of writing have tweet, FB, maintain a website and regularly attend conferences. A few of them still go on book tours. You have to get your name out there. Your publisher might give you some press, but it’s not enough. You need to be out in the world where people can find you. If you have friends with blog, be a guest blogger. While the site your a guest on may only have 50 followers, odds are there are 40 people that weren’t also your followers.

Join blog hops. What’s a blog hop, you say? A blog hop is a sponsored event where a number of blogs post together, usually on a common theme and contest. An example is probably the best way to show you. Right now, I’m participting in the Wicked Pleasures Scavenger Hunt Blog Hop with 21 other writer.  All the blogs are linked, and readers get a chance to win fabulous prizes at each site. Readers, most of whom would not normally visit my site, are encouraged to do so. They are ”required” to look around the site if they want to enter the scavenger hunt since they need to find the answer to the hunt’s question. At the end of the hunt, Rafflecopter will choose the winners. Again, a blog hop is a great way to introduce yourself and work to readers. The cost of the giveaway is minor. I’m signed up for a blog hop a month until the end of the year and am looking for more hops to join in 2013.

If you are blogging, the cover of your book (or one of your books) should almost be your digital signature. Just like your words, you can and should market your covers. Your covers should have been designed with their marketing functions in mind. If you’re writing a steamy romance and your cover brings to mind a sword and sorcery fantasy you might have misbranded, and vice versa. Make sure the promises your covers (front and back) make match the pages in between them.

(5) Keep it professional.

We all have pet causes and beliefs. But unless they aid in attracting your target audience, keep them off your professional pages. If you are really keen on the idea that evil robots should rule the world, create EvilRobotsToRule.com and post your manifesto there, ideally under a different name. Bringing personal causes to the forefront of your professional page will reduce your potential reader pool.

(6) NEVER EVER get into a flame war.

This is a subset of #5 but it’s important enough to mention separtely. Just don’t do it. It takes a lot to build a career. It takes one rant to destroy it.

(7) Protect your brand.

Protecting your brand on the legal side may mean getting patents and copyrights, but I’m taking about a bit more than that.

Realize every time you go out with your “Author” hat on, you are marketing. You are always on stage. Be nice. If you are nasty to someone asking about your writing, you’ve lost a reader, and maybe several readers as that person tells his friends how mean you were. Good impressions can be lost, but bad impressions are almost always forever.

If you’ve created a “look” -whether for clothes, covers, or voice –  make sure you are using it.

As noted in #6, if someone attacks you or posts a “bad” review, don’t argue with them. Everyone’s entitled to an opinion regardless of how much you may disagree. You give that negative comment too much attention when you respond. If the response escalates into a war, you’ve lost so much more than you’ve gain.

Good luck and good branding to you all.

To restore Daphne to her nymph form, Apollo must bargain with treacherous Hades, but Death may demand too high a price.

After all I’d said about marketing, you didn’t really think I’d leave the cover of my newest release, Apollo Rising, off this post, did you?  Thanks for reading.

Share on Facebook

I recently returned from the 2012 Superstars Writing Seminar. The seminar in 2010 went well and I loved it, but to my surprise, I enjoyed this year’s seminar even more. They have this thing down to a well-oiled machine. Brandon Sanderson gave one of the first presentations, talking about his Ten Rules of Writing Success. He asked me to qualify this list by saying, these are his current rules, but they change regularly.

1) Start thinking like a business person.

2) There is no substitution for practice. (Write!)

3) Network (i.e. the seminar)

4) Be proactive.

5) Work harder.

6) The result is what matters.

7) Don’t waste time with writer’s block.

Share on Facebook

A guest post by Kevin J. Anderson

Everybody knows the best way to get writing done: put your butt in the chair, fingers on the keyboard, eyeballs on the screen…and type.

Unfortunately, with distractions everywhere (kids or pets demanding attention, phone ringing, email popping up, toilets that need cleaning…), the butt/chair/keyboard/monitor setup isn’t always the best way to be productive.

Maybe you need to think outside the keyboard.

I regularly write, and publish, an average of 300,000-500,000 words each year.  To me the word “office” is only a loose term for the place where I get my writing done.  I can sit in a bustling coffee shop with headphones on, and disappear into my story.  I can take notes on the paper tablecloth in an Italian restaurant.  I can write anywhere.

Most importantly, I have trained myself to write using a hand-held recorder while walking along beautiful trails, sinking into my imaginary worlds and characters. Yes, I talk to myself.  It’s like telling stories around a campfire, engrossed in the plot, speaking aloud, letting the sentences roll off my tongue as my hiking boots roll off the miles.  That way I can accomplish my exercise and sightseeing while being productive at the same time. A day in the mountains, forest, or desert is a day at work.

Sometimes other hikers I meet on the trail aren’t quite so accepting of my work methods.  More than once I’ve been the recipient of angry glares.  While climbing around the Flatirons near Boulder, a man snapped at me, “You shouldn’t be working out here.  Just enjoy nature!”

(As if the two are mutually exclusive?)

At a campsite on the Grand Mesa, I was surrounded by tall trees whispering in the wind, near a rushing creek.  I had my laptop out on the picnic table, reveling in the glorious surroundings as I edited chapters.  Another camper felt compelled to march over to me.  “Turn that thing off!  You’re on vacation.”

Personally, I thought he should mind his own business, but more important he was making a completely unfounded assumption.  The fact is, I wasn’t on vacation.  That was my work day.  While other people are doomed to go to the daily grind in a “dilbertville” office complex with fabric-walled cubicles, ringing phones, office gossip, and endless meetings, I get to do my work out in the Colorado mountains and canyons.  There, I am inspired rather than distracted, all my senses filled with input (some of which is even relevant to the story I’m writing).

I have written a STAR WARS novel with Han Solo and Princess Leia at the polar cap of an ice planet while snowshoeing up Quandary Peak, a 14,265-ft mountain in central Colorado.  I’ve written DUNE novels with Brian Herbert — all of them set on an arid desert planet — while trudging through the Great Sand Dunes National Park.  I’ve written about ancient ruined alien cliff cities for my “Saga of Seven Suns” while exploring Anasazi ruins in Mesa Verde.

It’s the next best thing to being in the exotic locales of my imagination.

So don’t be fooled by the stereotypical picture of writer slaving over a computer at a desk.  If you feel too self-conscious to talk to yourself and dictate finished prose, then just mull over ideas, characters, history and take notes.  Or if that doesn’t work, just try a different place—take your laptop (or even a pen and paper notepad…they still function) and go to a coffeeshop where people don’t know you, or hide in a library carrel.  My wife even sits in a car in a parking lot and dictates into her recorder when she really needs to get something done.  Think about going into the “writer protection program” and disappear for a while.

For me, the way to do it is to get miles away from anybody looking for me.

So if you see me on the trail talking to myself, intent on something inside my head, remember — I’m not on vacation, I’m working.  And I’d rather be working here outside on the trail than in any other office in the world.

Share on Facebook

Welcome to Day 2 of Q&A with David Farland and Kevin J. Anderson. You can access the authors’ websites at http://www.wordfire.com/ and http://www.davidfarland.net/ respectively. Kevin J. Anderson has a post on his  blogsite devoted to the seminar and those presenting in 2012, http://kjablog.com/On to the interviews:

 *              *              *

Q: What do you have to go through to prepare for the seminar?

David Farland: I simply meditate on the topic that I’m going to teach, normally. Much of this is information that I’ve gleaned over the past thirty years, and so I might need to write down notes, codify what I know. Normally, we’re talking about topics that you can’t get much information about in books.

Kevin J. Anderson: The talks and panels themselves are not so difficult, because we have all lived this material and we know it very well. For me and Rebecca, it’s all the complicated logistics of setting everything up with the venue, and then doing the publicity, waiting for signups, hoping that we get enough attendees to pay our expenses, and then managing all the little details.

Q: What is your favorite panel and why?

Kevin: I enjoy giving the “Popcorn Theory” talk, because it’s fun to show people how all these projects don’t happen in a vacuum—if you do good work, one thing leads to another and another.

Dave: I think that I’m most interested in the panels on self-marketing, particularly ones that involve social media, quite simply because we have people like Brandon and Kevin who are the best writers I know on the topic. I actually learn things in these panels that I can take home and implement myself!

Q: What part of the Authors Dinner do you like best?

Kevin: Hmm, the potatoes, maybe. Or the dessert. But probably having a chance to sit down and talk with some of the students, face to face in a relaxed setting for a few hours. We end up asking them as many questions as they know us. Many of the attendees of past Superstars will realize that we really do consider you to be friends and colleagues, and we hope to watch your careers skyrocket.

Dave: For me, it’s just getting to know the authors, try to find out where they are in their careers, what they need, and in a short time see if I can offer some advice that might be of help.

Q: The publishing industry is changing fast. Now going on your third year, has the content of the Superstars seminar had to change to reflect the ever-evolving industry? If so, in what ways?

Dave: Yes, we are going through some dramatic changes, with the rise of the whole self-publishing movement. It really has become a viable way for an author to get into business, but it has its own pratfalls and its own huge potential. To me, it suggests that we need to expand our curriculum a bit, to cover the new media. It’s a very exciting time that we live in!

Kevin: A lot of the lectures are still relevant–the professionalism, productivity, networking, etc. We are going to have a lot more focus on eBooks, indy publishing, hardcopy as well as electronic — maybe even half a day to the topic. Dean Wesley Smith is giving a full hour on copyright law and Kris is doing a talk (which I can’t wait to hear myself) on tough negotiating, getting better deals and how to change contract terms that aren’t in your favor. I think we might also do a lecture on income streams (instant money, long-term trickles, etc.) We have always had more material than we could possibly cover. We do want to change it up so it’s not just a rerun every year. We’re still developing the curriculum, but it should have all the good stuff from before and some new and relevant stuff too.

*              *              *

Kevin and Dave are enthusiastic about sharing knowledge, always glad to help serious writers improve their abilities and prepare for the difficult process of getting published. All of us fictorians want to thank them for their encouragement, eager participation in our blog, and for bringing us together through the Superstars Seminar.

I’m confident I’ll enjoy another information-packed seminar in April, and I’m looking forward to making more writing friends. If you’ll be going for the first time in 2012, or if you have questions for us attendees, please drop us a note in the comment box below.

Starting Monday, we’ll be back to our regular MWF blog schedule with a guest post by Mignon Fogarty: the Grammar Girl (one of our more famous Superstars alumni).

Share on Facebook

Now for our last two days of Superstars Week: Q&A with Kevin J. Anderson and David Farland, two of the panelists participating in Superstars Seminar. The other regular participants are: Eric Flint, Rebecca Moesta, and Brandon Sanderson. For more info on the seminar, go to www.superstarswritingseminar.com.

Though they need no introduction, it felt like a requirement, so:

Kevin J. Anderson is the author of more than one hundred novels, 47 of which have appeared on national or international bestseller lists. He has won or been nominated for numerous prestigious awards, including the Nebula Award, Bram Stoker Award, and New York Times Notable Book. By any measure, he is one of the most popular writers currently working in the science fiction genre.

Share on Facebook

Hello, intrepid readers, this is Leigh, and I’d like to welcome you back to the Fictorian Era’s Superstars Week! For the last two days you’ve gotten an idea of what you can gain by attending the Superstars Writing Seminars, but today, Nancy, Clancy, and I will be telling you why we felt the need to go back for more. Yes, all three of us are Repeat Offenders, having attended both previous seminars.

So, why return to a seminar you’ve already attended?

For me, there were a number of reasons, but today, I’m going to talk about how, by returning to the Superstars Writing Seminar, you’re not just revisiting something you’ve seen before. The seminar is dedicated wholly to learning the writer’s place in the publishing industry. And let’s face it, people, that place is changing fast. This seminar is a true insiders look at what any writer looking to make a career publishing can expect, and the options available to get there.

As an example, in the first Superstars seminar, we had the core five authors, Kevin J. Anderson, Rebecca Moesta, Eric Flint, Brandon Sanderson, and David Farland. Across the board, they said that traditional publishing was the way to go. Then, Amazon unveiled their e-publishing program. Self-publishing wasn’t the pariah it previously was. The next seminar dedicated an hour to self-publishing and e-books. As part of that panel, Moses Siregar, a previous Superstar attendee, had a heated discussion with Eric Flint over e-publishing, and David was heavily leaning toward self- publishing. Since then, David’s written a post on this very site stating that he believes self-publishing to be the future of the industry, and this year, Superstars has brought in Kristine Kathryn Rusch and Dean Wesley Smith, two vocal authors on indie publishing issues. Clearly things have changed, and Superstars is keeping pace.

Yet, as with any seminar, there are portions that are repeated every year, but as Clancy will tell you, even that can be a good thing.

*              *              *

Clancy here. And here’s why I’m a repeat offender: I signed up for my second Superstars seminar unsure if I would hear much that I hadn’t learned the year before. But I wanted to meet Sherrilyn Kenyon (a guest speaker) and see my alumni buddies, so I decided to go. Color me surprised me when I learned as much, if not more, as I did the first time. During the year between the two events, I had changed. Where I was with my writing and my career had also changed, and I was hearing different things even though much of the content was similar. My mindset tuned into completely different points made.

I wanted to give you an example, but I can’t think of one.  I know… challenged.  Anyway – I remember sitting there during a presentation that I’d heard before and thinking to myself, I know they discussed this last year, but I was hearing the content through a different filter and what caught my attention were not the same things that did the year prior.  I wish I had an excellent example to share.  Just know that it was a profound ‘a-ha’ like realization.  So, I wish I could go again this year because I know I would, yet again, learn more and different things than I have already.

Read on to see why Nancy is right and the contacts and friends I have made during both seminars are still with me, still in contact, and are still impacting my life in ways I will forever be grateful for.

*              *              *

Nancy Greene, on the issue of “Contacts and Kismet”: We attend conferences to make contacts including the conference speakers, vendors, and participants. I confess to being a Repeat Offender at Superstars Writing Seminars for all the reasons you’ve heard about over the last few days and for the people I meet.

Approximately 20-30 attendees at the 2011 Superstars were Repeat Offenders. I’d guess the number is about the same for April’s session. The Superstars crowd isn’t cliquey. We go out enmasse. The “we” is the Repeat Offenders, one or more of the speakers, and anyone we can convince to join us. Dinner and late night drinks at the hotel bar are similar affairs. Because we’re a social group, there’s a lot of extra time with the speakers, which is something that often doesn’t happen at other conferences. The social aspect’s a great way to forge long-term friendships. After all, we’re all writers, and can help each other after the conference ends.

I’ve written about the benefits of writers helping writers before in the Benefits of Holding Hands on this blog. Because of Superstars and the friends made there, the Fictorians have:

(1) Participated in this blog (all members are Superstars attendees),
(2) Received weekly encouragement and accountability checks,
(3) Received advice and critiques from some of the presenters,
(4) Edited or beta read novels written by the presenters,
(5) Assisted other Fictorians in getting short-stories published,
(6) Been introduced to other fabulous connections, including agents and publishers, and
(7) Advertised or promoted the other writers on the site.
The list contains the things I can think of off the top of my head. There’s more.

The writing industry is small. The way to “break-in” is to have a great product, and an even better network. We might have made the contacts and achieved the same results without Superstars, but the process would’ve probably been years longer.

Kismit happens.

But you have to ensure you’ve done your work and made the contacts you need to be “in the right place at the right time.” Superstars is an excellent place to make those contacts, and it’s why I’m a Repeat Offender.

Share on Facebook