Category Archives: Genres

Con-parisons

A Gust A Guest Post by Lissa Woodbury Jensen

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“Mmmmm, apples are the best fruit on the planet,” my eleven year-old son announced one morning.

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“No way!” His twin brother gave him an incredulous look. “Bananas are waaaay better. Apples are boring, just like you!”

 

The fight was on and they disappeared, squealing, into the living room.  I was left pondering my own preference for the tangy perfection of ruby red grapefruit.

I can’t help but remember their argument as I prepare to leave for Salt Lake City Comic Con in a few weeks. I have been to several different cons and am always amazed at how alike they are, and yet different at the same time. I find it intriguing to learn peoples’ preferences and to witness their declared vehemence toward one con or another. Like fruit, cons are generally born from the same ideation, yet vary in popularity from one attendee to the next.

Having lived in the Salt Lake area during my adolescent years, I enjoy attending SLCCC. I stay with family, renew friendships, and immerse myself into promoting my favorite publishing company, WordFire Press. I remember when I attended my first SLCCC. I had participated in smaller cons, but was ill prepared for the suffocating crush of fans, cosplayers, and celebrities that descended on SLC like an R-5 tornado.

Earlier in the summer, I had participated in both FantasyCon and WesterCon. WesterCon was civilized, organized and, at times, a bit “high-brow.” I sensed an elitism that made me uncomfortable. It was nicely done, though somewhat sterile in my opinion. As I moved from venue to venue, I felt insignificant and out of place. For me, it was an interesting, yet “empty” experience.

FantasyCon, on the other hand, was everything I could dream of for “my” perfect Con. It was passionate and artsy with spacious halls filled with enormous dragons (fake, of course), mythical creatures, fairy kingdoms and fire-wielding warriors. In spite of its magnificence, everyone kept saying how “slow” it was. I chalked it up to the Con being rather new on the scene. I didn’t mind. In fact, I preferred it.  The pace was leisurely and enjoyable. I had plenty of time to talk with other vendors, stroll through the eclectic displays, and soak in genius at every turn. The organizers outdid themselves in fantastical ambience.

Imagine the contrast when I arrived at SLCCC a month later and could barely navigate my way from one aisle to another. There were myriads of booths, vendors, panels, and special guests. One had to shout just to be heard in conversation.  Long wait times to get a good seat for panels were inevitable.  I will never forget the afternoons when I felt like the proverbial salmon trying to swim upstream, yet not moving at all. I stood in the aisle next to the booth I was working and felt crushed on all sides. It stayed that way for hours. I went home each night, dazed and bedraggled.

This past spring, I experienced the delightful WonderCon in Anaheim, California. It was busy, yet held enough space for one to meander through the displays without being pressed into a human pancake. There were booths galore, clever artwork, displays and entertainment. The ambience was fun and clever.

Of course, there are many more Cons, but I think I’ve illustrated my point.  It is next to impossible to compare them. As with my twins’ apples and bananas, we all have different tastes and preferences. My boys still quarrel over which fruit is better. Con attendees will argue into the night over “which Con is best.”

There are small cons, medium cons, political cons, overseas cons, gaming cons, and the list goes on. Ask fellow writers and fans which con is their favorite and you will get a long list of different choices. In fact, therein lays the appeal. Fruit salad would be boring if it were all apple slices. One con would be the same as the next and the appeal of attending would be almost non-existent. Even the same con will vary from year to year.

This year’s WorldCon, which I had planned to attend, had a divisive agenda and set some important precedents. I doubt the organizers knew of its political importance when originally scheduling this con. In the end, I was unable to go but watched the proceedings with great interest.

SLCCC will be the first of many cons I attend this year and I eagerly await the opportunity  for new adventures. As always, it is fun to compare each con because you never know what’s going to happen. I will always have my favorites, though.

Excuse me while I go have some grapefruit.

Guest Bio:

Lissa Woodbury Jensen lives in Alaska and loves imagining the impossible. Her initial career was in theatre arts. She did some filming in Los Angeles, but her primary love was the stage. In addition to performing, Lissa directed and choreographed many Broadway hits. She began her writing career by authoring short plays, dramatic presentations and original musical productions. She now concentrates solely on fiction. She loves to write about flawed characters that redeem themselves. Her favorite quote is from the movie Chariots of Fire: “God made me fast; and when I run, I feel His Pleasure!”

Gen Con: A Major Intersection of Interests

Guest Post by Josh Vogt

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I have long loved conventions for a variety of reasons, everything from meeting authors and artists I admire to gaining new career connections to developing my writing craft to pure entertainment. A lifelong reader and gamer, I simply can never get enough of fantasy and science fictions worlds, whatever format they’re presented in. I love the weird and wacky and wonderful—and conventions basically mainline all of that straight into my veins and brain. I come away from conventions, even the smallest, shortest ones, both exhausted and absolutely jazzed to jump back into the writing and storytelling because I went to get out there and bring my own form of weird and wonderful to the world.

That’s why Gen Con has quickly become what I think of as a cornerstone convention for the year. It’s touted as the “Best Four Days in Gaming,” and that’s no boast. I’ve only been a couple times now, but my hope is to continue going for as long as I’m capable of it. It is simply fulfilling on all fronts, giving me a well-rounded con experience as a reader, a writer, a gamer, and an unashamed geek in general.

You could likely spend the whole convention simply wandering the whole vendor floor without quite seeing everything there is to see—and likely come away with a few credit cards maxed, if you aren’t careful. I joke with some people who buy my books at cons that I take “cash, card, blood, first-born children, and souls,” but by the end of Gen Con, I’m the one considering shelling out a slice of damnation to bring home some particular artwork or another set of shiny dice. Then, of course, there’s the many games for sale, with countless demos being run from morning to night.

Oh, and did I mention the round-the-clock gaming schedule? Doesn’t matter whether you prefer dice, cards, board games, tabletop RPGs, minifigs, LARPing, video games (including VR rigs), or plain ol’ rock-paper-scissors…you’ll find it going on around every corner 24/7. You could sit and game from beginning to end without seeing any other part of the con, barely even leaving your table except for the occasional bite of food and bathroom break.

And then we get to the Writer’s Symposium. Admittedly, as an author, this is the primary reason I have come to love Gen Con. When you have dozens of authors getting together to run workshops, panels, and social shindigs into the wee hours, how can you not have an exhilarating experience? The amount of experience being shared is staggering, and everyone is there to both work hard and have an amazing time. Again, you could spend the whole weekend just attending Symposium events and not even get to the gaming! Each year, the Symposium has been streamlining its programming, has an amazing volunteer crew, and does its best to connect readers and aspiring writers with industry pros of all sorts.

It’s a magnificent mash-up of literary and gaming cultures, recognizing that we’re all in it to have fun, tell stories, create unique experiences, and cheer one another on through another year of learning and growth. Of course, we can still backstab each other during daring games of skullduggery or fight to the bitter end to get the high score during a dungeon run.

Is it crowded? Of course. Is it exhausting? You betcha. Logistically challenging at times, with travel and hotels and whatnot? Start prepping at least half a year in advance, if not earlier.

But in the end, while Gen Con can leave one feeling wrung out, it also leaves you raring for next year at the same time. It can connect you with people from all walks of life who share similar passions and pursuits, and remind you that whatever form of fun you prefer, you’ll always find a community of like-minded folks.

Hope to see you there sometime.

Website: GenCon    2016 Dates: 8/4-8/7

Guest Bio:

Writer. Freelancer. Unashamed geek. Josh splits his time between dreaming up new worlds and forms of magic and providing marketing/sales copy for clients. It’s sometimes difficult to know which requires more imagination.

 

Women in Practical Armor

One of the great things about the writing community is that no matter what you write, there’s probably a group of like-minded people out there.

For decades, fantasy stories have been filled with willowy warrior babes in chainmail bikinis and dragon-hide loincloths…the kind of armor that might stop traffic, but wouldn’t stop arrows.  Some of us have wished for the opportunity to read about the sort of warrior women who’d wear practical armor.  The sort of characters who are less concerned with what they look like and more concerned with getting a bloody job done.

Wishing is one thing, but now the writing community has stepped forward to make this happen.

The name of the anthology is “Women in Practical Armor.”  The contributors are people (both women and men) who wanted to write about the kind of warrior women who don’t grace pinup posters.

If you’re one of the people who’ve wished that you could read a fantasy story about women like that, then you can get in on the ground floor.  Evil Girlfriend Media is running a Kickstarter with all kinds of great rewards for Women in Practical Armor.

My contribution to this anthology is called “The Blood Axe” and it stars two women who aren’t the typical female leads.  One is an elder; the other was designated a boy when she was born.   After a lifetime of war, career warrior Agrona wants a legacy beyond just enemy corpses in her wake.  Young Niall just wants to be accepted as the woman she knows she is.  Together, they will challenge both the traditions inside their village and the enemies at their gates.

If you’re tight on money now, the anticipated launch date of the book is April 2016.  But if you’re one of the people in the speculative fiction community who’ve been wishing for fewer cover girls and more badass ladies with real grit, then this anthology is for you!  You can show your support at https://www.kickstarter.com/projects/1054836899/women-in-practical-armor and reserve your copy as well as some awesome perks.

Let the battle be joined!

A Pirate’s Life for Me

yarr coverIn yesterday’s blog article I wrote about drawing inspiration from songs and music.  I provided an example of a short story inspired by a single line in a song.  Today, in celebration of my newest short story release – “The Lighthouse Keeper’s Daughter” in Yarr:  A Space Pirate Anthology by Martinus Publishing – I’m going to talk about a different kind of musical inspiration.

Music is a crucial component of cultures around the world.  When I was planning and writing “The Lighthouse Keeper’s Daughter,” I’d just moved back to the Maritimes, and was listening to a lot of East Coast music.  The East Coast of Canada has a longstanding tradition of sailing, smuggling, and bootlegging, so I found myself easily slipping into the mood to write a pirate tale.  Music helped me immerse myself in the kind of culture I wanted to portray in my story.

Many people are familiar with the song from the Pirates of the Carribbean ride – yo ho, yo ho, a pirate’s life for me – and the classic “Yo ho ho and a bottle of rum.”  One thing I didn’t want to do is create a pirate story too much like the ideas of pirates that are already common in popular movies like Treasure Island and its sci-fi Twin, Treasure Planet, or the fantasy-flavoured Pirates of the Carribbean.  Everyone’s familiar with the charismatic captain and battles on the high seas and hidden treasure chests.  East Coast music gave me some alternate ideas.

The biggest influence on “The Lighthouse Keeper’s Daughter” is the song “Wrecker’s Den” by Kilt.  This song is where I first heard the legend of wreckers.  The legend claims that brigands and thieves would lay out lights around rocks near the shore, signalling safe passage.  According to the story, ships would follow the lights and run aground on the rocks.  The wreckers would then pillage the foundered ship.  I’d never heard of wreckers before, so this song gave me an idea for another kind of pirate.

As I did my research, I wasn’t able to find any historical accounts of ships brought down by this method.  I did find articles alleging that a ship’s captain shouldn’t be fooled by lights on the shore.  (If you do know any historical accounts, please drop me a comment!)  Regardless of whether wreckers were real or a nautical “urban legend,” for the purposes of this story, mythology took precedence.  The pirates in “The Lighthouse Keeper’s Daughter” are space wreckers, bringing down their enemies by means of falsified guidance systems.

On the topic of legends, just as superstitions and “yarns” were common among real historical sailors, tall tales play a key role in “The Lighthouse Keeper’s Daughter.”  The main character, Lees Kai, a navigator and reluctant privateer, hears that his captain has been cursed by the lighthouse keeper’s daughter.  He’s forced to examine not just his own superstition but also his morality:  whether or not the curse is real, has the captain deserved it, and does Lees want to continue to be part of the privateering mission?

Some other songs influenced the space legends in the story.  Lennie Gallant’s “Tales of the Phantom Ship,” a song about a real-life legendary ghost ship that appears in the Northumberland Strait, inspired me to include a fiery phantom starship as one of those legends.  The ghost ship named “Mary Ellen Carter” is a nod to the song of the same name by Stan Rogers.  Great Big Sea, Rawlins Cross and Mackeel are other bands whose songs provided a background soundtrack for writing “The Lighthouse Keeper’s Daughter.”

I’d be amiss not to mention “Barrett’s Privateers,” also by Stan Rogers, which provided loose inspiration for the privateer captain as the villain of the piece.  After all, the major difference between a privateer and a pirate is the government’s seal of approval…

If you’d like to sail with Lees Kai, meet the villainous Captain Crest, and face the curse of the lighthouse keeper’s daughter, Yarr: A Space Pirate Anthology is now available in both print and ebook.

And if you’re stuck on inspiration, take a look through your music playlist and see what ideas come to mind!