Category Archives: Life Philosophies

The Great Spring Migration

The spring migration is late this year but I only learned that because someone died.

A close friend’s death pulled me from my concrete world, forcing me to travel across endless prairie, to see spring repaint winter’s stark world with the tender greens waving away the north wind’s last cold breaths. And in my journey to mourn, I see the spring migration – gathering energy to fly to thawing northern nesting grounds by fervently feeding on the last crop’s stubble, not one stray seed left behind. A friend had died and with her, part of my heart died yet here was nature, hopeful, fervent, telling me the cycle must continue, that despite all that happens, life stops for no one.

This journey takes me back to the farmstead home where I grew up – right in the middle of the great spring migration. Flocks of Greater and Lesser Canada geese, cranes and Snow geese formed feathery swarms. Circling gracefully down to water, then like arrows shot into the sky they circle yet again searching for perfect feeding fields.

The choruses of honks and krooos carried by cool spring winds are a music once familiar, now alien, to my ears.  These choruses are the excitement of spring, the energy of rebirth and creativity and somehow, through my tears of grieving, I am stilled to peace.

A walk across stubble fields, still too wet for seeding, floods me with memories, once known in my youth but now seem otherworldly. Who was that person who remembers where the trees once grew, where cattle grazed in pastures, where weeds were pulled from garden rows at a nickel a pail? Who is this person who now deigns to wear sandals through straw stubble, ankles scratched – a child of the city now – alien worlds converging, lifetimes past and present merging.

Walking along a windrow, a prairie chicken is spooked from the grass. My partner is now lost in his memories of times hunting before pesticides and farming diminished this delicacy. As we share the past I realize that few words can bring to life the images, the memories, the smells, the aching muscles, the laughter accompanying sliding down haystacks in winter … time has made  the once familiar foreign. The migration darkens the sky above us as birds swarm debating if this field will yield enough scattered grain. I feel the noisy migration sweep my old ghosts away for their focus is on today  – it is all that matters and all that ever will matter.

At 4 a.m., the winds change and I know, lying in the dark, protected from the diamond sky and sun’s first yawning, that it is time – that this is the last night of honking and krooing wakefulness and that silence will ensue. I leap from my bed to watch the geese and cranes, their last grazing of  grain speckled stubble fields completed, rise to the skies, circling, a choir in flight, summoning all to follow, their v-shaped lines flapping arrows aimed at northern nesting grounds.

Then, the earth gasps at the timeless glory of the final migration before relaxing with a sigh. But, the silence I expect never comes.

Instead, I hear the almost quiet – the earth’s soft belches and burps of spring moving to summer. Frogs croaking bass melody day and night, the percussion of duck calls, crows cawing oblivious to the frog’s melody, the crescendo and decrescendo of wind whispering then whistling through budding trees – the new, softer melodies of insects crawling over warming ground, farmers preparing the land for seeding, hoes working gardens. The south wind, carrying the frenzied migration northward now blends these spring choruses to new compositions.

Ah yes, the rhythm, the balance of the earth, timeless beyond man – these things I now ponder. And I also wonder about the worlds I create as I now sit in my walled home, in my city of concrete and asphalt and unearthly noise. Do my characters wander through worlds which gasp, belch and burp? Are they  aware of the subtle things which affect their lives? Am I aware of these things? Maybe. Maybe not. But I now know that sometimes we and our characters need to take the time to breathe – to feel the change, to feel the sorrow and the timelessness of life.

Superstars Week, Day 3: Confessions of Repeat Offenders

Hello, intrepid readers, this is Leigh, and I’d like to welcome you back to the Fictorian Era’s Superstars Week! For the last two days you’ve gotten an idea of what you can gain by attending the Superstars Writing Seminars, but today, Nancy, Clancy, and I will be telling you why we felt the need to go back for more. Yes, all three of us are Repeat Offenders, having attended both previous seminars.

So, why return to a seminar you’ve already attended?

For me, there were a number of reasons, but today, I’m going to talk about how, by returning to the Superstars Writing Seminar, you’re not just revisiting something you’ve seen before. The seminar is dedicated wholly to learning the writer’s place in the publishing industry. And let’s face it, people, that place is changing fast. This seminar is a true insiders look at what any writer looking to make a career publishing can expect, and the options available to get there.

As an example, in the first Superstars seminar, we had the core five authors, Kevin J. Anderson, Rebecca Moesta, Eric Flint, Brandon Sanderson, and David Farland. Across the board, they said that traditional publishing was the way to go. Then, Amazon unveiled their e-publishing program. Self-publishing wasn’t the pariah it previously was. The next seminar dedicated an hour to self-publishing and e-books. As part of that panel, Moses Siregar, a previous Superstar attendee, had a heated discussion with Eric Flint over e-publishing, and David was heavily leaning toward self- publishing. Since then, David’s written a post on this very site stating that he believes self-publishing to be the future of the industry, and this year, Superstars has brought in Kristine Kathryn Rusch and Dean Wesley Smith, two vocal authors on indie publishing issues. Clearly things have changed, and Superstars is keeping pace.

Yet, as with any seminar, there are portions that are repeated every year, but as Clancy will tell you, even that can be a good thing.

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Clancy here. And here’s why I’m a repeat offender: I signed up for my second Superstars seminar unsure if I would hear much that I hadn’t learned the year before. But I wanted to meet Sherrilyn Kenyon (a guest speaker) and see my alumni buddies, so I decided to go. Color me surprised me when I learned as much, if not more, as I did the first time. During the year between the two events, I had changed. Where I was with my writing and my career had also changed, and I was hearing different things even though much of the content was similar. My mindset tuned into completely different points made.

I wanted to give you an example, but I can’t think of one.  I know… challenged.  Anyway – I remember sitting there during a presentation that I’d heard before and thinking to myself, I know they discussed this last year, but I was hearing the content through a different filter and what caught my attention were not the same things that did the year prior.  I wish I had an excellent example to share.  Just know that it was a profound ‘a-ha’ like realization.  So, I wish I could go again this year because I know I would, yet again, learn more and different things than I have already.

Read on to see why Nancy is right and the contacts and friends I have made during both seminars are still with me, still in contact, and are still impacting my life in ways I will forever be grateful for.

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Nancy Greene, on the issue of “Contacts and Kismet”: We attend conferences to make contacts including the conference speakers, vendors, and participants. I confess to being a Repeat Offender at Superstars Writing Seminars for all the reasons you’ve heard about over the last few days and for the people I meet.

Approximately 20-30 attendees at the 2011 Superstars were Repeat Offenders. I’d guess the number is about the same for April’s session. The Superstars crowd isn’t cliquey. We go out enmasse. The “we” is the Repeat Offenders, one or more of the speakers, and anyone we can convince to join us. Dinner and late night drinks at the hotel bar are similar affairs. Because we’re a social group, there’s a lot of extra time with the speakers, which is something that often doesn’t happen at other conferences. The social aspect’s a great way to forge long-term friendships. After all, we’re all writers, and can help each other after the conference ends.

I’ve written about the benefits of writers helping writers before in the Benefits of Holding Hands on this blog. Because of Superstars and the friends made there, the Fictorians have:

(1) Participated in this blog (all members are Superstars attendees),
(2) Received weekly encouragement and accountability checks,
(3) Received advice and critiques from some of the presenters,
(4) Edited or beta read novels written by the presenters,
(5) Assisted other Fictorians in getting short-stories published,
(6) Been introduced to other fabulous connections, including agents and publishers, and
(7) Advertised or promoted the other writers on the site.
The list contains the things I can think of off the top of my head. There’s more.

The writing industry is small. The way to “break-in” is to have a great product, and an even better network. We might have made the contacts and achieved the same results without Superstars, but the process would’ve probably been years longer.

Kismit happens.

But you have to ensure you’ve done your work and made the contacts you need to be “in the right place at the right time.” Superstars is an excellent place to make those contacts, and it’s why I’m a Repeat Offender.

So, if you’re a Repeat Offender, feel free to let us know why you keep going back to Superstars. And everyone should stick around for tomorrow and Friday  for a two part interview with two of the founders of this fantastic seminar, David Farland and Kevin J. Anderson. See you in April.

8 Things to Keep You Writing

You are a writer – whether you write something every day or not doesn’t change what’s in your soul. Deny it all you want. Procrastinate, make excuses, let life control your agenda, but deep down inside you know you’re driven to write because for you every written word is oxygen. Denying yourself oxygen is silly, even stupid, because to do so kills you. So here are eight things to do to keep you writing:

1) expect to rewrite

Perfect prose isn’t achieved with the first tapping of the keys. Good writing is complicated and may take a few tries to get all the aspects right and that includes things like grammar, the plot, character motivation, character interaction, voice, point of view and the hook. Writing is a creative process and creativity evolves and grows. Nothing is ever perfect the first time so get over it and write!

2) don’t get frustrated by your responsibilities

Family and work are responsibilities we all must honour. On that ride to work dictate your thoughts to a recorder. Go to work a half hour earlier and spend that extra time writing – every word counts! Don’t watch TV to relax after the kids have gone to bed – read a book (that’s research), work on your story or write a blog. And when the kids are doing their homework, do yours! There are days and months when demands are high and you can’t write but that’s not a reason to totally abandon your passion!

3) set goals and celebrate

Set realistic goals. 50 words a day, a week? Research and brainstorming for a month? Meet the deadline for a workshop or submission. Goals can be a moving target and that can be frustrating. But no goal means nothing to strive for and nothing will be achieved. Always celebrate when you reach a goal be it small or large. You’ve done something no one else has and that’s worth celebrating!

4) write what moves you

Don’t put off writing the novel because you’ve heard there are more markets for short stories. Don’t limit yourself to a novel when it’s a trilogy you want to write. And, write what moves you. If it’s the current popular fiction which sparks you, write that. If it’s something way out there, write it. If you’re not passionate about your story, the reader won’t be either.

5) don’t worry about the publishing industry

If you have a finished product, research the options for selling your work. BUT, if you’re still working on the first draft, don’t worry about it. The industry is changing and what you figure out today may not apply tomorrow. So write now. Worry later.

6) conquer your fears

Fear of failure, fear of sounding stupid, fear of being criticized because you’ve put your heart and soul into your creation and someone may not like it. Everyone has an opinion (including you) and it’s valid. For whatever reason, a publisher may not want your first book but that doesn’t mean it’s not publishable. Sometimes it’s the second or third book which gets published first and then the rest follow.

7) keep learning your craft

Expressing our creativity is a lifelong learning skill – that’s what makes it so exciting! Every time we learn another trick to hook and keep the reader, we’re closer to achieving our goal. Every new piece of information on craft, background research, on the publishing industry keeps our grey cells spinning and the oxygen flowing.

 8) love the kid in yourself

Sounds corny, I know. But remember, we’re just grown up kids with responsibilities. Using our magnified lenses called imagination and twisting our heads this way and that, we writers explore our world with wonder and excitement – just like kids do. And we have a fantastic tool, the written word, to relay that wonder to the rest of the world. So cherish that kid inside and let your imagination build those new and wonderful worlds.

And most importantly, have fun! Creating new worlds and sharing them with readers is the greatest fun any of us can ever have!

Keep writing!

My Alien Being

I’m sitting on the beach in Essouira, Morocco. No bikinis dot the Sahara-red sand. There’s just kids playing soccer, tourists declining barkers carrying silver trays of delicate sweets rebaked in the afternoon sun and camels carrying giddy riders through sea side dunes. Surf’s high – so high the pulsing ocean is blood red with a ribbon of frothing foam and the sea monster’s mouth snaps shut on the shore. A shard of light spears roiling storm clouds. Awestruck, I gape, ignoring the stinging sand in my eyes and the salty spray turning my hair prematurely white. I want to fall to my knees in reverence knowing that if I wasn’t a child of science, this moment would be my moment of truth because I’ve seen the Angel. From this point forward, my writing would no longer be of fantasy but of prophecy and revelation.

Walking through the Medina, with store keepers cooing enticements of shared tea or special deals for pretty women or special Berber massages, I’m reminded that I’m not simply the observer, I’m the alien being observed. No matter how modestly I’m dressed, how respectful I’m being, I’m still a foreigner in a country where I don’t speak the main language. And I love it. I laugh at the offers, banter with the best all the while noting my reactions and theirs.  But then I’ve had enough. Enough of the smells of sweet spices teasing my nostrils which have just been assaulted by heaps of raw fish. Enough of chickens squawking while docile rabbits nibble grass in the butcher’s stall. Enough of brightly colored linens carefully displayed, leather goods spilling into the street, metal workers hammering out bowls. Enough of watching the ebb and flow of tourists pushing, vendors enticing and arms desperately flailing about to secure a good deal.

Alienness overload. That’s what this is.  

Somewhere deep inside, we all try to understand the alien within ourselves otherwise, we wouldn’t be writing fantasy. But writing is a safe way to practice the alien experience vicariously through the new worlds we’ve built, through plot twists and every character’s angst. Sometimes it’s too safe and our writing suffers for it. When we’re too familiar with something, we lose the rawness of wonder. We need to remember that rawness, that excitement and fear when our character enters a new world. We can’t let our familiarity overshadow the character’s experience.

That’s why I like to travel to countries where I don’t understand the language and the customs are totally new. It’s raw. It’s exciting. Sometimes it’s overwhelming. But always, it reminds me that my characters have their own points of view about the world they’re experiencing. I know that when something so familiar to others is so new to me. It’s safe but it isn’t. It’s fun but it’s scary. It’s awesome and it’s overwhelming. Those feelings are what I must hold on to because my characters can never be as comfortable as I am about the new world I’ve created for them.

I am their interpreter. Bringing their experiences to life on the page. Finding that raw edge, the vulnerability that makes them spin out of control or struggle for control in the alien landscape. I challenge them by committing the cultural faux pas which forces them to take desperate actions to survive.

Understanding the alien within never gets any easier – it only gets more exciting. Our need for belonging and security heightens our awareness yet when those needs are our memories of alienness drift away. So I travel the roads unknown taking care to note the alien nature, the creeping comfort of familiarity and to translate that to the written word. Somewhere in those gems of observations are not only the feelings my characters will have, but the sparks of ingenuity for inspiring deeper, richer worlds where angel swords pierce the heart, sea monsters snatch unwitting victims from the shore and someone falls in love with the alien.