Category Archives: Frank Morin

Don’t Forget to Tweak the Recipe

Bakery dessertsAs Guy discussed yesterday, sometimes it’s necessary to change up an author’s approach and writing style when developing stories in very different genres. It’s also important to make sure different stories in the same genre feel unique and fresh, even though they’re recognizable as written by the same author.

You can use your own special sauce, but still need to tweak the recipe so stories don’t feel so similar readers feel bored or frustrated.

A great example comes to mind. Long-time favorite author, David Eddings. He wrote great epic fantasy, and part of his special sauce included large casts of endearing characters. Sure, a lot of those characters easily fit into fantasy tropes, but he portrayed them with flair and humor and made them real. As a young reader, the characters felt alive to me, like long-time friends, and I was eager to share in their adventures.

Eddings introduced some of my all-time favorite characters in The Belgariad, a five-book series that followed the development and growth of the simple farm boy Garion until he matured into Belgarion, the mighty sorcerer and king of a league of nations. Cool stuff. Belgarath, the ancient and grumpy old sorcerer was a hoot to read about. Silk, the spy/assassin/thief, fascinated me, while Barak, the hulking viking-type warrior was a classic brute with a heart of gold.

Then in The Mallorean, Eddings again launches into a very similar tale, using the same beloved characters. That second five-book series was one of my favorites as a teen. The characters were well developed, they played off of each other extremely well, and their adventures were fun and creative. Eddings even poked fun at the fact that the second series was so similar to the first, and that actually worked really well.

A later series that Eddings wrote offers a cautionary tale, though. The Elenium, although a fantastic series in its own right, included perhaps too much of Eddings’ special sauce. Although on its face the story is very different from the epics centered around Garion, it explored very similar concepts. The most striking similarity was how the characters interacted.  The makeup of the protagonist team was very different, but it felt like they were falling into the same patterns as the group of companions in the Belgariad and the Mallorean.  For me that made it harder to enjoy the books because it felt like Eddings was trying to imbue the same hearts into his cast. That was sad, because they were really good books, but they needed a little more space of their own to really shine. I wonder sometimes, if I had read them first, would I have loved the Elenium more and felt the Mallorean was too much of a copycat?

I still recommend reading all of those series. They’re classics and well worth the read. I’ve found that with pretty much every favorite author, there are lessons I can learn. With Eddings, it’s distinguishing the different series a little more. I’m grateful to find examples of what works and maybe what doesn’t already out there to learn from and make my own writing that much better.

So develop your special sauce, be aware of it, and at times be sure to change up the recipe with a new story or series.

About the Author: Frank Morin

Author Frank Morin
Rune Warrior coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website:  www.frankmorin.org

Happy Cinco de Mayo

May tulipsHappy Cinco de Mayo!

Hopefully you’re having a barbecue. Here at the Fictorians I’m sharing my special sauce with you.

What makes a Frank Morin book worth reading? (And they are definitely worth reading! Trust me).

Now that I’ve got six novels out there, with a couple more due by the end of the year, I’ve got enough material for readers to get a good taste for my secret sauce.

When you read one of my novels, you can generally expect:

  • Big, epic stories. Seriously, most of my books are at least 150,000 words. Even my one novella is pretty epic.
  • Complex, intricate plots, with a large cast of characters.
  • Lots of action. I like books that move along and in which lots of fun stuff happens, so that’s what I write.

My works to-date span two very different series, and they do have important differences. Jumping from one series to the other has proven a fun challenge and highlighted for me the significant differences.

The Petralist series

First, The Petralist.

Big Magic. Big Adventure. Lots of Humor.

Yup, they’ve got the huge, epic story line with tons of action. Layered on top of that is a super cool magic system based on rocks It’s all topped with a layer of humor that raises the stories to a whole new level. The humor makes them accessible for younger readers down into middle school, even though they’re thoroughly enjoyed by high schoolers and adults too.

I dialed up the numbers a lot on the Humor Scale.

A really interesting theme I get to explore through this series is the question of loyalties. In particular, what happens when loyalties to family, to town, to nation, and to a love interest end up conflicting? Which loyalty trumps others, and what to do when people you care about make choices that place them in conflict?

It’s hard to fight against someone you care for, and those difficulties are compounded further by the fact that both sides in the conflict have reason to feel justified in their actions. It’s even harder to fight an enemy, when they might just be right.

The Facetakers

The Facetakers.

These urban fantasy historical thrillers are so much fun. Think The Matrix, but through history. These are hard-hitting thrillers that my editor described as “Mission Impossible meets Agents of Shield“.

They’ve got an intricate, awesome magic system fueled by the force of human souls. I switched to a strong female lead for these, and Sarah is simply amazing. The supporting characters are fascinating, and they pretty much all have dark moments in their pasts where they’ve done things that Sarah has a hard time accepting. She and her team must hunt through deadly memories that brush against the fabric of time, fighting superhuman-enhanced enemies whose agendas will topple the world order and destroy Sarah and everyone she loves.

A definite stand-out about these novels are the many historical settings. History is not what the books claim it is, and Sarah learns what ‘really’ happened in critical moments in history, which become the primary battlegrounds.

One bonus of these books is the body-swapping tendencies of many of the characters, which allow me to explore all kinds of fun questions of identity and body image. If you’re suddenly swapped into a very different body, are you still you?

So if you like stories that move fast, make you laugh at one moment, but then ask hard questions in the next, and will very likely keep you up a lot later at night than you had planned, sample these books. You won’t be sorry.

About the Author: Frank Morin

Author Frank Morin
Rune Warrior coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website:  www.frankmorin.org

The Special Sauce Makes or Breaks it All

Pouring Chocolate

What makes Grandma’s pies better than anyone else’s?

What makes the Big Mac stand out?

It’s the special sauce, of course.

The sauce is the final layer, the finishing touch that elevates a dessert, a hamburger, or a rack of barbecued ribs from the level of pretty good to Wow!

Your favorite authors have their own special sauce too. It’s that special something that you recognize as soon as you flip open one of their books and start reading. It’s whatever they do that’s uniquely theirs, the sometimes subtle signature that makes their stories stand just a bit apart.

This month, we’re exploring the question of what what makes the best stories stand apart? What’s unique and recognizable about our favorite authors? Is it their character voice, their world building, their breakneck pacing, or their use of imagery?

We’re also going to discuss how newer authors work on developing their own special sauce. It can take experimentation and lots of practice, and it can be a really fun journey.

So stick around and share what you consider the special sauce of your favorite authors.

 

I Heard it From a Fool

the man who knew too little“The greatest lesson in life is to know that even fools are right sometimes.”
~ Winston S. Churchill

The Fool, often known as The Jester, is a well-known and very useful trope in both TV, theater, and novels. Sometimes in our work, the tomfoolery is subtle, or devious, or creepy. With The Fool, it’s in your face.

In TV, the fool can come in various shapes and sizes. Often they really are clueless, but blessed with abundant luck and usually a cheery outlook. The ridiculous, almost accidental ways they escape bad things is always great for a laugh. They’re excellent for comic relief in an otherwise tense situation.

A great example is the movie, The Man Who Knew Too Little. Bill Murray gives a stellar performance as Wallace Richie, a bumbling incompetent who is mistaken as a spy and ends up stopping an international assassionation plot without understanding anything that’s going on. Simply brilliant.

Other times, perhaps they’re more the Profound Fool, an idiot who still offers spot-on advice and remarkable insights that no one else seems capable of figuring out, despite their genius or heroic attributes. And it’s often because the fool is so simple that they can see the truth about problems, which everyone else is complicating unnecessarily.

Bill and TedThink Bill & Ted’s Excellent Adventure. This classic time travel sci-fi movie follows the high-school slackers Bill S. Preston and Ted Theodore Logan, who have delusions of greatness with absolutel nothing to back up their claims. They’re failing school, and can’t even play the instruments, even though they want to start a band. Even as they embark on their excellent time-traveling adventure, they really don’t seem to get it for a while.

For example, when the Evil Duke at the castle where they fall for the princesses decides to kill them by torture and orders, “Put them in the Iron Maiden.”

Instead of shuddering with their impending doom, they think he’s talking about the rock band.

But of course by the end of their awesome adventure they meet cool historical figures, ace their history presentation, and set everything right with the universe with their momentary flashes of insight, and their determination to “Be excellent to each other, and Party on.”

Then there’s the Fool of Shakespeare’s time. That kind of Fool can say anything to anyone, and they usually do. In otherwise strictly-managed social heirarchy, the fool grants a way for truth to be shared, to poke fun at pompous or foolish or disturbing tendencies or justifications.

“That, of course, is the great secret of the successful fool – that he is no fool at all.”
~Isaac Asimov, Guide to Shakespeare.

Shakespeare was famous for using ‘the fool’, and took the trope to whole new levels. They were usually ignorant or poor, low class commoners, who used their wits to tear down or humiliate or make fun of their betters. They could be used to poke fun at moral issues or the lies or justifications that nobility tried to use.

A fool thinks himself to be wise, but a wise man knows himself to be a fool.
~William Shakespeare

Better a witty fool than a foolish wit.
~Feste, Twelfth Night, I.5.328

If men could be contented to be what they are, there were no fear in marriage.
~Clown, All’s Well That Ends Well, I.3.372

Winning will put any man into courage.
~Cloten, Cymbeline, II.3.983

the Court JesterOne final type of fool I’ll mention are the Jesters. In the middle ages, these were entertainers of nobility. Singers, dancers, storytellers, satirists, and comedians. They perfected the art of being clever fools, and a wonderful example is the movie The Court Jester.

Hawkins, the main character in the classic movie, The Court Jester. Danny Kaye did an amazing job playing Hubert Hawkins, who has to go undercover as Giacomo, King of Jesters and Jester to the King. The entire move revolves around his antics and the intrigue and plots he gets caught up in more by accident than any design. If you haven’t watched the movie, do it now. You’ll thank me later.

So when designing your stories, don’t forget to consider including a Fool. It might turn out to be an extremely wise decision.

About the Author: Frank Morin

Author Frank Morin
Rune Warrior coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers Urban Fantasy/Historical thrillers, check his website:  www.frankmorin.org