Tag Archives: adversity

Promises To Keep

 I have a commitment issue.

Okay, maybe it’s better to say I have an overcommitment issue.

I describe myself as a mommy, writer, lawyer. Needless to say, each of those things is a full-time job. So, necessarily there are instances when the time required by each of them add up to more than 24 hours in a day. I’m in one of those periods right now.  But I’ll end up waking up at midnight, carving four hour of work out of the night, and then napping for a few hours before I have to get up to feed the horses. In other words, I make it work until I fall down. Not the best strategy but it’s who I am.

There are a number of downsides to this very A-type personality trait. One of which is when other people fail to meet their commitments to me, it is a source of annoyance. But, that’s a different post. Balance is the issue.

Most of us haven’t reached the point in our writing careers when we can give up the day job and write full-time. Those who do write full-time often work on more than one project at a time. Oh, the luxury of only having one thing to work on at a time. But, reality is that life rarely is that simple. We juggle. Animals need to be fed. Kids need to be reminded to shower. They need to be taken to school, or sports, or a friend’s house. We need to meet work deadlines, and get new work.  We need to write, and edit, and market our writing. And somewhere between managing our life, we need to live it.

There’s all sort of advise out there about how to fit writing into the rest of your life. You’ll often be told that we have to write every day. And that’s great. For when you can. I have a post on my blog about inching toward sucess – having low daily writing goals so I feel motivated to start every day. I was recently listening to Get-It-Done Guy’s podcast “How to Juggle Multiple Projects,” and realized his advise, as it often does, applied to many areas of my life.

So, how do I juggle? Sometimes very poorly. I do try to stay on top of my commitments so I can spent time with my family and honor all my other obligations.  The following is what (mostly) works for me:

First, I follow the Get-It-Done Guy’s advise.: prioritize my “to-do” list.

Second, I focus on one task at a time. Have you ever walked around in a circle because your attention is being pulled in too many directions? I have. My kids think it’s funny. My husband knows to get out of my way because a melt-down is coming. We’ve been sold this idea of multi-tasking, but we really can’t work on more than one thing at a time. Multi-tasking is really serial attention focusing. Focus on one item and work on it until done, or until you reach its time allocation, see #3 below.  I turn my e-mail alerts off and my phone to “do not disturb.” Because I’m not starting and stopping tasks, I generally can accomplish my goal for that session. Minimize distractions.

Third, I schedule my tasks by Time. I’ve been a lawyer long enough that I know that most routine matters will take a certain amount of time. If I need to write a memorandum that’s going to take 30 hours, I can break that time commitment up to 3 hours a day for ten business days.  Because I’ve broken down my time allocation, I can start without feeling overwhelmed. It’s only three hours after all. The Get-It-Done Guy takes this one further and suggests putting the time blocks on your calender. For me, this doesn’t work because I see all the working “appointments” and die just a little. The blocks of time on my calendar become a wall I have to overcome and create more stress for me as I run “late” between tasks. But it might work for you.

My writing time is 9 pm to 11 pm. I’ll write when I can steal minutes (the Get-It Done Guy also has a great post on maximizing and using down time), but those two hours a night are my time. I write blog posts, edit, review other people’s stories and write in that window.

Fourth, I try to set realistic goals. My daily word count goal is only 250 words and amounts to about 15 minutes of time. Remember my two hour window? The 250 word goal means that on any day I can write, I’ll met the word-count goal. Because the goal is so easy to reach, I can beat back the need to sleep to get it done. After all, it’s only 15 minutes. The nights I write I average 750 words? What does this mean, it means I generally meet my weekly word goal (1,750 words per week). Writing isn’t a chore for me when I think about it in these terms and get to mark a check in my “goal completed” column. If you are the kind of person who needs the tangible reminder, go ahead and make a chart to show when you’ve met your goals. I use a word-count comment in my WIP so I can see I’ve met that day’s goal.

Fifth, deadlines are your friends, but unlike real friends you should manipulate them. There are some deadlines you must meet, and others that are aspirational. Use aspirational deadlines in advance of any hard one. If I’m writing for a November 1 submission deadline, I’ll have a September 15 completion deadline. Why? I’m very deadline motivated. I will push off matters with later deadlines to get to priority items. The aspirational deadline builds in a “catch-up” window. It also ensures I meet the “real” deadline without pulling an all nighter whenever possible.

Finally, I give myself a break. Not too long ago, I was in trial or other hearings nearly every day. Because my lawyer-ly matters were back-to-back my preparation time spilled out of normal office hours (7 am – 7pm – yea, I know – not so normal working times).  I was at the office trying to get exhibits ready until 2am the morning before a trial. Needless to say, I didn’t write that night or any night that week. I forgave myself for missing and started in fresh with the new week.

For me balancing my family’s, writing’s and day job’s obligations is a constant dance. With some planning, I manage to limit the times I stumble. I hope a look at how I work to keep a balance between the important pieces of my life will help you do the same. For me, it’s time to have dinner with the kids.

Check out my newest release from Musa Publishing: Jack Gorman Got Cut By A Girl. Karma is a bitch, and Jack Gorman is about to find out how much.

 

 

 

 

 

 

Critiques ““ Part 1 ““ Understanding the Process

Recently I gave a presentation to a local writers’ group on the art of giving critique. To fully understand and engage in the critique process we need to first understand why we write, what a critique is, how an author can help the process and how to give a critique. In this blog, we’ll talk about why we write and why receiving a critique can be so difficult.

Why do we write?

When we understand why and what makes us so sensitive to feedback, it actually becomes easier to absorb the information we receive in an impartial way.

I, like many of you, write because I’m miserable when I don’t. As others need to breathe, so I need to write. We all write because we are story tellers – we have something to say, we see worlds and creatures and characters the average person does not, we give commentary about the human condition, our politics, our society, our values, our relationships – we are observers with a unique way of expressing ourselves – BUT most important, for us, writing is fun and it is who we are.

We have an idea – that is personal. We think. We sweat, we write and rewrite hoping that the story we tell is understood by others. The crux is that we, the writers become so intimate with the process and the material that it feels personal – and it is because every fabric of our being has been poured into the story.

So when someone doesn’t like what we’ve done and how we’ve done it, it feels personal even when it isn’t. But, when we focus on the need to express the characters and world we see, it becomes much easier to accept feedback.

This is not dissimilar to mining for gems. We find the diamond. It is rough. It is uncut. We cut. We polish. We wanting to reveal the heart of the stone – the heart we know is there. We work with experts who can help us get the angle just right on every facet. Then we polish until it sparkles.

Writing is no different. We have a gem stone of an idea. We hone our tools. We dig. We scrape. Sometimes we cut and reshape, making every facet as stellar as it can be. And then we must ask if others see what we do.

The critique process should help us polish our gems, to make the story stronger, to make its heart shine brighter. And, if you have a good critique group, they’ll help you do just that.

When we understand that our goal is to express an idea, to create a story which is both entertaining and enlightening, the feedback feels less personal, more constructive because we know that everything we do makes our gem shine brighter.

There are two other things to remember:

1) learning that the gem we polished isn’t as bright as it can be, hurts. And it can hurt a lot. That’s part of being human. Part of being a writer is understanding that and gracefully going forward by thoughtfully considering the comments.

2) the person giving the critique can get it wrong. As the writer you must also figure that out. But generally, most don’t get it wrong if there are problems with grammar, structure, story arc and character development. And let’s face it, if we don’t solve these problems before submitting, no editor will read the story, let alone help you polish your gem.

The next time we meet, we’ll talk about what a critique is and how to give a good critique.

Publishing Options-As I See It

I used to see getting published as something similar to a game of roulette. If I learned to write well and finished a short story or novel, I’d place a token on the table. With each rejection, I had to remove my token and place it on a different number. Of course, as I put more tokens on the table, my chances of winning went up. It would take a long time and a lot of tokens before the odds would be worth measuring, let alone in my favor.

Having recently published a short story in an anthology, the odds should be going up, right? I’m not so sure. And here’s the rub: New York is still the respected place to publish, and they’re still the people with the money and the resources…when they choose to spend them on their authors. So here are the options, as I see it, with their pros and cons:

The increasingly difficult option of getting an agent and publishing with a big New York publishing house doesn’t appeal as much as it once did, but they still have their plusses. They don’t seem to have more promotional power in the e-world as anybody else, not in terms of e-world shelf space, but they have more money for promotion. The likelihood they’ll put out that money for a new author? Slim to none. So what’s the point of going there? Some of the brick and mortars are still the place people go to find books, word spreads from there, and sells go up. They’re also one of the best places for book-signings and personal promotions. Only NY is truly effective in that field. But the big wigs are all about business. The author’s share of profits is low-understandable when you consider all the costs they cover, but still low. There has been talk of interesting accounting practices among the NY groups; I don’t know if it’s true, but it makes one wary. And their distributing efficacy is starting to waver.

So, let’s go through small publishers, right? Maybe. My anthology is through a small publisher, it’s available in hardcopy and through Amazon, but it’s not being distributed in bookstores. At least, not last time I checked. I’m still waiting to see how this model plays out. One very important point to note, some small publishers are giving a much larger portion of their sales to their authors. The downturn in sales numbers may very well be offset by that percentage of writer profit. But there are a million small publishers, and while most of them are good, some exist to rip you off, and others are incompetent. Makes me think of trying to find my way through a swamp.

So, let’s all self-publish. The author makes all the profit, has complete control over his/her property, and doesn’t have to worry about bossy people. Sounds great, right? Not so much. If you self-publish, the stigma still exists that your book must be crap. For a reason. Have you looked at the mountain of self-published works out there? Much of it wouldn’t make it past the slush-pile warehouse let alone into the possible considerations pile. How does anyone sift through all of that to find your gem of a story…or is it? A writer’s group is great, but without professional critique, acceptance, and editing, how do you really know if your story is truly good enough? It’s like throwing your time, money, and reputation at a wall so you can see if it sticks. Unfortunately, if it falls flat enough times, you’d better find another name.

So, is the conclusion to give up hope? Absolutely not. I think we’ve entered a wonderful new era where any model can work if we’re aware of the pitfalls.

New York can do a lot for a beginning author, but you’d better read the fine print, have your wits about you, and be prepared in case they stick you on the back burner and you’ve got to super-manage your own publicity. They have a lot of power; they can hurt you, or make you a star. You have to be prepared for the gamble.

Small publishers give you the critique and the gatekeeper, but find one with a good track record or at least a business model you believe in. That will take research, and you’ll still have to manage most of your own publicity. They don’t have tremendous distribution power or the funds to do a lot of publicizing, but a good independent company will back you up and give you the personal help you need to kick off your career.

And self-publishing can work, but you’ve got to make a reputation for yourself. From the very beginning you’ve got to be the promotion guru. If you have the guts to throw yourself out there, garner publicity, and spend a lot of time on the publishing process, go for it. One thing, though…make absolutely sure that what you’re selling is of comparable quality with your New York competition. Not in your opinion, but in MULTIPLE, reliable peoples’ opinions.

So pick your venue, keep writing, and do your best to succeed. The chips will fall where they may.

8 Things to Keep You Writing

You are a writer – whether you write something every day or not doesn’t change what’s in your soul. Deny it all you want. Procrastinate, make excuses, let life control your agenda, but deep down inside you know you’re driven to write because for you every written word is oxygen. Denying yourself oxygen is silly, even stupid, because to do so kills you. So here are eight things to do to keep you writing:

1) expect to rewrite

Perfect prose isn’t achieved with the first tapping of the keys. Good writing is complicated and may take a few tries to get all the aspects right and that includes things like grammar, the plot, character motivation, character interaction, voice, point of view and the hook. Writing is a creative process and creativity evolves and grows. Nothing is ever perfect the first time so get over it and write!

2) don’t get frustrated by your responsibilities

Family and work are responsibilities we all must honour. On that ride to work dictate your thoughts to a recorder. Go to work a half hour earlier and spend that extra time writing – every word counts! Don’t watch TV to relax after the kids have gone to bed – read a book (that’s research), work on your story or write a blog. And when the kids are doing their homework, do yours! There are days and months when demands are high and you can’t write but that’s not a reason to totally abandon your passion!

3) set goals and celebrate

Set realistic goals. 50 words a day, a week? Research and brainstorming for a month? Meet the deadline for a workshop or submission. Goals can be a moving target and that can be frustrating. But no goal means nothing to strive for and nothing will be achieved. Always celebrate when you reach a goal be it small or large. You’ve done something no one else has and that’s worth celebrating!

4) write what moves you

Don’t put off writing the novel because you’ve heard there are more markets for short stories. Don’t limit yourself to a novel when it’s a trilogy you want to write. And, write what moves you. If it’s the current popular fiction which sparks you, write that. If it’s something way out there, write it. If you’re not passionate about your story, the reader won’t be either.

5) don’t worry about the publishing industry

If you have a finished product, research the options for selling your work. BUT, if you’re still working on the first draft, don’t worry about it. The industry is changing and what you figure out today may not apply tomorrow. So write now. Worry later.

6) conquer your fears

Fear of failure, fear of sounding stupid, fear of being criticized because you’ve put your heart and soul into your creation and someone may not like it. Everyone has an opinion (including you) and it’s valid. For whatever reason, a publisher may not want your first book but that doesn’t mean it’s not publishable. Sometimes it’s the second or third book which gets published first and then the rest follow.

7) keep learning your craft

Expressing our creativity is a lifelong learning skill – that’s what makes it so exciting! Every time we learn another trick to hook and keep the reader, we’re closer to achieving our goal. Every new piece of information on craft, background research, on the publishing industry keeps our grey cells spinning and the oxygen flowing.

 8) love the kid in yourself

Sounds corny, I know. But remember, we’re just grown up kids with responsibilities. Using our magnified lenses called imagination and twisting our heads this way and that, we writers explore our world with wonder and excitement – just like kids do. And we have a fantastic tool, the written word, to relay that wonder to the rest of the world. So cherish that kid inside and let your imagination build those new and wonderful worlds.

And most importantly, have fun! Creating new worlds and sharing them with readers is the greatest fun any of us can ever have!

Keep writing!