Category Archives: Publishing

When You Realize That Your Sequence of Novels Doesn’t Make Sense

Character Conflict Craft & Skills First Drafts Guest Posts Ideas & Plotting Plot Structure Publishing Storyline The Writing Process 1 Comment

Writing a Series: When You Realize That Your Sequence of Novels Doesn’t Make Sense.

A guest post by Nathan Dodge

Those that know me from the Superstars seminars know that I signed a contract for Shadow Warriors, the first novel of a YA SF series at this year’s SSWS. In brief, the series is a sequence of five novels about teenagers that are kidnapped and forced to train as the crew of a starfighter to fight in a galactic war.

I wrote all five novels in an 18-month period. That might not sound very smart, having sold none of them, but I went into a writing frenzy and they all rolled out—about 450,000 words in all. And now, finally, one is sold, with the prospect of perhaps selling more.

Like everyone else writing a novel series, I ran into “series problems,” the blips that come up for any writer of a series as the writing progresses. Example: continuity. It’s darned hard to remember all the stuff you’ve put down over time, especially about the time you get into the middle of novel 4. How many times have you started to edit something in the new book of your series and thought: Wait a minute—I said something about this situation (or character, or background element) in Book 2. Is it consistent? And sometimes it isn’t, and you have to sharpen the old red pencil, metaphorically speaking, and reconcile the two passages. And yes, I kept a “facts” diary, but you still forget.

However, that isn’t the problem that had me buffaloed as I finished Book 2 of the Shadow Warriors series. It had very nice starring roles for several of my main characters, a couple of independent parallel plots, and the usual 1/3-point and 2/3-point crises. However, as I began to reread and seriously edit, a problem slapped me in the face: The book didn’t read like Book 2. It read more like Book 3!

What was wrong? Mainly, I decided after some analysis, the characters had matured too quickly. They were already advancing in command positions, and they were becoming too important in the overall command scheme of their navy.

I had let a little of that happen at the end of Book 1. The top male character had become a unit commander after only one major battle (sort of a “battlefield promotion”), essentially in charge of not only his crew but nine more fighter crews. In addition, the two main female characters had demonstrated excellent planning and strategic abilities, so that they were assigned part-time to their Carrier commander to assist in battle planning.

Which was okay—my crew was still a group of base-level fighters, with some modest responsibilities above and beyond that of a fighting crew. That led to my realizing the problem: they had to prove they had earned the new positions by performing in them before they were again promoted in Book 3. That is, they had to gain more experience (and also more success), demonstrating that they had earned the right to advance further in their military careers.

But that hadn’t happened. What was needed was a Book 2, in which my daring young warriors proceed to act in their new roles and prove to their commanders and the Alliance at large that they deserved more command responsibility.

So editing Book 3 (formerly Book 2) was put on hold while I returned to the end of my first epic and designed another plot to allow my young charges to earn their stripes. Or, since they were all young officers (as in the US Air Force), to earn their officer ratings. Of course, that meant a new plot that would mesh with the already-established Book 3 events, but that would also stand on its own as an interesting story line.

In addition to a main, galactic-war-related plot, all the Shadow Warrior books have a secondary, more personal plot. That presented a challenge in Book 2 until I considered: in Book 1, a relatively small Shadow Warrior force had defeated an enemy of fifty times as many warships. What if the upper hierarchy of naval command, far from the battle on their home planet, didn’t understand the unique strategy that had allowed victory, even at the cost of half its ships? What if they recalled the carrier commander in charge—the one whose faith in my crew had led to the victory—and court marshalled this commander before a military tribunal for her “excessive losses?” Not only would the crew be facing a new enemy threat, but they would also have to testify in an alien court to save their commander.

All this required not only lots of new plotting, but a great deal of rereading of the former Book 2 (now Book 3) and its “facts” log to be sure that details in my new story didn’t contradict the events of the following story. At the start, I mentally groaned and moaned a lot, trying to find excuses to ditch the new volume. But I stuck to it—and about three months later, I had finished the new Book 2. Further, my revisions to Book 3 were minimized, with careful, regular back-and-forth comparisons and reading, so that in fact I did not have to rewrite the third book to any great extent. In only about a month or so more than it took to complete Book 3, the new Book 2 was done and Book 3 altered as required. Problem solved.

In retrospect, I can identify three “take aways” from my experience. First, in a series about the same character or group of characters, they need to constantly mature and evolve—but that maturation/evolution must seem reasonable and natural. Second, careful plotting and story line management can assure that if you do have to change or rearrange your sequence of novels, the transition can be as painless as possible while bringing the maturation of your characters back into balance.

Finally, this exercise brought home to me rather graphically that when you deal with a set of characters over an extended series of volumes, since these characters constantly evolve, you must deal in each new volume with what is essentially a new set of characters.

Because the “old characters” are growing, maturing, and acquiring new abilities and capacities, you must constantly expand the texture and nature of their personalities and individualities. In my case, for example, the battle-hardened seventeen-year-old veterans of Book 3 were absolutely nothing like the timid, just-kidnapped sixteen-year olds of Book 1.

If your characters aren’t constantly becoming new versions of themselves, your reader will more than likely lose interest, as the characters can quickly become flat, featureless, and boring. It can be a hassle to pay attention to the maturity level and complexity of your characters, to help them grow, and to make them continually more well-rounded and interesting, but in my opinion, the result is worth the trouble!

 

 

With BSEE (SMU) and MSEE and PHDEE degrees (The University of Texas at Austin), Nathan Dodge was an engineer and engineering manager before joining the University of Texas at Dallas. After 16 years, he retired in 2014, although he still teaches half-time. He won several teaching awards at UTD.

Nathan began writing seriously in 2012 and has attended seven Superstars Writing Seminars. He has a story in the Purple Unicorn Anthology with daughter Sharon, a short story sale to Mike Resnick’s Galaxy’s Edge, and recently sold the first book of a young adult science fiction series to WordFire Press. He and Sharon will soon release an anthology of SF stories, To the Stars.

In his spare time, of which there is surprisingly little, he loves weight lifting, hiking in Colorado, and solving crossword puzzles with wife Faye Lynn.

A Series Of Challenges

Craft & Skills Kim May Publishing The Writing Process 2 Comments

The prevailing wisdom in the industry is that if you want to build an audience, you need to write a series. Great! I like reading series. Writing one shouldn’t be a problem.

Bwahahahahaha!

I thought writing a novel was hard. Writing a series? Holy frak! It’s so much harder!

First off you have to think of a plot and conflict that can be stretched over multiple books, you have to have compelling characters that readers can’t get enough of, unexpected plot twists, and everyone gets a development arc!

You get a development arc, and you get a development arc! EVERYONE GETS A DEVELOPMENT ARC!

Um….thanks, Oprah. I think.

All joking aside, it’s quite a lot to juggle and keep track of. Oh yeah, and we actually have to pull it off. We can’t just dial it in. Yeah…no pressure. Given the enormous challenges and tricky balancing acts I sometimes marvel that series get written at all. I mean, a lot of these challenges are specific to series. Stand alone novels aren’t nearly as much trouble.

So with this in mind we’re going to be talking about series all month long. We’ll be discussing the unique challenges, and how to deal with them. We also have a Q&A at the end of the month with a guest author who just finished their series. (I’m quite looking forward to that.) Most of us (the Fictorians) have series in progress so I’m eager to find out how my colleagues dealt with some of the issues that I’m having with my series. You won’t want to miss any of this month’s posts!

Obstacles May Be Closer Than They Appear

Balancing Acts Being Gentle With Yourself Book Launch Business Giving Yourself a Break Kim May Marketing Publishing Work-Life Balance Your Writing Career No Comments

One of the first pieces of writing advice I ever received was that if you want it to be your occupation, you need to treat it as a business. That doesn’t mean that you have to have a business plan — though it doesn’t hurt — but you do have to set regular working hours, make goals, and keep them. Part of that, especially when self-publishing, is to set a publishing schedule and to stick to it. However, sometimes keeping that schedule is not always possible.

I do realize that there has been a great deal of discussion about publishing delays lately, and I’m not going to give any opinions on someone else’s schedule. It’s none of my business whether or not (insert name of big author) is publishing a book this year, next year, or at all. The only person whose publication schedule I can comment on with any authority is my own and as it so happens I’ve had to make some difficult choices of my own.

Knowing that my debut novel was launching last June, I started writing the next book in the series at a writing retreat the month before. I managed to write the first third that week and figured that at my normal pace, I could probably finish it by the end of the summer, October by the latest. That would have given my beta readers plenty of time to read it, and time for me to put together a short story collection (and possibly release it in the spring). It was also plenty of time for revisions so I could release book 2 in the summer. Well, we ended up being really busy and short handed at the day job over the summer and that left me too exhausted to get much done on the book. It took me the entire summer to write two chapters. That’s it. That’s all I got done.

As far as progress goes that’s dismal. However, I’m not going to feel guilty about it. I did get something done and it was impossible for me to do more. All of this meant that I had two choices. If I wanted to finish on schedule, I’d pretty much have to work myself to death for eight months. The other option was to put off the short story collection for another year, and postpone the novel release until sometime in 2019. It seems pretty straight forward as far as decisions go but what of the fans? There are people eagerly awaiting the next Oneiroi War book. Plus there’s the reader anxiety that seems to pop up these days anytime an author talks about a delay. On the other hand, I really don’t want to work myself to death for that long. It’s not healthy and the extra pressure would probably cause me to hate the book in the end because of what I had to go through to complete it.

I really don’t want to work myself to death and I don’t want to hate the book (because it’s really awesome) so I chose the latter but I do still feel bad about it — which is a bit insane. I shouldn’t feel guilty for putting my health and wellbeing first but letting down my fans still isn’t something that I wanted to do. It certainly isn’t something that I want to do lightly or make a habit of.

So what does all of this have to do with making goals? I think one thing that often is forgotten is that when setting goals it’s impossible to plan for every contingency. Yes, we can definitely keep our goals realistic, but that still isn’t going to prepare us — or our readers — for when things go sideways. When they do go sideways, it’s important to reassess the situation, and adjust the goal accordingly. Most importantly, it’s important not to see it as a failure; especially if circumstances were out of your control and you did your best in spite of it. After all, a goal is not a promise or a contract. It’s a determination to attain. The goal is still attainable…it’ll just take a bit longer than you originally planned and that’s okay.

 

Unexpected Invitations and Opportunities

Author's Perspective Choice Craft & Skills Interacting With Professionals Kevin Ikenberry Military Fiction Networking Publishing Starting a Career The Writing Life The Writing Process Your Writing Career No Comments

Earlier this year, I sent off my novel Vendetta Protocol for a blurb from Baen books author Charles E. Gannon. When he responded with an excellent blurb, I was surprised by the last line of his email. After reading my book, he recommended me to authors Chris Kennedy and Mark Wandrey. I’d never heard of either of them, but in the weeks that followed, I learned that each of them had authored one book in what they called the Four Horsemen Universe – a military science fiction universe where humans most commonly act as mercenaries and often find themselves on the short end of the galactic stick. Mark and Chris offered me a story spot in an anthology they were launching to flesh out their universe based on that recommendation alone.

I hadn’t read their books and Chris and Mark hadn’t read mine. As we emailed back and forth, a knot of self-induced pressure built in my chest. Could I pull this off? Could I make good on my friend’s recommendation? When I received their “primer,” a fifteen page document outlining the basic rules of the universe, I sat down to read it and immediately gravitated to the concept of a Peacemaker Guild. Combined with a timely thought about a really bad movie from the 1980s, I developed a short story idea. Over the course of two weeks, I wrote the story and then did something I’ve never done before – I sent them the rough draft of the story and asked if I was anywhere close to what they wanted with their universe. Their response surprised me.

Not only was the story exactly what they wanted, they wanted me to continue the story of Earth’s first Peacemaker in novel format. I looked at my writing plan for the year, the success of the two additional books they launched in the universe, and what they were doing with the anthology (of which there were plans for three) and said yes. I scrapped finishing my Protocol War series in 2017 and signed on to write an unplanned book in a universe I was still learning about, and I had about twelve weeks to do it. Could I?

I did. When I completed the novel Peacemaker and turned it in to them, I had no idea what to expect. Would they like the story? Would the rabid fans of the Four Horsemen Universe embrace it? Had I told the kind of story I wanted to tell in their universe? The answer to all of those questions unfolded in late August and was a resounding “YES!” From that unexpected invitation, I’ve now committed to writing a total of three books in the Peacemaker storyline and have just completed book two – Honor The Threat.

For me, 2017 was all about embracing unexpected opportunities. Doing so has led me into avenues I’d never considered and put my work in front of new readers and fans. It’s hard to believe that I’m writing a new series from a short story idea, but that’s the way this writing thing tends to work. I’ve paddled into a wave and I’m going to ride it as best I can. In the coming year, I have books to write and conventions to attend, but I’ll be looking for opportunities because they can come in the most unexpected places. Keep your eyes and ears open – you never know where things might go.