Author Archives: Nathan Barra

About Nathan Barra

Though Nathan Barra is an engineer by profession, training and temperament, he is a storyteller by nature and at heart. Fascinated with the byplay of magic and technology, Nathan is drawn to urban fantasy and soft science fiction in both his reading and writing, though he has been known to wander off into other genres for “funzies.” He is an active blogger and posts twice weekly at NathanBarra.com. Nathan is always up for a good conversation, so please drop him a line through his contact page, or write on his Facebook wall (www.facebook.com/WriterNathanBarra).

Science Fact and Science Fiction (Part 1)

Many of the people with whom I’ve shared both aspects of my life are surprised by the dichotomy. I aspire to being a best-selling writer, and yet work as a professional scientist. I take writing courses and attend cons, and yet got my degree in engineering. Friends on both sides of my life have told me that it’s weird that I can do both. After all, everyone knows that scientists are analytical, left brained, and writers are creative, right brained. You simply can’t do both. Well no, clearly you can. But I can see where they are coming from given how often scientists are miss represented in fiction.

Sometimes it’s as simple as factual inaccuracies. Those I can forgive. After all, who is to say that the fictional world works with exactly the same rules we contend with? However, I have a much harder time when it is clear to me that the author didn’t bother to take the time to understand how scientists think and view the world. For me, a character not feeling “real” places huge amounts of strain on my suspension of disbelief. So, in the interest of better writing all around, let me share with you four of the things that I’ve noticed “right brainers” often get wrong.

1. Science is BOTH a Body of Knowledge and a Way of Thinking…

The extent of scientific knowledge that humanity has managed to accumulate is mind boggling. Though people tend to think of science as one big thing, it’s not. Botany, chemistry, anatomy, rocket science, robotics, medicine, programming, all the flavors of engineering, and dozens of other specialties — it’s all science. I’ve seen plenty of fictional scientists who seem to know everything. That’s bogus. Sure, a scientific education is designed to instill a baseline of knowledge across a broad spectrum of topics. However, at some point (usually in college if not sooner) scientists tend to hone in on a very narrow slice of the spectrum and specialize. It’s not uncommon for a pure scientist to devote their entire lives to researching weight loss, looking for exoplanets, or working on ways to improve human-computer interactions. Though those may seem to be broad topics, and they are, they are each only one “book” in the library of scientific inquiry.

However, “science” is also a lens through which scientists and engineers are trained to view the world. That training gives its students the discipline and tools needed for problem solving and discovery. It also instills certain core beliefs. Fundamental to any of the sciences is the idea that the world works by following a set of rules. We may not understand those rules right now, but we can and should discover them through methodical observation and experimentation. Second is the belief in the need for ideas to be challenged and reviewed by peers. A single experiment or study doesn’t mean a thing until it is reproduced and verified independently. This goes hand in hand with the idea of intellectual integrity, which is sacred within the scientific community. Finally, the training of a scientist is designed to instill a certain degree of precision and attention to detail. Many scientific discoveries throughout history were made because something unexpected happened and the researchers were observant enough to notice the trend.

As writers, we need to ensure we cover science in all its aspects — both as a body of knowledge and a point of view. The first requires that we research our character’s specialties thoroughly enough that we don’t make major mistakes and break the illusion. I’ve found it helpful to consult with experts as necessary. Luckily, there are many scientists and engineers who are also fans of fiction, so it’s easy enough to find volunteers. Secondly, we must take care to ensure that we capture how a scientist is trained to think and view the world. We also need to know our character’s specialties, and whether they view themselves as a pure scientist (the sort who loves knowledge and discovery for its own sake) or an applied scientist (those who find value in doing something with their knowledge). Finally, we need to decide if we want them to be a generalist or a master of a single specialty. I’ve seen every combination work well, but it’s a significant decision that must be considered carefully.

2. Stereotypical Scientists are Rarer than You’d Think…

The sorts of walking stereotypes you see on shows like The Big Bang Theory do exist. Trust me, I’ve personally met more than a few. However, most scientists would blend in seamlessly with a crowd. Sure, there are some scientists who are uncoordinated and poorly dressed, but there are also scientists who are body builders, fashionistas, and martial artists. Some are socially inept and massively introverted. On the other hand, I had an engineering professor in college who performed standup comedy on the side. Furthermore, we don’t all stick with science as a life-long profession. Some of the people with whom I graduated have gone on to be actors and professional chefs. And while there is some truth to the stereotype that scientists are all either white guys or Asian, there has been a HUGE push recently to attract women and other races into scientific education and careers.

Admittedly, we still have a long way to go, but I always get frustrated when “futuristic” science fiction is filled with a group of monogender, monochromatic, hapless, and hopeless nerds. Science is, should be, and must be a diverse community. We need the varied points of view granted by many different backgrounds in order to truly explore the universe. Uniformity of demographic or thought quickly leads to stagnation.

As writers, we need to be pioneers of what’s possible while also honoring what is. We inspire our readers to follow their dreams and passions, especially when they don’t believe that it’s possible for someone like them to do something amazing. I am a scientist because of fiction. I know that I’m not the only one. We writers owe it to our readers to ensure that we represent all sorts of characters in our works, not just relying on tropes, stereotypes, and plot devices.

Be sure to return tomorrow for the Part 2 of Science Fact and Science Fiction!

Can’t Take the Sky From Me!

A couple months ago, I had the pleasure of introducing my girlfriend to one of my favorite fandoms — the Firefly TV series. We shared a bottle of wine and watched the first few episodes together while at her place one night. When I was getting ready to leave, she asked to borrow the DVDs so she could finish the series. Being an avid Browncoat, I of course had no problem with this.

A few days later, she returned my DVDs and we had a lively chat about her favorite characters, plot lines, and moments. Towards the end of the conversation, she smiled at me and said, “Well, I really enjoyed that. I’m ready to borrow the next season if you have it on DVD as well.”

Ooops… “Ummm,” I said, “I can’t do that.”

“Why not? Do you have a digital copy we can watch together?”

“Well darling, there’s no more.”

Pause.

“What do you mean there’s no more?”

I probably shouldn’t have smiled, but I did. “Well you see, Fox canceled Firefly after a single season.”

“What? That’s stupid! Why would they do that?”

“Love, people have been asking that very question for years.”

Like many other major fandoms, we Browncoats are passionate in our love. However, unlike most of the others, our series only had 14 episodes with which to win our undying affection for Serenity and her crew. How did Joss Whedon do it? Why were we addicted so fast? Part of becoming a writer is learning how to dissect the pieces of fiction you love to find out what gives them their power. I’ve rewatched the Firefly TV series half a dozen times over the years, hoping to unlock Whedon’s secrets to addictive storytelling. I have a few theories, but here are the top seven reasons I think that Firefly was so powerful.

1. FIREFLY TRANSPORTS US TO A FANTASTIC PLACE AND TIME.
meet the washburns
In Million Dollar Outlines, David Farland pointed out that many of the most successful movies of the last 50 years actively transported their audience to a different place or time. The ‘Verse that Whedon created certainly checked that box. Whedon’s world was dynamic, colorful, and exciting. The juxtaposition between the advanced societies of the Core and the space cowboy Rim was both charming and filled with conflict. And come on, who doesn’t want to be a space pirate living on the Serenity?

2. FIREFLY WAS TUNED TO SATISFY OUR EMOTIONAL NEEDS.

Part of Joss’ brilliance with the Firefly series was how well he was able to blend all sorts of emotional payoffs.

Excitement — I mean, space pirates, am I right?
RomanceTell me that I'm prettyThere were three very different romantic subplots. The first, between Mal and Inara, was a reluctant attraction story all too reminiscent of modern dating. The second, between Simon and Kaylee, was more of a young love. It resonates well with our own first romantic exploits. Finally, there was the established love between Wash and Zoe. It was unlikely, yet stable and strong. Something many of us wish to find for ourselves.
HumorbonnettSometimes it was simple one liners, references to flowered bonnets or the “special Hell.” Other times it was a running gag, like when we had an entire episode about Jayne being a folk hero. Either way, there were plenty of laughs and inside jokes.
Mystery — River and Book’s back stories provided plenty of intriguing questions that have fueled fan speculation even long after the series ended.
Wonder — I mean, space pirates, am I right?

In so doing, Whedon was able to cast a wide net, both attracting and satisfying a large and diverse audience.

3. THE CREW OF THE SERENITY FIGHTS LIKE FAMILY.
Big Damn Heroes
This aspect is twofold. On the onehand, there was plenty of conflict on the Serenity. Each member of the ensemble drove the others crazy at times. That special sort of insanity reserved for siblings. It kept things interesting and dynamic. It also resonates strongly with much of the audience.

On the other hand, they also fought as a family, repeatedly and selflessly putting themselves at risk for one another. Watch the episode where they assault Niska’s station or the one where the crew goes back to rescue Simon and River from hill people. They were willing to die, and kill, to save their own. They loved one another, one of the truest human emotions and an undeniable anchor for audience empathy.

4. THEY AIMED TO MISS BEHAVE…

The crew of the Serenity were pirates, criminals and vagabonds. They stole from the rich, sold to the poor, and were gleeful in their exploits against the Alliance. In our world of well-ordered queues and 9 to 5 jobs, we enjoy stepping out of line with them every now and then.

5. …AND YET THEY HAD HEARTS OF GOLD.
do something right
When it came down to the line and they had to choose between fleeing near certain death or fighting, they stood their ground and fought for what was right.

6. THE ODDS WERE ALWAYS STACKED AGAINST THEM.

Audiences love underdogs, and the crew of the Serenity always faced overwhelming odds. The government of the Alliance was demonstrably selfish and neglectful, if not outright evil at times. Life on the Rim was brutal and occasionally cruel. However, our band of miss fits struggled to survive none the less, often escaping those chasing them by the narrowest of margins.

7. JOSS LEFT ENOUGH ROOM FOR GROWTH.

Each of the characters was treated as a whole person and given room to grow as an individual. They each had their own pasts, natures, and futures. Though they couldn’t all always share the spotlight, Joss allowed each their own time to shine. Throughout the series, we were able to watch them become better versions of themselves, carving out a home and a family in the uncaring ‘Verse they were born into.

Serentity

Kickstarting Zen Awesomeness

I have a deep and abiding personal respect for James A Owen. He’s a talented and successful author, comic books artist, and business person. He’s always been a good friend to me, giving me unconditional support and encouragement in not only my writing, but also my personal life. He taught me about the power of selling your Eggs Benedict and about the need to push yourself until you are just a little bit scared. His actions frequently remind me of the power of kindness and understanding. Now, he’s the one in need of a little help, and I’m for sure going to answer the call!

When first asked to speak to middle schoolers as part of his book tours, James decided that he didn’t want to talk about his Imaginarium Geographica series. If he was given only one hour to speak to the kids, he wanted to talk about what he thought was important in life. About the cumulative power of choice in our lives, on the need to decide what you want and work for it, and on the idea that it’s never too early to start shaping your destiny. This talk, Drawing out the Dragons, was so successful that he’s been asked to repeat it hundreds of times over the years.

When James realized that he couldn’t reach all of his audience personally, he converted the talk into a book. However, the story and the philosophy weren’t done there. He had more to share. And so, he wrote the Meditation’s trilogy to share his amazing life and philosophy of relentless optimism in the pursuit of one’s destiny.

My first experiences with the trilogy came when I heard James’ Drawing Out the Dragons presentation at the Superstars Writing Seminar back in 2013. I then read the first book, by the same name, and enjoyed it greatly. In fact, it is one of the few books I perpetually keep in my phone. Like everyone else, sometimes I just need someone to tell me that they believe in me and inspire me to keep pushing forward. James does this, both in person and in text.

Right now, James as a few days left in the Kickstarter he is using to turn these powerful books into a beautiful hard cover set. I’m a supporter, and hope that y’all would be willing to consider taking the leap of faith needed to help him complete this awesome project. I promise, you won’t regret it!

DRAWING OUT THE DRAGONS: A Meditation on Art, Destiny and the Power of Choice

“James inspires and motivates both the young and young-at-heart with personal stories that share an important belief: that you can choose to lead an extraordinary life if you will just persevere, stay focused on your goals, and believe in yourself.” —LeVar Burton educator, actor, entrepreneur. Drawing Out the Dragons has the power to uplift, inspire, and change your life, and is the first book in The Meditation s series.

THE BARBIZON DIARIES: A Meditation on Will, Purpose and the Value of Stories

“Mythologies are huge, sweeping things. And the grandest stories are those with the widest arcs of triumph and despair. As much as we may want to, we may not be able to avoid the despair – but triumph is a matter of will.” DRAWING OUT THE DRAGONS was written for everyone, but this book is an advanced course in surviving the Refiner’s fire – because some stories are too important not to share, and some stories are too meaningful to hide.

THE GRAND DESIGN: A Meditation on Creativity, Ambition, and Building a Personal Mythology

This book brings together the ideas from the previous volumes in The Meditations series (Drawing out the Dragons and The Barbizon Diaries) about all of the things I know and believe are most important in choosing to live an extraordinary life. Significance is a choice; and the extraordinary can always be chosen. That’s everything. And that’s all.

March Wrap Up – Nathan’s Top 10 Take Aways

This month on the Fictorians, we’ve thoroughly explored the many aspects of balancing our writing with the myriad of other responsibilities we have in life. I lead this month by insisting that we all have to choose how we spend our time. I have the words “70 hours” written on my bathroom mirror to remind myself that I have plenty of time outside sleep and my job. It’s up to me to choose how I spend it. And I still stand by all of that.
However, the stories and experiences of my fellow Fictorians and our wonderful guest posters have helped me realize a few things about my own work-life balance. It’s not perfect, nor does it need to be! Instead of repeating their words, I’ll simply share my top ten favorite posts for the month. Do they line up with yours?

  1. I found out the secret of Gama Martinez’s awesome prolificness! The man keeps up with one of the most aggressive release schedules I know of by writing his books 10 – 15 minutes at a time when necessary, capturing every opportunity he can to do what he loves.
  2. Ace Jordyn reminded me that you don’t need to write every day to be a writer. We all have our own rhythms. Do what works for you!
  3. Kate Corcino told us about some pretty intense points in her life, how she struggled to find time to write, and those times when writing wasn’t the most important thing she had to deal with. Writing’s a marathon, not a sprint.
  4. David Heyman talked about the struggle to have your cake and eat it too. Sometimes, however, you must give up a slice to make time for your novels. It’s essential to remember that you need to take that slice out of your own portion of your time, not out of the work that pays the bills or the family that loves and supports you.
  5. No one is busier than a new momma, but Joy Dawn Johnson let us peak into her crazy, distraction filled world. And yet, she still gets work done. The trick? No matter what distractions arise, always come back to the keyboard.
  6. Speaking of distractions, there are some things that come up that we have to attend to, while others can be ignored. At least for a while. Emily Godhand talked about how to tell the difference and knowing when to remove or ignore the ones that are keeping us from getting writing done.
  7. I’ve been obsessing about making my writing a business so much over the past couple years that I’ve lost sight of the need to let the artist run the show sometimes. Like Sean Golden, I’ve recently found that my best work has been done when I’m not worried about making a sale, but rather focus on writing a good story.
  8. Nancy Green reminded us that you can’t have “it” all; you just have to decide what “it” actually is.
  9. Jen Greyson talked about the difference between balance and equilibrium. After all, it doesn’t matter if the scales are even, so long as you can be happy with where they lay.
  10. Holly Roberds’ post reminded me that you can’t be a slave to your work. Sometimes you just need to cut yourself a break and give yourself permission to do something other than writing. Seriously! It’s healthier that way.

And those lessons only represent about one third of all the insightful posts we’ve seen this month! Did you catch them all? Which were your favorites? Unfortunately the month is almost done and we need to be moving on to a new theme, but please come back for April’s topic. I promise you’ll love what Anne has in store!