Category Archives: Your Writing Career

From Plane to Progress

wfclogoWhen too many helpful incidences come together for a protagonist, we call it contrived. Sometimes, however, they happen in real life. Is it coincidence, divine intervention, karma? I know where I stand on the subject, since I’m a devout LDS Christian who believes in inspiration, but I’ll let you decide for yourselves.

After listening to some of the Writing Excuses podcasts by Brandon Sanderson, Howard Tayler, and Dan Wells, I decided that I should try to go to the next World Fantasy Convention (WFC). This was about six years ago, and the convention was happening in San Jose. I calculated plane trip, hotel, and food and realized there was absolutely no way. Then, I remembered…my step-father-in-law had a daughter, whom I’d met once, who lived in San Jose. I felt like a mooch, but I was desperate and determined. I contacted her and asked if I could stay.  She not only agreed, she was a spectacular hostess, drove me around, and thanked me for coming.  I know, that’s not strange, it’s sweet. This is the unusual part:

While getting my tickets, I felt like I should go with a different airline than I usually do even though I had to pay more. With the upgrade came the option to pick my seat. I chose one at random, trying to get close to the windows, but then thought, “No, I should sit in this one.” and picked an aisle seat (which I don’t like), way too close to the engines. Months later, while sitting in said seat, I couldn’t help but pick up my companions’ conversation. After a few minutes, I put away my laptop and the book I was working on and got up the guts to ask if they were attending WFC. Not only were Gini Koch and Glen Glenn an absolute delight to talk with, Gini told me to find her at the con. With the numbers of people, I didn’t think I was likely to actually see her again, and I probably wouldn’t have if it wasn’t for the subsequent events.

Dinnertime the next evening found me by myself, deciding between a tasty sandwich shop (which I love), and Jimmy John’s (which I’m not crazy about). I grabbed the door handle of the sandwich shop and yet felt compelled to go to hamburger-joint Jimmy John’s instead. So I did. Inside, a group of Tad Williams fans saw the WFC bag, initiated conversation, and invited me to join them. Through them, I discovered the after-parties that go on in the hotels and the opportunities there to meet agents, publishers, and fellow authors.

Of course, I went to one and through the stifling crowds and multiple floors, Gini Koch happened to walk by and we met up again. Gini is a wonderful person who loves to encourage aspiring authors, and Glen is a fellow writer who has traded a number of works with me for critique and helped me grow more than I ever could have on my own. Gini introduced me to her agent, other agents, publishers, and took me under her wing. She has given me writing tips, done invaluable author workshops with my local writing group, and has helped me develop my craft until I felt confident in my abilities. I’m not sure I would have made it to publication without her belief in my potential.

Did blind luck, divine guidance, or something else bring me the friend I needed in my life at just the right time? Personally, I believe I’m doing what I’m supposed to do, but I’m also happy to leave my story to my readers’ interpretations. Maybe it will seem like fiction to you, but I know my story is too coincidental to be made-up.

A Hangman’s Tale

A guest post by Karen Dudley.

In 1999, I was nominated for the Crime Writers of Canada (CWC) Arthur Ellis Award for Best First Novel for my book Hoot to Kill. The award is named after the pseudonym for Canada’s first official hangman, who served in the job between 1912 and 1935 (several of his successors also adopted the pseudonym). The Arthur Ellis award itself is a stylized wooden statue of a hanged man. The arms and legs jerk around when a string is pulled.

I had never been nominated for an award before (Hoot to Kill was, after all, my first novel), so I flew out to Toronto for the awards ceremony. There were drinks and dinner, and I met a number of other crime fiction writers, which was fun. And then came time for the awards ceremony. The Master of Ceremonies that year was Peter Robinson, one of Canada’s foremost crime fiction writers and a truly great storyteller. And he had a fantastic story for us that evening.

The Arthur Ellis award statues, he informed us, were not made in Canada, but rather were manufactured somewhere in the United States and then shipped up here. That year the statues had been duly assembled, boxed up, and shipped off, but somewhere between there and here, they had been lost. As the date for the awards ceremony drew closer, the CWC committee started frantically digging around to find out what had happened to them.

It turned out that Purolator had, in fact, brought the box into Canada, but they’d accidentally delivered it to the wrong house. Under ordinary circumstances, not a big deal. Unfortunately, these were not ordinary circumstances. The house that Purolator delivered them to belonged to a man whose business partnership had recently dissolved due to some rather shady business dealings. These dealings were so shady, in fact, that the man had been receiving death threats. Imagine his reaction then when he opened up the box that had been left on his doorstep and found it filled with ominous little statues of hanged men!

The police had seized the box of awards and Peter Robinson and the other members of the CWC awards committee had to do some very fast talking to get the statues released in time for the awards ceremony. As Peter remarked that night, if any of us had written that in a manuscript, our editors would have taken it out as being too unrealistic.

I’m no longer writing crime fiction. I moved into the fantasy genre a few years back. And although my first historical fantasy, Food for the Gods, was nominated for five different awards, I have to say, none of these awards ceremonies could boast the same stranger-than-fiction story as the Arthur Ellis awards of 1999.

Karen Dudley pic1Guest Writer Bio:
Karen Dudley wrote wildlife biology books and environmental mystery novels before she had an epiphany… she wanted to write historical fantasy. So she did. Food for the Gods and its sequel, Kraken Bake, are quirky sort of books, a bit like Xena meets Iron Chef. Food for the Gods was nominated for several awards, including a High Plains Book Award in the Culinary Division. Karen lives in Winnipeg with her husband, daughter, and the requisite authorial cats. You can read more about Karen and her books at www.karendudley.com.

Notes to My Younger Self

A guest post by Mark Leslie.

Mark Leslie at 13For almost as far back as I can remember I knew that I wanted to be a writer. One of the most prevalent memories was the summer that I spent down in the basement hammering out a Dungeons & Dragons inspired fantasy adventure novel. There I was, thirteen years old and hunkered down with my notes, my hand-written first draft, my research material and the typewriter, working hard at typing the revised draft of what I felt was an epic that the world was eagerly awaiting: The Story of Aaron Boc. The rise and fall of a noble barbarian whose name would ever be hailed in the history books of my fictitious universe.

My friends were out on their bikes, hanging out at the beach or playing football or baseball to pass away those two precious summer months that seemed so fleeting to a child. And I remember, clearly, feeling the angst of not being with them, not participating in the social activities that I really wanted, because, to me, finishing that novel was something I wanted even more.

So it seems that, even at that young age, I knew in order to be a writer, you had to actually write. And that meant making time for writing, which often involved sacrificing other activities that you might be doing at that same time. I later found a quote from Hugh Prather from his book Notes to Myself that reads: “If the desire to write is not accompanied by actual writing, then the desire is not to write.

So, no, I wouldn’t go back to ensure that my younger self knew the importance of carving time, ideally every day, in order to write, and that would mean lots of sacrifice.

I might be tempted to ensure that the thirteen year old Mark knew that it was okay to suck in the first draft; that you could always revise and improve upon mistakes from the first draft when you wrote the second one. But it appears that the thirteen year old Mark who hand-wrote the first draft before typing in the revision had already begun to appreciate that concept.

But when I look at this young and eager writer, I do find something that I believe I can share with him after three decades of experience as a writer who has come to embrace both traditional publishing and self-publishing.

I think I might tell him that, despite his deepest inner belief and the thrill coursing through his heart, that the world isn’t waiting to read his stuff.

Yeah, I know, it seems cruel to tell him that, but that statement would immediately be followed by the fact that while the world isn’t just waiting, breathlessly, for his epic novel, there WILL be people who will enjoy his writing enough to eagerly anticipate his next piece. And THAT is what counts.

No, there won’t be hoards of people flocking to bookstores asking, every day, if the next Mark Leslie book has arrived. But there will be some folks who, having enjoyed his previous works, seek out his latest.

The lesson, I suppose, is for him to not lose focus on the story he is trying to write, and ensuring it’s the best possible story, true, entirely, to itself, and nothing else, if perhaps a single adoring reader. That if he pauses and tries to consider the larger picture, of how that story might appeal to a broad, mass audience, he might lose sight of the actual readers who are quite pleased with the words that naturally flow from his pen.

Write the story you feel deep inside. Be true to the tale that you are creating. Don’t worry about whether or not the masses will love it – worry about whether or not you love it, whether or not the story is honest and real. Be true in that first draft, and then work at polishing and carving out the uglier bits in the second and third drafts.

And sometimes the entire manuscript becomes an ugly bit that will never see the light of day, but indeed does contribute greatly to your craft and skill. The Story of Aaron Boc and the sequel novel written the following summer, The Search for Aaron Boc remain in drawers and will likely remain there permanently. They weren’t the best written books, some might even suggest they were terrible, but they were written with heart and passion, and the process of writing them taught me so much about the mechanics of plot and sub-plot, of character and setting. I had to write those novels in order to hone my skill. And that ongoing learning as a writer never goes away.

Oh, and I’d also suggest that the younger Mark enjoy the feeling of having hair while he still can, because as fleeting as the thrill of having finished and published a work can be, so too can that fleeting moment in life where one’s hair is thick and rich and full.

But if I start offering advice about things like that, we could be here all day. And you have stuff to write, don’t you?

Mark LeslieGuest Writer Bio:  Mark Leslie lives in Hamilton, Ontario and has been courting a serious addiction to writing since discovering his mother’s Underwood typewriter at the age of thirteen. The editor of speculative fiction anthologies such as North of Infinity II (2006), Campus Chills (2009) and Tesseracts Sixteen (2012), Mark also writes a series of non-fiction paranormal books for Dundurn which include Haunted Hamilton (2012), Spooky Sudbury (2013) and Tomes of Terror: Haunted Bookstores & Libraries (2014). Mark’s first full length novel, I, Death is out in the fall of 2014. When he’s not writing, Mark tacks “Lefebvre” back onto his name and works as Director of Self-Publishing & Author Relations for Rakuten Kobo, Inc. where he heads up the Kobo Writing Life team.

Images: 1) Mark Leslie at the age of thirteen, working on his “epic fantasy novel” while his cousins play video games and his Baba tries to get him to stop writing and come eat some lunch. 2) Author pic

It Will Not Always Be Easy

A guest post by Bobbi Schemerhorn.

There are so many things that I would tell myself in the beginning.  I walked into this career path with my eyes shut in many ways.  I thought that my writing could do no wrong, that there were only minor skills to improve upon.

So in the beginning when I first started my Guardians Series I sent out several chapters to a friend to read.  The woman whom I sent them out to was extremely critical of them.  She was harsh with her critiques and I felt attacked in many ways.  My arrogance was my undoing, her words hurt me, deeply.

My response to this was to quit, I walked away from it for many months, even years.  I now doubted my story and my ability to tell it.  But I wanted to write, I felt it in my bones, I knew in my heart that I was meant to write.  I felt at peace in many ways when sitting behind a keyboard or with my pen in hand telling my stories.

So I returned to the book with open eyes, knowing that I was in no way infallible.  I had so much to learn, I’m still learning every day.  Although critiques can be harsh and painful at times to take, I do my best to see them for what they are.  Not sharp daggers intending to kill my writing spirit but rather a gentle hand guiding it into a brighter light.

My advice would really come in two parts.  The first one being, don’t give up on your dreams.  There are always going to be obstacles in life.  School, work, kids, spouses, etc., so you need to make time for it.  There is nothing easy about being a writer, its hard work.  So make sure that you want to be a writer as badly as you need to breathe.

My second piece of advice is, see the criticisms for what they are.  Take the notes that are most helpful, the ones that are aimed to help you improve and disregard the rest.  There will always be people out there that will want to see you fail.  But the people that matter in life want you to have nothing but success.

I know that the strongest piece of advice that is given all the time is, grow a thick skin.  That is sound advice, but I don’t think that it is always appropriate.

To say grow a thicker skin may not be the words that I would use.  Because I feel that it doesn’t always fit the situation.  An old African proverb said: When there is no enemy within, the enemies outside cannot hurt you.

This work isn’t easy, it’s challenging, frustrating, and sometimes even heartbreaking.  But it is worth every word, sentence, paragraph, and second.

Bobbi SchemerhornGuest Writer Bio: Bobbi Schemerhorn has always come up with wild stories and characters since a young age.  Many played out in school yards role playing but never written down.  Till she entered seventh grade her teacher had handed everyone journals to document their weeks events and activities.  Instead of speaking about her weekend, she created worlds and people within them.  As the years passed the writing ceased and did not return again till her early thirties.  When the characters and world for the Guardians Series came to life for her.  It took many years of encouragement from her husband before she gathered the courage to follow a dream that had always been in her heart.  Now she spends her time doing what her soul always knew she should be doing.
Guardians