Category Archives: Conventions

Meet the Fictorians: Colette Black

“Come in, — come in! and know me better, man!” -Charles Dickens, A Christmas Carol

We’d love for you, our wonderful readers, to get to know us better. That’s why, each month, Kristin Luna will interview a member of The Fictorians. We’ll learn more about each member, such as their writing processes, their work, where they live, and what they prefer to drink on a warm summer’s day. We hope you enjoy this monthly installment of Meet the Fictorians.

Meet the Fictorians:

Colette Black

Author Pic

Kristin Luna (KL): Hi Colette! How are you doing and what are you drinking?

Colette Black (CB): Other than a sudden case of pink eye–how do we contract stuff like that?–I’m doing great. I’m not currently drinking anything, but my most recent drink was almond milk. I’m lactose sensitive, so…

KL: I love almond milk! I’m also lactose sensitive, as my husband would surely attest to. If you don’t mind me sharing, you live in Arizona. Does the landscape influence your writing at all?

CB: On occasion. I’ve set a couple of short stories in Arizona, such as Watchboy, using my knowledge of the geography and climate. I’ve also used that knowledge in other books, such as Mwalgi Justice, when writing about a dry, desert climate.  I wouldn’t say that the landscape encourages me to write any more or less in that direction, though. I also spent time in the Philippines, and set a short story there called “Eden’s Hell.” At the same time, there are places I’ve never been, like India, but I did a large amount of research and set the majority of my story, “Beneath the Skin” in that country. Of course, then I had someone who had lived there look over the story for me.

KL: When is your most ideal time of day to write? Do you have a schedule or routine that you like to follow?

CB: My best time to write is evenings, but that’s also usually the best time to spend with my teenagers. It’s a balancing act, and although mornings aren’t my best time to write, I’ve found that I can often make it work and so that’s usually when I get the most done.

KL: You have three books out right now in your Mankind’s Redemption Series: Noble Ark, Desolation, and Mwalgi Justice. Is it a trilogy or can we expect more books in the series?

CB: The Mankind’s Redemption Series will eventually have six books. No more and no less. The fourth book, Lenfay’s Hell, will release in 2017. It’s a wild ride trying to keep humans alive on an aggressive alien planet. That challenge only becomes more important when Lar and Aline discover secrets pertaining to both their races that nobody else knows about.

KL: I noticed that you also have a short story collection out called The Black Side. Which is more difficult: short fiction or long fiction?

CB: For me, short fiction. My brain thinks in over-arching plots and subplots. Skimming that down into an interesting, 3000-5000 word story, which is what most magazines prefer, is one of my greatest challenges. I still do it, because it’s good for honing a myriad of skills.

KL: What writing projects are you working on right now?

CB: I’m focused on Lenfay’s Hell, but I’m also spending time on the second book in The Number Prophecy, Thirteen. I think I’m even more excited about that than Lenfay’s Hell, which is saying something. I also have a couple of short stories that I hope to have published soon.

KL: Have you been doing any interesting research lately for any of your writing projects? Care to give us a little taste?

CB: I found a fascinating story from the 1500’s about a knight that supposedly killed a dragon in the Slavic region of Europe. Using the backstory from one of my other projects that hasn’t released yet, called Moon Shadows, I created a courtship between a half-Mongol peasant and a Ukrainian princess. It’s a 16th century urban fantasy with local shapeshifters, wind dragons from Asia, and the creation of a new power. I can’t wait for this short to be picked up because it’s one of my favorites. Keep your eyes out for “Swan’s Petition”

KL: That sounds great! When did you join the Fictorians?

CB: I actually helped organize the Fictorians. After the first Superstars Writing Seminar, I suggested to the goal-keeping group we’d formed that we put together a group blog. Evan Braun and some others took the reins and started putting the plan in motion; people like Matthew Jones understood and incorporated the technical side, and we started with only 2-3 posts per week, each of us posting about twice per month. It fills me with joy and wonder to see what it has become. We’re more professional, we fill every month with unique and fascinating posts, and we incorporate a multitude of guest posts from talented authors on a regular basis. It’s amazing.

KL: And here we are today! What writing advice have you received that you would pass on to other writers?

CB: BICFOK. No, it’s not a swear word, though sometimes it feels like one. It means Butt In Chair, Fingers On Keyboard. We have to write, keep writing, and write when we may not feel like it. Also, remember to read…A LOT. We can’t improve our writing if we’re not reading.

KL: And finally, what has been your favorite Fictorians post that you’ve written so far?

CB: That’s tough. I’ve written a LOT of posts. In the end, though it’s short, I’d have to say my Gratitude Post is my favorite. If it wasn’t for my family, their encouragement, and their patience, I could have never written the stories that I did. My family is everything to me.

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If you have any questions for Colette, please leave a comment below. Thank you for reading!

Don’t be Diss’n the Myth

A guest post by T.L. Smith.

Star_People_Legacy_Cover_for_Kindle“One man’s myth is another man’s religion.” Many variations of this quote exists, so I won’t try to figure out who said it first. I only bring it up because that’s a popular trope for writers. I’m one of them. But for all the vast potential we can pull from mythology/religion, I think authors should keep in mind how easy it is to cross the line from entertaining, to insulting.

Now, don’t get me wrong. I’m not all up into ‘political correctness’, or afraid I’ll insult someone and they’ll come hunt me down. No, I’m talking about is how, with e-books and international markets, our writing crosses cultural borders all around the world. Even borders who try to regulate their internet and what their citizens can see. Our potential markets are virtually limitless.

I personally like the idea that a reader in some far corner of the world might get their hands on my book… and like it… and order more. With that in mind, I believe it’s possible to write a myth/religion based fiction, without insulting a large number of your potential readers. Whether you believe in their faith, or not.

It’s not pandering, it’s respect. In fact, internally I cringe when I use the word ‘myth’ out loud. Whether the followers truly believe(d) these characters exist(ed), or were created, they believe the purpose of God(s) is to guide humanity onto more enlightened paths. To better lives. To brighter futures. Even God(s) of destruction are there to cleanse and prepare the world for another attempt towards perfection.

So I put a lot of research into the characters I incorporate into my stories. I study them, good or evil, until I can see the person in my head. Until I can hear their voices, until I sense their intent to exist. Then I try to translate their personalities and motives onto the page and into my own stories.

Currently I’m working on a ‘gods are aliens’ Science Fiction novel series, that one day might see the light of day. All my gods, demi-gods, demons and humans, however obscure or popular, exist somewhere in the stories passed down through the world’s cultures.

The material available is vast and consuming, and in many cases…ewwwww. There’s some pretty twisted mentalities at play. Which makes me wonder about the original sources. Makes me sometimes wonder about myself too, as I try to bring these characters back to life in my own stories…just saying.

But back to paying proper homage to the trope… It might seem an easy task We see the ‘gods are aliens’ theories repeatedly on TV, but it’s not. It takes the right myth, the right region of the country of origin and an explanation to weave it into the fiction you’re writing. I just don’t see Zeus rampaging through modern Norway. Maybe waking from a long slumber to look down from Mt. Olympus and say “WTF?”

I wouldn’t add to Ulysses’ ordeal, but I might take on his mythical creatures and give them lives of their own, struggling to make this strange blue planet home after exile from their own distant destroyed world.

Then there’s bizarre stories of Gods on chariots, blankets, and winged creatures. The transport of Gods and their minions, awing the iron-age populace below. There are tales of war and weapons so devastating, they can alone destroy the entire planet. And let us not forget the gods’ insatiable appetites for human flesh, culinarily or erotically.

But be careful. As freewheeling as the ancient storytellers were, don’t take a character out of their personality. There things that Athena simply wouldn’t do, that Hera would, or Zeus took as a common practice. And speaking of ‘common’, unless you got a good twist, skip the usual suspects. They get a bit… boring. Dig deeper and pull out the gods few people know about. You get a lot more flexibility with their personalities and motives, without crossing the line.

However, this isn’t all about insulting someone’s religion. We want to be creative, but lend an accuracy to not offend the experts in this field. Last thing I want is some big-deal professor somewhere coming out against my book. I want a good review from them. Even if it’s ‘Didn’t like the story, but she got her facts straight. Thumbs up.’.

So how am I doing with paying the proper homage? Last year I released Star People Legacy. A story where Native American Mythology and Science Fiction collides down on the Yuma Bombing Ranges.

The ‘where’ was easy. I’m USAF and did my time down on the Gila Bend side of the ranges. The inspiration came from a story told by a couple NCOs who had an odd run-in on our bombing ranges. I carried the story around for (cough-cough) years, then on our way driving from Phoenix to San Diego Comic-Con, I told my friends the story. As clear as the Arizona skies 350 days of the year, Star People Legacy came to me as a concept.

Right there, in the back seat of Gini Koch’s car, I started writing out the concept. Then came the research. I could have stuck with myths (hate that word) isolated to the southwest, but I wanted it more universal. I looked for stories that spanned as many of the Nations as possible.

That is how I focused in on the Star People and their stories. I found an admiration for the stories and the Native Peoples brought together by them. I tried to incorporate that into the future world created for them, where social advances renew their cultures and internal politics help merge them into one Nation.

All the while a little part of me was afraid I might fail at respecting the Nations these stories originated from. Until Phoenix Comicon 2016. Sitting behind my books, a Native American family passed by. The mother saw Star People Legacy and looked up at me. Though her husband was rushing her to keep going, she grinned, pointing at the book. Before he pulled her away, she told me she’d read it, and loved it.

I so wanted to chase after her. To ask her straight up whether I’d given their story the respect it deserved, but someone heard her and stopped to look at the book. I’m happy with that few seconds of affirmation.

Now to get back to work on the next installment of aliens and gods.

Guest Writer Bio:
TL SmithT.L. Smith was born in Louisiana, but calls Phoenix, Arizona home between bouts of wanderlust. Even a stint in the U.S. Air Force as a radar specialist, training pilots in enemy detection, brought her back to the desert. Her time in the service taught her to appreciate the military culture and ever-changing technologies. Experience gives life to the Science Fictions she loves so much and helps her write about the strong women, holding their own as humanity reaches out into the universe. Come check out her current releases and where you can meet her next: www.tlsmithbooks.com

Isn’t it Time to Re-brand Space Opera?

2016 phoenix comicon boothI’ve harped on this before. Where in the middle ages did we come up with the term “space opera” to refer to soft science fiction? Is it a derogatory term? Did it make sense at the time? What were they thinking?

Space opera. It sounds like soap opera, so what are readers going to think when they hear the term? I know what I thought; Days of our Lives aboard the USS Enterprise. Now, I admit, that would fit a fair number of Star Trek episodes, but it definitely does NOT define the genre.  So, what should we call it instead? What term would fit a genre that incorporates adventure, romance, horror,  and/or mystery in a futuristic setting that has scientific elements but does not strictly adhere to known scientific fact? My vote? Galactic Fantasy.

I’m sure you’ve heard the term before. I’ve heard it here and there, though not consistently, and it’s rarely used by the die-hard sci-fi gurus. And maybe I’m wrong. If the experts are okay with the term then why change an established genre.?

Why? Fans. Space opera may be established in the writing community, but it is not widely established among the fandom. And I have proof.

I shared tables at the 2016 Phoenix Comicon with a group of writers called AWW (Amazing Wycked Writers), which is a group of local Arizona sci-fi/fantasy authors who band together on occasion for conventions and such. I ran my section of the tables, showing my books to passing fans and talking about them. When describing the genre of my “Mankind’s Redemption” series, I used the proper term, space opera. Some fans knew what that meant, the avid readers and those who knew their sci-fi stuff, but most just smiled and nodded. You know the look. Sure, I’m going to pretend like I know what that means so you don’t try to explain it and so I don’t have to show my ignorance. A few people just admitted that they had no clue, and a few were familiar with the term, but not many. About halfway through the convention, I switched my genre label to Galactic Fantasy.

Now, did the readers recognize the term galactic fantasy any better than space opera? No, but I saw their eyes light up as their interest sparked. Maybe they thought the same thing I did when I first heard the term; a fantastical adventure in an outer space setting. Now, being a fantasy and soft science fiction fan, that idea appeals to me a lot more than a soap opera in space. And it appealed to the fans at Comicon, too. I garnered more interest, sold more books, and spent more time explaining my stories rather than defining the genre in which they take place.

If Galactic Fantasy makes more sense to the fans then that’s the road I’m going to travel, even if it is less worn. (Reference to famous poem intended). I hope you’ll join me and we can all be part of the Galactic Fantasy revolution. Isn’t it about time…and occasionally, time travel?

Colette Black Bio:
Author PicColette Black lives in the far outskirts of Phoenix, Arizona with her family, 2 dogs, a mischievous cat and the occasional unwanted scorpion.  She loves learning new things, vacations, and the color purple. She writes New Adult and Young Adult sci-fi and fantasy novels with kick-butt characters, lots of action, and always a touch of romance. Find her at www.coletteblack.net

 

Kickstarting Zen Awesomeness

I have a deep and abiding personal respect for James A Owen. He’s a talented and successful author, comic books artist, and business person. He’s always been a good friend to me, giving me unconditional support and encouragement in not only my writing, but also my personal life. He taught me about the power of selling your Eggs Benedict and about the need to push yourself until you are just a little bit scared. His actions frequently remind me of the power of kindness and understanding. Now, he’s the one in need of a little help, and I’m for sure going to answer the call!

When first asked to speak to middle schoolers as part of his book tours, James decided that he didn’t want to talk about his Imaginarium Geographica series. If he was given only one hour to speak to the kids, he wanted to talk about what he thought was important in life. About the cumulative power of choice in our lives, on the need to decide what you want and work for it, and on the idea that it’s never too early to start shaping your destiny. This talk, Drawing out the Dragons, was so successful that he’s been asked to repeat it hundreds of times over the years.

When James realized that he couldn’t reach all of his audience personally, he converted the talk into a book. However, the story and the philosophy weren’t done there. He had more to share. And so, he wrote the Meditation’s trilogy to share his amazing life and philosophy of relentless optimism in the pursuit of one’s destiny.

My first experiences with the trilogy came when I heard James’ Drawing Out the Dragons presentation at the Superstars Writing Seminar back in 2013. I then read the first book, by the same name, and enjoyed it greatly. In fact, it is one of the few books I perpetually keep in my phone. Like everyone else, sometimes I just need someone to tell me that they believe in me and inspire me to keep pushing forward. James does this, both in person and in text.

Right now, James as a few days left in the Kickstarter he is using to turn these powerful books into a beautiful hard cover set. I’m a supporter, and hope that y’all would be willing to consider taking the leap of faith needed to help him complete this awesome project. I promise, you won’t regret it!

DRAWING OUT THE DRAGONS: A Meditation on Art, Destiny and the Power of Choice

“James inspires and motivates both the young and young-at-heart with personal stories that share an important belief: that you can choose to lead an extraordinary life if you will just persevere, stay focused on your goals, and believe in yourself.” —LeVar Burton educator, actor, entrepreneur. Drawing Out the Dragons has the power to uplift, inspire, and change your life, and is the first book in The Meditation s series.

THE BARBIZON DIARIES: A Meditation on Will, Purpose and the Value of Stories

“Mythologies are huge, sweeping things. And the grandest stories are those with the widest arcs of triumph and despair. As much as we may want to, we may not be able to avoid the despair – but triumph is a matter of will.” DRAWING OUT THE DRAGONS was written for everyone, but this book is an advanced course in surviving the Refiner’s fire – because some stories are too important not to share, and some stories are too meaningful to hide.

THE GRAND DESIGN: A Meditation on Creativity, Ambition, and Building a Personal Mythology

This book brings together the ideas from the previous volumes in The Meditations series (Drawing out the Dragons and The Barbizon Diaries) about all of the things I know and believe are most important in choosing to live an extraordinary life. Significance is a choice; and the extraordinary can always be chosen. That’s everything. And that’s all.