Planet Comicon – Kansas City, Missouri

If you aren’t familiar with me, I’ve hit about 60 conventions in the past three and a half years. From coast to coast and north to south, I’ve hit most of the big ones and many of the medium-sized comic, genre, and media conventions across the country. I can honestly say that Planet Comicon is in my top five conventions of all time. I’ve been there for the past three years in a row, and I’ll keep going back so long as they have me.

I need to point out that my attendance has always been with either the Word Fire Press booth or Bard’s Tower. I’ve never attended it as an individual author. However, I can say that I have several indie authors who have, and they’ve all done well at the convention… if they were go-getters, anyway (more on what that means later).

Next season, Planet Comicon will be February 16th, 17th, and 18th in it’s usual location of Bartle Hall in beautiful downtown Kansas City. This is two months earlier than it’s normal April schedule, which puts it right before Pensacon, in Pensacola, Florida, and although I’m trying to avoid back-to-back conventions, I’ll probably still try and go, because I like it so much.

So, what is there to like about Planet Comicon?

Because it’s in the midwest, the prices for vendors and artists to get space is considerably lower than one would find at bigger conventions on the east or west coast. That can make your book sales and ROI propositions much easier to manage than in other places. They advertise the convention well, take care of their attendees, and have high repeat-attendance.

Another thing about this convention is that there are a lot of readers in the area, and not all shows do. No matter when I’ve been there, we’ve always had good sales numbers. The attendees are affable and open to being approached by new and established authors alike. The folks running the convention also take good care of the artists, actors, media personalities, and vendors. I’ve never heard of any issues, and I’ve seen most of the vendors there again and again over the years. This means there’s no reason for them to take their business elsewhere.

The key here, and this goes for any convention you attend as an indie author with a table, is that you must be a go-getter. You have to engage your target market actively and non-stop. If you’re the sort of author who sits behind the table, butt in chair, watching people walk by and hoping they stop to ask you about your book, you might as well give up the business now. Stay home, write more, and submit to the Big Five. If you want to sell books, however, and put your sales in the green and well above your costs, then you need to be standing up at the table and engaging as may of the attendees as you can. The convention circuit is not for shut-ins. The second you hit that vendor floor, you have to put on your salesman hat and talk to as many people as possible.

That’s the trick to earning a living as a convention-going author.

Working a convention floor is a lot like hawking your wares in an old Turkish marketplace. It’s about being noticed, chatting up the passers-by, making friends with them, and making sure they walk away with a book in their hands and their money in your pocket.

Kansas City is a great place to do that, and once you get rolling, you may find you have an appetite for it.

I’ll add that the downtown area is a nice place to just walk around. There are shops and restaurants and a public transit rail system that lets you see more of the area if you want to take the time. There’s also some KILLER BBQ to be had all over the place. Now, if you’re on a budget, there’s a nice little market not far from Bartle Hall that allows you to get really good food by the pound, with a selection of entrees, appetizers, salads, and whatnot. They also have some pretty good sushi, if you lean that way–which I do.

Planet Comicon is on my list of favorites, because it’s a great selling environment, has a delightful downtown area, and is a relatively low-cost city to stay in, if you can manage it.

If you are looking for a solid, larger-sized convention with a strong reading audience, I heartily recommend you add it to your list of conventions for the 2018 season.

Good luck, and KEEP WRITING!

Q ~

About Quincy J. Allen

Quincy J. Allen, a cross-genre author, has published a litany of short stories in multiple anthologies, magazines, eZines, and one omnibus since he started his writing career in 2009. His first short story collection Out Through the Attic, came out in 2014 from 7DS Books, and he made his first short story pro-sale in 2014 with “Jimmy Krinklepot and the White Rebels of Hayberry,” included in WordFire’s A Fantastic Holiday Season: The Gift of Stories. Chemical Burn, his first novel, was a finalist in RMFW’s Colorado Gold Contest in 2011, and his latest novel Blood Curse, Book 2 in The Blood War Chronicles, is now available in Print and Digital editions on Amazon and digital formats on Kobo, Barnes & Noble, iBooks, and Smashwords. He is currently working on his first media tie-in novel for the Aradio brothers’ Colt the Outlander IP, and expects that book to release in early-to-mid 2017. He also has a short story appearing in an upcoming Monster Hunters, Inc. anthology from Larry Correia and Baen due out in 2017. He is the publisher and editor of Penny Dread Tales, a short story collection in its fifth volume that has become a labor of love. He also runs RuneWright, LLC, a small marketing and book design business out of his home in Colorado, and hopes to one day live in a place where it never, ever, ever snows.

One response on “Planet Comicon – Kansas City, Missouri

  1. Frank Morin

    Thanks for the info, Quincy. I’ll add this one to my list of cons i want to attend. And I definitely second the point about having to work the crowd – engage people and put yourself out there. It’s the only way to make it work, and it’s a lot of fun talking with folks, asking them about what they like to read, and trying to fit them with a book they’ll love.
    Frank Morin recently posted..SLC Comicon – A Feast for the Eyes

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