Tag Archives: friendship

Why the Hero Needs Friends, but the Villain is a Loner

Hero with friendsWhy does the hero usually benefit from a group of friends to support them, while the villain seems to go it alone, surrounded by toadies, henchmen, and often monstrous servants, but no real friends?

A favorite example for me is David Eddings’ classic fantasy: The Mallorean. I loved this series when I read it as a teen, and one of my favorite aspects of it were the fantastic cast of characters. Their friendship, bantering, and personal quirks felt so real, and helped draw me into the story. Every one of them played an important role somewhere along the way, without which the hero could not have succeeded.

On the opposite end of the spectrum was a villain who casually killed just about everyone they knew as soon as their usefulness ended. The contrast was powerful and effective.

Frodo and gollumAnother stellar example is the friendship between Frodo and Sam. Without Sam, Frodo was doomed. Antagonistic forces were always loners: Sauron, the Dark Lord; Saruman the White, who turned traitor and allied with Sauron, but couldn’t be considered a friend of the ultimate tyrant. Then there was the creature, Gollum. So alone he had developed schizophrenia to have someone to talk to. I was fascinated by Frodo’s attempt to befriend that broken, evil soul. In the process of allowing Frodo close, Gollum actually seemed capable of redemption, but when he rejected Frodo, his ultimate fall was guaranteed.

So why are friends necessary for the hero? I’ve come up with what I think are some compelling reasons:

  1. The hero is usually the underdog in most stories. They’re caught up in crazy events that they usually would rather avoid, but cannot seem to escape. The enemy is usually far more powerful and dangerous. Without friends to help them develop and grow and become the hero the story needs, they’d never survive long enough to get a shot at victory.
  2. The hero must usually rise to fight some kind of evil, which means they represent the good. They might not be necessarily good of themselves, but they must represent good, or have ties to those they care about that are good. And those ties of love and friendship make them human, help readers relate, and encourage us to root for them.
  3. The hero is usually attempting to effect change. Real change cannot be done solo.

There’s a lot of great information about heroes and heroism out there. One resource I discovered is Matt Langdon of Heroism Science. He’s got an excellent post about heroism and the team heroes need to build in order to succeed. Check it out here: https://heroismscience.wordpress.com/2015/07/16/every-hero-needs-a-team/

Back to the villain. Why do they have so much trouble building friendships?

  1. If they’re truly evil, they simply can’t understand friendship, which is a form of love, placing it outside of the realm of understanding of a truly evil villain.
  2. True friendship requires acts of kindness and thoughtfulness, which is selfless and understanding. Most villains are proud and selfish, which again makes it nearly impossible for them to understand or embrace the necessary demands of friendship. Pride is by nature competitive, pitting the proud villain against anyone and everyone.
  3. However, if your villain is not one of those ultimate evil types, you might be able to craft one who gets it, at least at some level. Some of the most interesting villains are those who honestly think they’re right, who display kindness and honor, but who draw different conclusions about the world and how to fix it than the hero.

Xavier vs MagnetoThink Magneto from X-Men. He’s ‘The Villain’ and he does terrible things. But through the story, he is portrayed as a man of deep thought and, at least initially, seems interested more in protecting mutants from abuses than causing them. He’s actually very good friends with Professor Xavier, even though they must face off time after time. The root of their differences is their different world view. That type of conflict is extremely fascinating.

So build stories with great heroes and a stellar cast of supporting characters: the Mentor, the funny Sidekick, etc.

And when crafting your villains, consider making them human too, with real, complex motivations for what they do, with people they care about, and with real human emotions.

Those kind of villains are harder to hate, those stories are more complex, and often more difficult to write. But those are the stories that resonate the most powerfully. None of us will have to face the Dark Lord to settle the fate of the entire world, but we all have to face people who do mean or rotten things. Or maybe they’re just people who hold different political or religious views. It’s easy to see them as villains, but those people are human too, and although it makes it harder for us to hate them, they usually feel like they have good reason for what they do.

Deeply moving stories happen when the hero must stand against a friend. Find that story, and you’ve got a winner on your hands.

About the Author: Frank Morin

Author Frank Morin
Rune Warrior coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website:  www.frankmorin.org

Get Your Fanny Out There!

I used to have a friend—a good one—and that friendship ended recently. It’s a rather long, sordid tale about politics and methods and appearances and styles and plans and… well, a lot of things. And mostly, it has to do with how each of those applies to a burgeoning writing career. Put simply, he and I are on different paths. We’re both committed to those paths. And we came to verbal blows as a result of those paths. Truth be told, we’re no longer friends for a lot of reasons. I’m telling you about the loss of a friend because of how strongly I feel about networking. Our difference of opinion on the subject isn’t why we’re no longer friends, but it was at least one nail in the coffin.

Ultimately, as entertainers (and we absolutely are), the only way we’re going to be successful is for people with disposable incomes to know who we are. And the only way we’re going to stay successful is to ensure that they never forget us—in a positive light, I might add. So how do you do that? Well, I can give you an example of how I got invited to participate in this really fantastic group of writers called the Fictorians—a move that was frowned upon by some. It all started with the Superstars writing seminar. If you’re a writer, you should look that one up. While I was there, I made an effort to meet people and talk with them. I asked what they wrote and how their careers were coming along. They returned the query. Friendships were borne, and not long after they asked me to write a post for them. And one thing led to another… and another.

And now, here I am, a virtual unknown writer who is lucky enough to have you reading his words because of that seminar and the simple process of networking.

The same goes for conventions and conferences. Attend them. (Note the imperative.) And while you’re there, meet and greet as many people as you can. Get to know them. Make them more than acquaintances. TALK to them about who they are and what they’re working on. And be a good listener.

I need to caveat this.

We’re writers, which means that many (most?) of us are introverts who really do prefer spending time at home in a quiet room while we chain words together than we do going to cotillions. It’s the nature of the beast. I have three words for you: GET OVER IT. And do so in, like, the next 4 seconds.  I know that sounds flippant, but the biggest and best free (or nearly so) thing you can do to advance your career is to go out and introduce yourself to the writing community. Let them get to know you. And in that process, you’ll meet fans, you’ll develop contacts, and you’ll get invited to participate in things that help getting your name out there… or vice versa.

My girlfriend uses the phrase “creative sanga” where peoples of like-minded endeavors get together and are subsequently capable of creating things greater than the sum of their parts… or something like that.

It’s not B.S.

The writing community isn’t that large, and it’s full of really amazing people from all walks of life. Discover who they are. This is what business people call networking. I’ve come to refer to it as making friends, and when it comes right down to it, there’s little of the successes I continue to have in my career that aren’t as a direct result of this process.

And while you’re at it, introduce yourself to me. Friend me upon Facebook or Twitter. Look me up at the next convention I’m at. Give me the opportunity to get to know you. I can think of no better way for us to make our ways through this mortal coil as we pursue our writing careers.

It is a dream I have.