Tag Archives: inspiration for writers

Sunday Reads: 22 July 2012

10 reads worth your time:

Ryann Kerekes has some tips for getting a first draft down fast in How Long Does it Take to Write a Book?

On the other hand, KM Weiland suggests some novels can’t be written quickly in Are You Writing Your Novel Too Fast?

Jeffe Kennedy talks about When To Stop Revising and Move On.

And when you do move on to revising, Matthew Salesses has some tips in A Month of Revision.

Matthew Iden examines Kobo as a competitor to Amazon in Kobo: The Heavyweight Challenger?

Jane Friedman has some e-publishing basics in The Best E-Publishing Resources.

Marcy Kennedy talks about increasing your blog’s audience in Four Little-Known Factors That Could Destroy Your Blog’s Chances of Success.

Victoria Strauss details one writer’s nasty shock in Editing Clauses in Publishing Contracts: How To Protect Yourself.

Bob Mayer recommendings letting go of bad reviews in How Should Authors Handle Book Reviews?

Finally, check out a unique advertising campaign from Mignon Fogarty (aka Grammar Girl) in What If Grammarians Had Their Own Magazine?

 

Missed any Fictorians articles?

Ann Cooney – Writing Stillness

Ann Cooney – Critiques Part 1 – Understanding the Process

Mary Pletsch – Filing Off the Serial Numbers: Part Two: Real Life

Sunday Reads: 15 July 2012

10 reads worth your time:

Agent Kristin explains the difference between action and activeness in Writing Craft: Action vs Active Openings to Grab Attention.

Dean Wesley Smith dispells the perception that being picked up by a traditional publisher means the book will actually make it onto bookstore shelves in The Secret Myth of Traditional Publishing.

Anne R Allen has tips on guest blogging in How to Blog VI.

Amber West also has tips for bloggers in Do Writers Need To Blog?

Rachel Kent shares Twitter and Facebook tips in Why Do Readers Connect With You Online?

The Savvy Book Marketer looks at how writers can utilise Goodreads in Promote Your Book on the Goodreads Network.

The Bluestocking Blog examines how not to annoy your followers in Balancing Promotion.

Porter Anderson demystifies the @ symbol in Get A Grip On Twitter Handles.

For inspiration: Writer’s Digest has 72 of the Best Quotes About Writing.

For writing contests: check out the list at Bucks County Writers’ Group.

 

Missed any Fictorians articles this week?

Guest poster Mignon Fogarty – “OK”, “Okay”, and How to Deal with Other Troublesome Style Choices

Clancy Metzger – Writing Guerilla Warfare Style

KD Alex – Writing Between Naps

 

The Great Spring Migration

The spring migration is late this year but I only learned that because someone died.

A close friend’s death pulled me from my concrete world, forcing me to travel across endless prairie, to see spring repaint winter’s stark world with the tender greens waving away the north wind’s last cold breaths. And in my journey to mourn, I see the spring migration – gathering energy to fly to thawing northern nesting grounds by fervently feeding on the last crop’s stubble, not one stray seed left behind. A friend had died and with her, part of my heart died yet here was nature, hopeful, fervent, telling me the cycle must continue, that despite all that happens, life stops for no one.

This journey takes me back to the farmstead home where I grew up – right in the middle of the great spring migration. Flocks of Greater and Lesser Canada geese, cranes and Snow geese formed feathery swarms. Circling gracefully down to water, then like arrows shot into the sky they circle yet again searching for perfect feeding fields.

The choruses of honks and krooos carried by cool spring winds are a music once familiar, now alien, to my ears.  These choruses are the excitement of spring, the energy of rebirth and creativity and somehow, through my tears of grieving, I am stilled to peace.

A walk across stubble fields, still too wet for seeding, floods me with memories, once known in my youth but now seem otherworldly. Who was that person who remembers where the trees once grew, where cattle grazed in pastures, where weeds were pulled from garden rows at a nickel a pail? Who is this person who now deigns to wear sandals through straw stubble, ankles scratched – a child of the city now – alien worlds converging, lifetimes past and present merging.

Walking along a windrow, a prairie chicken is spooked from the grass. My partner is now lost in his memories of times hunting before pesticides and farming diminished this delicacy. As we share the past I realize that few words can bring to life the images, the memories, the smells, the aching muscles, the laughter accompanying sliding down haystacks in winter … time has made  the once familiar foreign. The migration darkens the sky above us as birds swarm debating if this field will yield enough scattered grain. I feel the noisy migration sweep my old ghosts away for their focus is on today  – it is all that matters and all that ever will matter.

At 4 a.m., the winds change and I know, lying in the dark, protected from the diamond sky and sun’s first yawning, that it is time – that this is the last night of honking and krooing wakefulness and that silence will ensue. I leap from my bed to watch the geese and cranes, their last grazing of  grain speckled stubble fields completed, rise to the skies, circling, a choir in flight, summoning all to follow, their v-shaped lines flapping arrows aimed at northern nesting grounds.

Then, the earth gasps at the timeless glory of the final migration before relaxing with a sigh. But, the silence I expect never comes.

Instead, I hear the almost quiet – the earth’s soft belches and burps of spring moving to summer. Frogs croaking bass melody day and night, the percussion of duck calls, crows cawing oblivious to the frog’s melody, the crescendo and decrescendo of wind whispering then whistling through budding trees – the new, softer melodies of insects crawling over warming ground, farmers preparing the land for seeding, hoes working gardens. The south wind, carrying the frenzied migration northward now blends these spring choruses to new compositions.

Ah yes, the rhythm, the balance of the earth, timeless beyond man – these things I now ponder. And I also wonder about the worlds I create as I now sit in my walled home, in my city of concrete and asphalt and unearthly noise. Do my characters wander through worlds which gasp, belch and burp? Are they  aware of the subtle things which affect their lives? Am I aware of these things? Maybe. Maybe not. But I now know that sometimes we and our characters need to take the time to breathe – to feel the change, to feel the sorrow and the timelessness of life.

It was disgusting ….

It was disgusting. I don’t usually mind going to hear a once popular band, a relic from the rock “n roll era. I mean you’ve got to give these guys credit. Some have fallen from grace, face first, some withered away when music changed, while others simply went on to do different things. Some of the come backs have been less than stellar while others, despite their aging voices do a fabulous job.

This last come back dream should have been classed as a nightmare. The bass player, the only one who could hold a beat, competed with the drummer whose tinny cymbals accented the pitchy lead singer who was drowned out by the cacophony of screams forming the background vocals. And to think I paid to see them! I never want to imagine that I could ever disappoint anyone, let alone a total stranger, so badly …

So, how do you know if your writing is good enough to put out there? Where is the honest feedback? When do you abandon the dream? How hard do you need to work to make it good?

Traditionally, poets, novelists and short story writers have relied on the feedback from publishers (aka the dreaded rejection) to know if their writing is acceptable. Workshops, classes, writing and critique groups are all good sources for feedback – honest feedback which lessens the chances for rejection. Yet, I read that popular novel The Help was rejected 60 times (and had sold the movie rights) before it found a publisher. Go figure ….

Then there’s indie publishing. Scares the bejeepers out of me. Why? Because so many neophytes remind me of the comeback bands. They don’t know what’s good or bad. At least the come-back bands have an established following to prey upon. Aspiring writers don’t. Some writers have ventured forth on their own and have done well. Others have failed miserably.

Failing because marketing, promotion and distribution are tough things to handle for creative spirits is understandable and eventually can be overcome. Learn to do it yourself, join a writers marketing cooperative, find a small publisher to increase your chances, we can do whatever it takes to get our books out there. But, what if it’s because the writing wasn’t quite there? It’s critical to find people who know what they’re looking for, who can help with plot holes, logic gaps, grammar, etc. Find those people. Even traditional publishers, due to staffing, time and money constraints, want only the best written work.

And it’s the failures which concern me.

So whether you’ll be self publishing or approaching a traditional publisher, take the time to get it right. Time is on your side. A reputation for poor work is never on your side.

Oh and the comeback group, who shall remain nameless, announced they were laying the last track on a new CD. Seriously? After the bomb dropped, they expect me to trust their artistic sensibilities? Never.

So all I can say is, when I decide whether I self publish or woo a traditional publisher, my work will have survived feedback that I can trust. If I ever put a product out there that isn’t well crafted I don’t expect readers to give me a second chance. Publishers either, for that matter. I will only send out my best revised work because when you’re starting out, you have nothing to fall back on. No one to say I’ve seen her do it better.

Your record stands for itself – and if it’s your first shot, make it the best otherwise, that’s all there’ll be!