Category Archives: The Writing Life

Own Your Choices

A guest post by Peter J. Wacks

I’m taking a break from working on a Veronica Mars Media Tie In story to sit down and contemplate the following request:  ‘If you could go back in time and speak with yourself as a new writer just starting out, what’s the most important piece of advice you would give yourself?’ The makes me think a lot of things.

First thing it makes me think, though, is that it’s a trick question.

I have accomplished a lot of what I have set out to do, and I have done it because of the failures I have embraced.

I manage Wordfire Press because I had the temerity to have a company fail in the game industry, over-hiring from a group of friends until it crashed itself under the weight of payroll. Without that failure… I never would have learned to abandon caution in your dreams—while laying groundwork—plans within plans—to protect your creative child in reality.

Without the frustrating failure of my first book The Divine Prank, which ended up in the trash as a 100,000 word partial manuscript under the first printing of Neil Gaiman’s American Gods, I wouldn’t have learned the hard edge of fight that lets me never back down, and always find a way through… that same edge that pushed me to sell tens of thousands of copies of my first book, Second Paradigm, by hand. It’s also what gave me the edge and strength to say no to a 2,000 book print run with a $2,500 advance from the big six and say, I’m not going to change the plot structure, I’m going to self-publish it instead.

There are a dozen other examples I won’t cite, because you get the point. What else does the question make me think of? What about successes? What about learning curve?

The second thing it makes me think is, what successes have I had that I could have amplified?

That is another slippery slope. The largest frustration I have dealt with when it comes to success is that I was a better writer in 2008 than I was in in 2012. I spent so much time on marketing and promotion that my writing style regressed.

I got worse.

Talk about frustrating! I couldn’t sling my stories as well! …Which forced me to study my style and start coauthoring with others to regain my skills and find new techniques.

It

Was

Awesome!

I am so much better now than I could have been by myself. Each author I have worked on a project with has amplified my skills. How could I give that up? Why would I give that up? More importantly—if I hadn’t been faced with my own lesser skillset, would I have been able to learn what I have, could I have embraced the growth? I don’t think so. Which ties back to failing your way forward, and we are back to our first answer.

The third, and final thing, that the question makes me think on is what I like to call the ‘Hallmark’ factor. What platitudes are out there that seem trite until you REALLY need to learn that lesson, at which point they become incredibly poignant? And how the heck do I generalize a very personal lesson to a large audience in such a way that they gain something of value out of it?

Don’t forget your personal relationships?

Sleep is important too?

Never give up, never surrender!?

And there it is, the one thing we can ALL learn from. But it is not something that any of us need from the past. If you are here reading, or in my case writing, then you haven’t given up. You haven’t surrendered. But…

Writer, musician, artist, actor… the title of a creative almost synonymous with the phrase self-doubt. So let’s not focus on a lesson for the past, but instead focus on a lesson for the present and, more importantly, for our future selves.

Every failure isn’t a failure. None of them are. They are just weapons your future self can use to create success. Be it a month, a year, a decade, or a lifetime of fighting, you are remarkable – because you haven’t given in! Because you fight, you learn, you grow, and each step that feels like it is a step back, is, in fact, something you will look back on in the future and say “Wow, I’m glad I learned that lesson then!”

Own your choices. Only you can. And every choice, good or bad, is what will, in the end, give you the strength to succeed… and you will, because you have been strong enough to not give up.

Write on.

~Peter J. Wacks

Guest Writer Bio:
Peter WacksPeter J. Wacks, the managing editor of Kevin J. Anderson’s WordFire Press, is a bestselling cross genre writer. He has worked across the creative fields in gaming, television, film, comics, blogging, and most recently he spends his time writing novels.
When he isn’t working on the next book he can be found hanging out with his kiddo, practicing martial arts, playing chess, or fighting with swords. He also loves Angry Birds and drinking IPAs with friends.
You can find out more about Peter at his website, which he rarely finds time to update:www.PeterJWacks.com

 

It’s My Job

keyboardIf I could go back to when I started writing, I would have treated my writing time differently. I would have started off treating it like a job and not a hobby and creating good habits. How would I do that? Glad I asked!

First, whether I was writing part time or full time, I would set a schedule and stick to it. If all I had time for was fifteen minutes a day right before bed or a half hour before I went to work or if I had the luxury of writing several hours a day, I would set that time aside and hold it sacred. It matters less how much time you have available than that you use it the way in which you need. At most other jobs, we’re expected to arrive at a set time, work for a set amount of time, take lunch at set times and leave at a set time. And while we’re there, we’re expected to accomplish certain tasks. This is what we’re paid to do. And you’re writing career should be no different, if you expect to make money from it someday.

So, I need to show up when I’m expected to, keep to my schedule and do what I’m expected. I am my own boss on this and I need to keep my employee-self on task. This not only helps me treat my writing professionally, but it tells others it’s a job I take seriously. Family and friends can be terrible sources of distraction whether they mean to or not. When they try to encroach on my scheduled work time, I would say what I’d say if I were at any other job, “Sorry, I can’t. I have to work.” Schedule lunches, meetings, errands and such for other times that aren’t your work time.

Second, write. Seems obvious. It isn’t. If I could go back, I would set aside other time for writing related tasks that are not writing. Checking email, reading articles/blogs/books about writing, plotting, editing, doing research, staring at the ceiling thinking and a list too long of other related things are NOT writing. They are all things I need to do in my writing career, but they are not writing. They are things I can usually do other times or squeeze in around the edges in little bits of down time. Some I can even do on commercial breaks at night while watching my favorite shows. And if I have to schedule time to do them, then I would. But I would not let it infringe on my sacred writing time, my work time (whatever time I had set for that).

Third, I would advise my early self to keep writing if I’m stuck. Crap can be fixed. Holes can be filled. Transitions can be built. But nothing can be done with nothing. So, if I’m stuck in the current scene. I can make some notes on what I’m thinking at the time and go to a different scene and work there. At least I’m doing my job.

I would tell me to take my job seriously. If I don’t, why would anyone else? And if I take my job seriously, then I will get my work done. I will finish stories. I will produce the necessary product to get it out there no matter in what way I choose to get it out there. You can’t query, edit, revise, sell, publish or market a product you do not have.

Yes, writing is an art. It takes creativity, but as Dave Farland/Dave Wolverton once told me, I can train myself to get into that creative mode really quick through good habits. Treating it all as a job, going to your work space at the set times you are scheduled to work and getting to it are the habits needed to train your brain to put on its creative work clothes quickly and get to your job.

After years, I still struggle with some of this, but the more I practice and ingrain these job habits, the more I get done and the better writer I become. So, that’s the advice I would give me if I could go back.

I’m looking forward to the rest of this month because as a professional, I’m always looking for better ways to improve my work, my work space, my work habits, and my work mentality.

Beating the Learning Curve

Better choiceLast month we explored the many reasons we love being writers and some of the things that help keep us motivated. Now that we’re filled with optimism and eager to get back to work, hopefully we can find ways to work smarter.  The reality of writing every day can be tough, but we’re ready to face the truth.

Truth Number 1: Becoming a professional author takes a long time.

Writing is a process, an evolution of skill and craft and voice and a hundred other components all merging together to become something brilliant. It’s one of the few jobs that usually requires years of investment with no real promise of a profitable return to show at the end. Most people who follow the Muse and begin writing a novel never even finish. Those of use who do then learn that the writing of the novel was just the beginning. Still we slog ahead, motivated by those moments of excellence that remind us why we love what we do, and encouraged by the second universal truth of writing.

Truth Number 2: Determination and consistency matter more than simple brilliance.

Every established author repeats the same mantra: keep writing. Those authors who keep trying, keep learning, keep producing will eventually find some measure of success. This is a truth that is easy to lose sight of when we get discouraged by yet another rejection or by those debilitating second thoughts and self doubt. Just keep going and we’ll get there.

Of course some of us take longer than others. Writing is a learning curve, but some writers seem to enjoy a gentler slope. The rest of us make mistakes that delay our progress or we just take a while to learn important foundational principles. Could we have shortened our up-front investment time by learning things sooner, by seeing clearer?

Probably.

So this month we are going to share advice we wished we had received earlier in the process. Imagine findingBack to the future a way to go back in time to visit yourself as a brand new writer, just starting out. Imagine we handle that time paradox well. Assume that we don’t just decide to focus our energies on making a quick fortune investing in all the things our older selves could predict would be winners. In fact, we focus the brief message only on writing.

What would we say?

What advice or encouragement would we give ourselves? What could we do to help ourselves find a better way to success, a greater mastery of craft? Would we even try?

This month, we’ll find out.

Hi! My Name is Nathan, and I’m a Writer!

Several years ago, my company sent me overseas for a few weeks of training. Since I was already enduring the long trans-Atlantic flight, I decided to take some vacation time to make the most of my trip. I booked my flight a week early, and paid out of pocket to delay my connection in Frankfurt. I had been wanting to do a backpacking-via-rail trip for a while, and so I booked a Frankfurt to London round trip in order to take the opportunity to spend 10 days exploring the stretch of the UK between London and Newcastle.

Knowing that one of my friends participated in an study abroad program during college in Newcastle, I asked her what I should do with my few days in the city. She recommended that I take a bus ride up to the gardens at Alnwick. As she told the story, the gardens were created in response to a local student dying from a drug overdose. The city decided to create a poisons section in their local botanical gardens with the intent of educating visitors on the dangers of drugs.

Writing BookshelfMost writers I know are gigantic nerds for trivia and other useless tidbits. I am no exception. Just take a look at the bookshelf I have reserved for my writing references and you’ll see why the idea of a garden devoted to poisons appealed to me. One morning, I made my way to the Newcastle bus terminal, and spent the some time watching the beautiful countryside. Before long, I made to Alnwick. After paying my entrance fee, I spent a couple hours wandering and admiring the gardens.

Eventually, I found the poison gardens, which occupy an open space roughly the size of a small parking lot. Alnwick’s Poisons Garden is sectioned off from the public areas by a heavy, black wrought-iron fence. The only access is a gate that is kept locked at all times and is decorated with skulls and crossbones. Hard to misinterpret the message even if you don’t speak the local language.

As I approached, the tour guide waiting outside the gate informed me that a tour had just begun. When I asked her when the next would be, she smiled and assured me that waiting would not be necessary. She would open the gate and I could simply catch up the tour.

Once inside the gate, the Poisons Garden didn’t appear to be significantly different from the larger public space. There was a small path that meandered through flower beds and the plants were protected by mesh cages to keep people from touching. Otherwise, the deadly plants appeared to be unremarkable. However, I listened to the last three quarters of the tour aptly, taking pictures for reference material, and writing notes as appropriate. Upon leaving the poisons garden, I saw that another group was already forming to start their tour.

In one of my less-than-bright moments, I decided to catch the first quarter of the tour with the new group. As it turned out, each of the three guides gives their own version of the 20 minute tour, and with over 100 plants in the Poisons Garden, there was plenty of material to choose from. Enthusiastic for new information, and not thinking about how it looked to the locals, I decided to join the third tour as well and see what else I could glean.

As I left the gardens for the final time, I found the first two tour guides standing together and casting nervous glances at me. Concerned, I moved close enough to eavesdrop and began digging through my bag. The word “constables” was especially alarming. I did not have the time to be arrested in a foreign country; after all, I had a flight to catch from Newcastle to London the next morning so I could continue on to my company mandated training. Thinking fast, I did the only thing that I could to avoid being arrested.

I walked up to them with a smile on my face and introduced myself.

“Hello,” I said, “my name is Nathan Barra, and I am a writer. I came to the gardens to do some research for a book. Thank you for the tours, they were very informative, but I was hoping that you ladies could clarify a few questions for me.” The two women who had just been looking at me as if I were prone to poisoning the town’s water supply lit up and became passionate about helping me. Turns out, the the information on the tours is nothing compared to what the tour guides will give you if you make friends.

And that, is why I love to be a writer. Yes, there is joy in creating, relaxation that comes from the control of an entire world, and the sense of pride and accomplishment from a completed book. But in the end, writers get to do, and get away with, things a normal person wouldn’t have access to in the name of “research.” I have writer friends who gone on special tours of NASA, have shadowed prison guards, and are on a first name basis with rock stars. All in all, the perks of being a writer are pretty sweet.

This month, you heard from Fictorians and our friends in the writing community about why we love being writers. I hope y’all have new insight into our worlds and some inspiration to pursue your own dreams and craft. Life is only as interesting as you choose to make it. So go out, and make awesome choices.