Author Archives: Nathan Barra

About Nathan Barra

Though Nathan Barra is an engineer by profession, training and temperament, he is a storyteller by nature and at heart. Fascinated with the byplay of magic and technology, Nathan is drawn to urban fantasy and soft science fiction in both his reading and writing, though he has been known to wander off into other genres for “funzies.” He is an active blogger and posts twice weekly at NathanBarra.com. Nathan is always up for a good conversation, so please drop him a line through his contact page, or write on his Facebook wall (www.facebook.com/WriterNathanBarra).

Choices of Love and Fear

Though I have respected Jim Carrey as a comedian and performer for many years, I would never have thought him to be a fount of cosmic wisdom. That is why, along with so many others, I was blown away by his commencement address at the MUM graduation. In his address, Carrey spoke of his father, on the importance of following one’s dreams, effecting others positively and choosing love over fear. For the full address, click here. If you don’t have the 26 minutes to spare right now, please click on the embedded video below (but do come back to the full speech later). It’s just a single minute of your time, so please do yourself the favor.

[youtube=https://www.youtube.com/watch?v=ajMpfPYlHi4]

When you seek to be a professional author, the odds are against you to an absurd degree. When I was in high school, trying to figure out who I was going to become for the next phase of my life, I had a choice. Either, I could pursue a career in science and technology, or I could develop my passion for writing and storytelling that had begun to grow on the fertile ground of my passion for reading. In the end and at the encouragement of those who loved me, I went to one of the top technical schools in the country and spent four and a half years earning a degree that has enriched my life. Upon graduating, I began working for an engineering company that is a respected leader and fierce competitor in their field. I had done it. People I knew, people who I cared about, told me how proud of me they were and how obviously successful I was.

And yet, I was unhappy. I was unfulfilled. There was a part of me, part of my talent that was being unexpressed and underutilized. It took me nearly 18 months to realize where the sense of discontent was coming from.

You see, though I was pursing highly technical studies in college, I also fed my creative urges regularly through live performance improvised comedy and table top role-playing. My life was grounded in reality through my studies, but I was still able to live in the fantastic. When I joined the working world, I had left that fantastic behind for many good and practical reasons. But, I still needed it.

It was when I started writing again, started reaching out to the community of writers and blogging regularly, that I began to find my contentment and happiness. This month has been all about goals, finding your own balance and managing your life when the deck seems stacked to overwhelm you.

Please take it from someone who has learned it the hard way. Fulfillment will never come from someone else. Instead, you must explore what you find to be fulfilling, what you love beyond all reason and pursue it. That said, the day job and the dream job do not have to be mutually exclusive.

I am an engineer. I am a writer. I am not one or the other, but rather both, simultaneously and always. Each part of my personality influences and informs the other, making it stronger and richer.

The problem I had, the source of my unhappiness and cognitive dissonance was the false assumption that I had to choose one or the other to be supreme. I was failing to achieve a work-life balance. Was that the fault of my company? After all they gave me a great deal of work to do that was time consuming and challenging. Of course not. I am, after all, employed by them. I was selling my time, knowledge and experience to them in exchange for a salary and benefits. Was the work exhausting and effecting my home life? Yes. But, what I chose to do with that home life was still entirely in my power.

This is the most important thing I’ve learned in my short career as an engineer. Saying you are “too busy” to do this or that is an expression of value, not of time constraints. Busyness is a choice. Time is a commodity, and like any other scarce resource, where we choose to spend our time indicates what we value. What you are actually saying when you are “too busy” to do some task is what you are doing now is more valuable than the proposed activity. Claiming to be too busy to write because of my job was in reality saying that I chose things like working, sleep, watching TV, going out with friends, exercise and other leisure was more valuable than the time I could spend writing.

So, what did I do? I began to choose how I spent my time more wisely and learned to say “no.” Not only to others but to myself. I canceled my television package, Netflix and Hulu+ accounts. I put away my gaming consoles and worked on stream lining the things I felt that I had to do to be more efficient.

And I wrote. A few hours of new words here and there, a half hour of editing and a minutes of plotting and milieu development wherever I could find the time. I put my fingers on the keyboard because that is what I valued.

Life is complex and dynamic, so finding your balance isn’t a matter of setting up all the elements in stasis. Instead, you must constantly be shifting, reevaluating what you want and reallocating your immediate future to line up with your goals. Will you risk “wasting” your time on things that make you unhappy but are safe and easy, or will you instead pursue the less certain path? It takes honesty and self-awareness, but spending time wisely is a choice and a statement of value.

 

“You can fail at what you don’t want, so you might as well take a chance at doing what you love.” ~Jim Carrey, 2014 Commencement Address, MUM Graduation.

Welcome to the Supernatural MI6

The RookI never thought living in the head of a paper pusher could be interesting, much less awesome, but Australian author Daniel O’Malley proves me wrong in his debut novel, The Rook. Granted, Myfanwy Thomas (pronounced like “Tiffany” with an M, since the Welsh reinvent phenoms as they please) is not your standard bureaucrat. In the opening scene of the book, Myfanwy “awakes in a London park surrounded by dead bodies [wearing latex gloves]. With her memory gone, her only hope of survival is to trust the instructions left in her pockets by her former self.” These letters lead her deeper into the rabbit hole, and back into her former life as a high-level operative in the Cheque, a secret government organization tasked with protecting the UK from supernatural threats. The thing is, the old Myfanwy foresaw her own end and left her future self a series of letters and an encyclopedia like binder detailing the milieu. Alone and with these scant resources, Myfanwy must re-integrate into her old life, rediscover her powers, learn about the supernatural world, and handle a barrage of supernatural crises, all while trying to root out the traitor(s) at the highest levels of the organization that had her erased in the first place.

Once the ball starts rolling, O’Malley spins a riveting yarn. In my opinion, his work has two major strengths. First, as a reader, I love the milieu that O’Malley has created. The idea of secret government agencies and the hidden world of magic are well-used tropes in this sort of fiction, but the elements that O’Malley chooses to emphasize make the whole experience seem fresh. Myfanwy is simultaneously a newbie and veteran in this life, and often feels the strain of trying to keep up when everyone around her assumes she’ll maintain her docile past persona. Though he spends much of his time in the day to day, O’Malley’s narrative style is at times laugh at loud funny, breathtakingly tense and peppered through with moments that lend the reader’s admiration and pride to his protagonist.

Secondly, I appreciate this book from the perspective of a craftsman. O’Malley exercises his gift for narrative in this novel, weaving a third-limited perspective of the present with a narrative of the past told in an epistolary style. Like most, he uses the past to clarify and resonate with the future, but where his true skill becomes apparent is when he uses the present to shed light upon the events detailed in old-Myfanwy’s letters to her future self. It takes real skill to make the trick work both ways without becoming bulky and distracting to the reader.

I have enjoyed this book twice now and intend to do a third re-read before the sequel, Stiletto, is released by Hatchette in Q1 2015. It is my hope that some of y’all enjoy it as much as I have and that you too are able to learn a bit about the epistolary narrative style while you do. It’s a while to wait for the second book, but fortunately my TBR list is long and colorful and has only been added to this month. I’ll leave you with the video that I found on Daneil O’Malley’s website while researching book 2. It’ quite entertaining and captures the spirit and fun of the book.

[youtube=http://www.youtube.com/watch?v=ByWvG3KfOmo&rel=0]

The Five Pro-Tips of the Fan-Zone

The writing business is not an easy one. It’s long, lonely hours of producing material often followed by piles of rejection letters before we even get our shot. Even then, there is nothing guaranteed. It’s an enter at your own risk sort of business. Chances are you will not be made rich, nor famous, nor even influential. Why then do we even bother?

INCONCEIVABLEOne and all, we are here because we love stories. We were touched at some point in our lives by the words of another and were inspired to share our own thoughts and creativity with the world. Writers are born from fans. So then, it would be absolutely, utterly inconceivable that we, as authors, would cringe at any amount of fan attention. Honestly, it depends on the person. First and foremost, writers are people, and many of us are introverts. Interacting with people isn’t easy, so many authors create a mental space that I call the “fan-zone.”

When you approach an author at a convention or some other event, they will be continuously evaluating everyone around them to decide if they will be shelved in one of three categories. First, is this someone with whom I can do business (agents, editors, publishers, etc)? Second, is this a person who will not expect anything from me other than normal social interactions (fellow writers or non-fans)? Finally, is this person a fan, a person for whom I will need to project my authorial persona? This split-second categorization will help determine how they interact with you.

The fan-zone is not a bad place to be, in fact, many authors love interacting with fans. For me, talking about writing and stories with people is one of the best parts of being a writer. Through trial and error and a bit of advice given to me by good friends, I have come up with a list of pro-tips that I try to hold to while interacting with authors.

Pro-Tip #1: Be a fan in MODERATION

You don’t want to be this guy. Seriously, just don’t.

[youtube=http://www.youtube.com/watch?v=wykoU2zstIM&start=20&end=26&rel=0]

There is no better way to put your favorite author on the defensive than to come off as too eager or demanding. Please, show your appreciation for their work and talent, but also be aware of how you appear to the other person. If a perfect stranger were to approach you the way you are about to approach your favorite author, would you want to talk to them?

Pro-Tip #2: Be CONSIDERATE of the author’s commitments

Authors typically have a large number of demands on our time and attention. Aside from our personal lives, we have deadlines and our own projects to work on. When at conventions, we’ll typically have a schedule of things that need to be accomplished or places we need to be. The better known the author, the more extreme this becomes. Please keep this in mind when approaching your favorite author. If you chat with them for a few minutes and things seem to be going well, feel free to offer to buy them a cup of coffee or lunch. If they turn you down, it’s probably not personal.

Pro-Tip #3: Read the SOCIAL QUES and respond appropriately

Non-verbal ques are essential to any interaction and are a large part of what allows the social contract to function. Is the author settling into a more comfortable position while leaning forward to engage you? Perhaps they are interested in a more lengthy interaction. Do they seem to be backing up or turning their body away from you? The conversation is likely over. Are they looking to the next person in line at a signing? Chances are that they have spent all the time they can with you and need to move on. Social ques are highly individual and situational, so you’ll have to use your best judgment to figure out what is being said.

Pro-Tip #4: Respect the author’s PRIVACY

Unless you are planning on using the facilities yourself, don’t ever follow an author/agent/editor/person into the bathroom. Even then, it’s something to be avoided. Though inappropriate and unnecessary, it is a tactic that is still attempted none the less. Read blogs or articles online from editors and agents and they seem to universally agree: the bathroom is neither the time nor place to pitch your next great manuscript. The same thing applies to waiting in ambush outside the door. In general, it’s a bad first impression. If the person you are trying to talk to makes a move towards some place where they should have the reasonable expectation of privacy, the conversation is done.

Pro-Tip #5: Authors are PEOPLE TOO

As fans, we create this pedestal upon which we settle our favorite authors. We want them to be kind and charming, to share their experience and love of their characters and stories with us. Truth is, writers are people too. However, writers are people too. We get tired, hungry and cranky. Conventions and signings are business trips for us. We are continuously working for the space of a few hours or maybe even up to a week. The unfortunate truth is that some writers are just arrogant jerks. Be prepared for your favorite author to be human. Be a person to them, not just a fan, and things will likely go better.

My Journey to Professionalism, Step 2: Creating My Business

In order to make a living at my writing, I must act like a professional writer. At first, I thought that meant that I needed to establish an identity and brand myself as a writer. Though that is true, I recently realized that that is only part of the story. I invest money into Nathan, but do not track that expenditure as well as I should. I’m an engineer by training, not an accountant. This means that I must learn a new set of skills.

Unfortunately, I can give much less concrete advice on this topic that I could on yesterday’s discussion on branding. I am still exploring my options, and seeking advice for my own use. So instead of giving advice on the end game, I’ll try to explain my process so far, what I have learned, and maybe save my readers a few steps. If, on the other hand, one of our readers were to have knowledge and expertise beyond my ken, I will be monitoring the comments very closely. 🙂

First, I need to set the direction of my business. What are my business goals, and what timeline do I wish to establish these goals upon? I am doing research online about writing formal business plans, and will sit down to do so in the next few months. I am looking at my next creative projects, and judging them based on their business value rather than my personal entertainment. Being a businessman is as much a mindset as anything else.

Second, I am looking at what sort of business I need to establish. I have learned that if you do not set up a formal business framework, you, by default, form what is called a sole proprietorship.  This is at least how it works in the United States. In this sort of business structure, individuals can sue me directly for my business debts. Though the sole proprietorship gives me a framework to operate within, I am not too fond of this drawback. General partnerships seem to spread this risk between multiple individuals, but my writing business would not involve another at this time. So, that business structure does not fit either. Instead, I am looking at establishing either an LLC or Corporation.

As per my understanding, both of these structures create a separate legal and fiscal entity, sheltering me as the owner from some liabilities. The legalities behind these types of business entities are a bit more complex, ranging from their formation to how they’re taxed, to how they are viewed in a legal setting. I am taking my time with the research, seeking to understand as many details as possible before I move forward. It seems like I can transform one type of business entity to another, but it also seems simpler to adopt the best fit from the beginning.

LLC or Corporation

To learn all this, I am googling my local state’s tax laws, Corporation codes, and reading a book called LLC or Corporation? By Anthony Mancuso. The book is part of a series called “NOLO” that describes the law in simple terms and includes web support for free legal updates. It was highly recommended based on reviews, so I gave it a try, and have not been disappointed.

While I am working on forming my business entity, I am also cleaning up my books. Though I have limited financial training, I have an understanding of the basics of business accounting. Though most of my cash flow to date has been expenditure, I found that much of this can be deducted from my personal taxes at the end of the year. Eventually, I intend this to be a thriving business, so it is for the best to get into good accounting practices now.

Accounting Made Simple

To help me with this end, I have purchased a copy of QuickBooks, which I’m using to help track business expenses such as writers resources, conventions, and even my new laptop. At the end of the year, I’ll use QuickBooks exports with my tax preparation software and hopefully get a good return from the investments. I am also working to improve my knowledge of basic accounting, with online articles and books such as Accounting Made Simple by Mike Piper. Though this book will not make me an expert, it is a quick guide to help me avoid an expensive faux pas down the road.

I recognize that I have a great deal more studying to do, on both business structures and accounting. I am however just lifting my foot to take the next step in my journey as a professional. I spent a long time learning to be a writer, and now I am learning to be a business person. I can’t expect to be perfect overnight, but I believe that hard work and diligent research will translate into future benefit. After all, it’s one more step in the right direction.