Tag Archives: Indie

Planet Comicon – Kansas City, Missouri

If you aren’t familiar with me, I’ve hit about 60 conventions in the past three and a half years. From coast to coast and north to south, I’ve hit most of the big ones and many of the medium-sized comic, genre, and media conventions across the country. I can honestly say that Planet Comicon is in my top five conventions of all time. I’ve been there for the past three years in a row, and I’ll keep going back so long as they have me.

I need to point out that my attendance has always been with either the Word Fire Press booth or Bard’s Tower. I’ve never attended it as an individual author. However, I can say that I have several indie authors who have, and they’ve all done well at the convention… if they were go-getters, anyway (more on what that means later).

Next season, Planet Comicon will be February 16th, 17th, and 18th in it’s usual location of Bartle Hall in beautiful downtown Kansas City. This is two months earlier than it’s normal April schedule, which puts it right before Pensacon, in Pensacola, Florida, and although I’m trying to avoid back-to-back conventions, I’ll probably still try and go, because I like it so much.

So, what is there to like about Planet Comicon?

Because it’s in the midwest, the prices for vendors and artists to get space is considerably lower than one would find at bigger conventions on the east or west coast. That can make your book sales and ROI propositions much easier to manage than in other places. They advertise the convention well, take care of their attendees, and have high repeat-attendance.

Another thing about this convention is that there are a lot of readers in the area, and not all shows do. No matter when I’ve been there, we’ve always had good sales numbers. The attendees are affable and open to being approached by new and established authors alike.  The folks running the convention also take good care of the artists, actors, media personalities, and vendors. I’ve never heard of any issues, and I’ve seen most of the vendors there again and again over the years. This means there’s no reason for them to take their business elsewhere.

The key here, and this goes for any convention you attend as an indie author with a table, is that you must be a go-getter. You have to engage your target market actively and non-stop. If you’re the sort of author who sits behind the table, butt in chair, watching people walk by and hoping they stop to ask you about your book, you might as well give up the business now. Stay home, write more, and submit to the Big Five. If you want to sell books, however, and put your sales in the green and well above your costs, then you need to be standing up at the table and engaging as may of the attendees as you can. The convention circuit is not for shut-ins. The second you hit that vendor floor, you have to put on your salesman hat and talk to as many people as possible.

That’s the trick to earning a living as a convention-going author.

Working a convention floor is a lot like hawking your wares in an old Turkish marketplace. It’s about being noticed, chatting up the passers-by, making friends with them, and making sure they walk away with a book in their hands and their money in your pocket.

Kansas City is a great place to do that, and once you get rolling, you may find you have an appetite for it.

I’ll add that the downtown area is a nice place to just walk around. There are shops and restaurants and a public transit rail system that lets you see more of the area if you want to take the time. There’s also some KILLER BBQ to be had all over the place. Now, if you’re on a budget, there’s a nice little market not far from Bartle Hall that allows you to get really good food by the pound, with a selection of entrees, appetizers, salads, and whatnot. They also have some pretty good sushi, if you lean that way–which I do.

Planet Comicon is on my list of favorites, because it’s a great selling environment, has a delightful downtown area, and is a relatively low-cost city to stay in, if you can manage it.

If you are looking for a solid, larger-sized convention with a strong reading audience, I heartily recommend you add it to your list of conventions for the 2018 season.

Good luck, and KEEP WRITING!

Q ~

Marketing 101

A guest post by Doug Dandridge.

Empires at WarI’m not sure if you can call me the world’s greatest expert on self-marketing.  However, since I am closing in on 130,000 book sales in thirty-four months, I must be doing something right.  I have made over $300,000.00 in that time period, and am a full time working author.  In this blog, I will give a quick rundown on some of the things I have done.   I will go ahead and plug a book I wrote which is available on Amazon called How I Sold 100,000 Books On Amazon.  I’ve heard from some people who read the book and reported increased success.  I don’t have time to go into everything in this brief essay, but will cover what I think are the most important points.  Of course, most important is to write a book that a lot of people will want to read when you put it out there.  But that is of no use if you can’t attract people to give it a try.

Establish a web presence.  You want your name, not just the name of your book, to take up the top slots in a Google search.  There are several things I did here.  First, I established a web site, with a lot of outgoing links, which hopefully will help generate more incoming links.  This will raise it up in the search algorithms.  Next I established a blog.  I was able to get domain names for both blog and website that were my name, dougdandridge, one with a .com, one with a .net.  I went on Amazon and Goodreads and rated a hell of a lot of books I had read, and left actual reviews for most of them.  Blog when you can.   It doesn’t have to be daily, and don’t just blog on how people can buy your book.  Blog on things of interest around the topics of your books.  I do blogs on armor, modern and future weapons, tropes, movies, all kinds of stuff, and then also do a couple of blogs, with excerpts, whenever I put out a book.  And don’t let the number of subscribers put you off.  I only have about a 150 subscribers, but my blog, published about every other week, gets hundreds of views a day.  That’s because I also tweet the blog, with hashtags, and post it on a number of Facebook pages frequented by people interested in fantasy, scifi or ebooks in general.  Also do blogs for other people when asked, and ask them if they don’t get around to it.  I have done blogs for people like David Farland, and for people who have less than fifty subscribers.  I feel like it is a reciprical effort, helping both parties.  The result is that I have the top twenty slots on Google for Doug Dandridge now.  When I started out I was on page two with one entry, and there aren’t that many Doug Dandridges out there to compete with.

Advertise your other books in each of your books, with hyperlinks to make it easy for readers to get to them.  I also have a newsletter, which, while it has slightly less than 300 subscribers, has a much better than average opening rate.  The newsletter is probably responsible for a couple of hundred early sales of each book, driving them up the genre charts, which gets even more attention.  Reviews are important, probably as much as anything.  Not actually what they said, but how they rate you, and the average of those ratings.  Do not buy reviews.  Repeat, do not buy reviews.  But if anyone compliments you, on Facebook, your blog or by email, ask them if they will give you a review.  One review I got was a three star for another series, but he complimented me on my Exodus series, and I asked him is we would be kind enough to write a review for one of those books.  I got another five star review out of that transaction.

I got started with Amazon giveaways.   I have given away almost 16K ebooks, and several of those giveaways have driven my sales.  The trick is to not just do the giveaway, but to advertise those dates.  I use Author’s Marketing Club, which has a free page where you can visit sites that let you advertise your free book.  Most of the sites are free, some charge a nominal fee, but it’s worth it.  You also blog and tweet the giveaway.  How well have they worked?  In September of 2012 I gave away 4,100 copies of The Deep Dark Well, a book which has sold almost 6,000 copies since.  When I released the first of my Exodus: Empires at War books, it started flying off the Amazon servers.  In May 2014 I did a giveaway of that very Exodus book, just after releasing book 6.  I gave away 4,900 copies of book 1.  The five Exodus books were selling between fifty and a hundred books a month at that time.  After the giveaway, each volume sold over five hundred copies in May, including the one I had just given away.  Over two thousand books, for over six thousand dollars in royalties.  Cha ching.  So they are still useful, if done properly.

Twitter is a big part of my platform.  And twitter doesn’t work well at all when you’re just starting out.  What I did was join an indie author’s site, Independent Authors Network, and started retweeting the tweets from some of their most followed authors.   Eventually I was tweeting about fifty authors, and when I started to tweet my own books, I was being retweeted to several hundred thousand followers.  And I learned about hashtags, which get your tweets in front of people who are not following you or anyone you know.  Hootsuite was also useful in scheduling tweets around the clock, so I could get my message in front of fans in Australia.

And those are my basic steps for getting some notice.  Some may work well for you, some may not.  Among the strategies that don’t work are paid advertisements.  Among others that work well are volunteering to do essays on other blogs, like this one.  Or, as Kevin J. Anderson says when offered an opportunity that might help, “I can do that.”

11348812_911349812241779_1132617393_nDoug Dandridge Bio:
Doug Dandridge is a Florida native, Army veteran and ex-professional college student who spent way too much time in the halls of academia.  He has worked as a psychotherapist, drug counselor, and, most recently, for the Florida Department of Children and Families.  An early reader of Heinlein, Howard, Moorcock and Asimov, he has always had a love for the fantastic in books, TV and movies.  Doug started submitting science fiction and fantasy in 1997 and collected over four hundred rejection letters.  In Decmeber of 2011 he put his first self-publishing efforts online.  He currently has 26 books on Amazon, with two more due out over the summer.  After a slow 8 month start, he has sold over 125,000 copies of his work in a 33 month period, and his Exodus: Empires at War science fiction series has placed five consecutive books at the number one rank on the Amazon.UK Space Opera and Military Science Fiction lists, and top five on Amazon.US.  He has been published in Kevin J. Anderson’s Five By Five military science fiction anthology, and has been invited to submit to several others.  He quit his day job in March 2013, and has since made a successful career as a self-published author