Critiques ““ Part 2 ““ What? How?

In Part 1, we talked about why critiques are needed and how hard it sometimes is to accept the feedback. But what exactly is a critique? The word itself reminds us of critics – you know, those dreaded experts who review movies, theaters and books, who are known to publicly humiliate artists. It also reminds us of those nasty teachers who rarely said anything positive except how good their red ink looked scribbled across your work.

A critique is about critical analysis but unfortunately, some focus only on the critical part. A critique is about feedback, providing constructive criticism which makes every facet of the unpolished gem shine. Sometimes it means explaining why certain things don’t work well to help the writer see and understand where the writing can be made stronger; plot holes, logic gaps, unsympathetic protagonist, craft issues. Other times it’s about pointing out the things that work well because those are the writer’s strengths and they must be encouraged so the writer doesn’t lose sight of what he does well.

Here are some basic points to remember:

  • Ask the writer what is wanted? A readers critique that identifies what is and isn’t working in terms of plot and character? Or line by line polishing?
  • Ask what prevents this work from being salable? Asking helps both the writer and critique approach the work constructively.
  • Be respectful – DO NOT say – “Lousy writing’ or “You never seem to get it!’ We all have fatal flaws that we repeat. There may be a certain eloquence or lack of, dangling participles, dialogue, plot problems, setting or description issues, flat characters – most of us need to become aware of these things over and over until we get it!
  • Remind the author that this is your personal opinion and not gospel. Remember that your comments are only suggestions and the author has no obligation to put them into action.
  • Focus on how to improve the work rather than what’s wrong with it. State the problem. State why is it a problem. Provide example(s) of improvements.
  • Tell the author what works well (a line, a character, what made you laugh). When I started writing, I went to a workshop and felt like I’d been shredded to death. It was horrible. Yet, one person said that I wrote plot well. That was all the encouragement I needed to continue writing and to constructively use the other comments.
  • Focus on what is important. If addressing a major problem may cause several small ones to disappear, don’t spend time on the small problems.
  • Never dismiss the intended story. It can be fun to suggest alternate directions (constructive), but never dismiss an author’s intentions – they have their own story to tell.
  • Don’t overwhelm the writer. Too many nits can be discouraging rather than helpful. To this end, tailor your comments to the author’s skill level. For example, for new writers, focus on the main thing to improve rather than a laundry list of everything that’s wrong.

I’ve seen critiques which ruined a good story because the author didn’t have enough confidence in what his story was about, didn’t know the good parts, took everyone’s suggestions to heart and ended up with a mish-mash that incorporated everyone’s ideas but ended up pleasing no one. In Part 3, we’ll be talking about how such a disaster can be avoided.

Cheers and happy writing!

 

Eric Edstrom: It Worked, It Failed – Lessons Learned in Indie Publishing

Guest post by Eric Edstrom

On December 24th, 2011, I clicked “save and publish” on Amazon’s KDP platform to launch my very first novel, Undermountain. A few hours later the book appeared for sale on Amazon.

Relief and satisfaction washed through me. I had realized a life-long dream, a biggie from the bucket list. I had done it. I’d written and published a novel.

I relaxed and smiled. No more pages of edits to go through, no irritating “track changes” issues to deal with from an editor, no more “when will your little book be out?” questions from doubters.

I’ve done this twice since then. In January of 2012 I published a little non-fiction ebooklet about writing lyrics for the Nashville music scene. And on July 1st I released Afterlife, the sequel to Undermountain.

I don’t claim to be an expert. If anything, I’m an advanced beginner. But I do have enough experience to offer insights into what has and has not worked for me as an indie author.

1. Goodreads.

Although many authors fear Goodreads due to trolls torpedoing authors’ books, I’ve found a friendly and welcoming community there. I wouldn’t have half the reviews I have without them. There are a number of Goodreads groups (basically discussion forums) with dedicated topics for “Authors Requesting Reviews” or ARR. Join one, read the ARR rules, introduce yourself, offer up free copies, and be patient. And it’s pretty much a no brainer, give a free e-copy of your book to anyone who promises to review it. It worked!

2. Hiring editing and proofreading services.

I worked with two editors. The first one did an okay job, but mostly just pointed out that my book was crap. I rewrote a bunch of it and then worked with Joshua Essoe, who helped me beat it into shape. After that I hired a proofreader. Notice I’m not mentioning who did that. I should have done an extra proofreading round after that. It worked. Lesson learned: ask for references.

3. Sourcing cover art through Crowdspring.com.

This worked, but it made the cost higher due to Crowdspring’s listing fees. I listed a project there, set my price, and then waited for designers to submit concepts. I gave feedback and encouragement to some of them, and eventually chose the cover you see for Undermountain (which is awesome according to everyone). Since then I’ve worked directly with the artist on the sequels. It worked! Lesson learned: It’s cheaper to work with artists directly. Find unknowns on deviantart.com and conceptart.org.

4. Hiring services to prepare my manuscript to feed into Smashword’s infamous meatgrinder conversion software.

I did this for Undermountain because I was exhausted and couldn’t face reading Smashword’s style guide. I paid ebookartisandesign.com $50 to do it. It worked!

5. Preparing my manuscript for the meatgrinder myself for book 2.

It’s actually not that hard to do if you clear space in your calendar and mind to just do it. It worked!

6. Hire Createspace services to create the interior layout for the POD version of my book.

I got my POD book done and ready for sale. It worked . . . but I was extremely disappointed with the speed and quality of their service. Their mistakes added three weeks to the process.

7. Create the interior layout using Word for Mac.

I did a superior quality layout for my second book in about four hours by following a tutorial I found online. If you’ve done your own prepwork for the Smashwords meatgrinder, you have the perfect starting point, BTW. It worked!

8. Dictating the first draft.

Once I got over the idea that dictation wouldn’t work for me and just did it, I found that it was insanely fast and the quality was good. I wrote a blog post on this. It worked!

9. Reserving an editor time slot before the book has been written started.

I did this on my second book because I knew Joshua’s schedule was filling up. I treated this date the same way I would a deadline for any other editor. I worked backward from that to figure out my schedule. I worked forward from that date to figure out my launch date. As a result, I launched an awesome book on time. It totally worked!

10. Tweet spamming my book.

I couldn’t help myself at first. I was so proud of my book and thought all fifty-seven of my followers would rush to Amazon and buy it. I do tweet my buy links occasionally, but for the most part I’m trying to build relationships on twitter. I have no evidence that I’ve sold a single copy due to tweeting. Tweet spamming: Fail!

11. Being afraid to push my book.

I just got done saying I was a Twitter spammer, but in real life I wouldn’t bring it up with anyone. Fail! Lesson learned: You’re not selling your book so much as you are selling yourself. Some people are good at this, some are like me. I can say with 100% confidence that I never sold a book to someone who didn’t know it existed.

12. Advertising on Facebook.

Fail! I sold nothing. I’m not saying it couldn’t work, just that it didn’t work for me. Why? Because I had no idea what I was doing. Advertising is an skill, and to do it right you really need to A/B test everything and tweak headlines.

13. Amazon Select.

Fail! (for me) I gave away thousands of free ebooks. There was no post giveaway sales boost and I got only one review as a result (it was very positive, BTW). I think my absence from other platforms set back my growth there and my sales on the big A did not go down once I left the Select program.

14. Creating a printed version of my book to boost sales.

Fail! I’ve given away way more copies than I’ve sold of my POD book. From a return on time/investment standpoint, POD was not worth it for Undermountain. And yet . . . there is nothing in the world like holding that book. Now that I know how to do interior layout myself I will continue to do them. Lesson learned: when you hire your cover artist, make sure they agree to tweak final dimensions for the wrap-around cover and placement of back cover text, etc. The issue is that you won’t know the spine dimensions until you know how many pages the book will be. And you won’t know that until the book is finished and the interior layout is complete.

15. Create an awesome book trailer that will go viral, resulting in huge sales and movie options.

Fail! I did all the work on my awesome trailer myself. It was far more expensive than it had to be because I licensed stock video and sounds from istockphoto.com and pond5.com. I already owned Final Cut and had video editing experience, so at least that didn’t cost me extra. Lesson learned: having an awesome book trailer is its own reward.

16. Speaking to a bunch of eighth graders at a local school.

It worked! Many were very interested in buying my book. Lesson learned: Make sure your your POD book is ready. This may be different now, but not one of the 100+ kids in the audience owned an ereader at the time. Due to Createspace design services slowitude, I did not have any inventory on hand. Fail!

17. Ringing up sales by obsessively refreshing the KDP, Pubit, Smashwords, and Writing Life dashboards.

Fail! I’ve slowly come to the conclusion that this is ineffective. If it was, I would be the best-selling writer in the history of the world.

Guest Writer Bio: Eric Kent Edstrom is an author, songwriter, and guitarist. The first two volumes of The Undermountain Saga, Undermountain and Afterlife, are available in ebook and trade paperback from all online retailers. Eric lives in Wisconsin with his wife and daughter.

Twitter: @ekdstrom
Facebook: facebook.com/EricKentEdstrom
Web: ericedstrom.com

The greatest YA science fiction series about bigfoot of all time: The Undermountain Saga. Book 1: Undermountain and book 2: Afterlife. The final book will launch 24 December.

True Story…

Here’s the story…of a man named David…

Who was writing up three lovely stories of his own…

Sometime around 1993, my dad came home one day with this really cool invention you’ve all probably never heard of it. It was called…a “computer”. And it had this nifty thing called “LotusWorks” built into it.

I had never seen or used a PC before. My computer lab had Apple IIgs and most of our classwork was spent watching my teacher draw devil horns on kids in the class. Occasionally we’d get a chance to play Mathblaster or Oregon Trail…or maybe Where in the World was Carmen Sandiego.

So, when we got our computer and I couldn’t find Carmen Sandiego or shoot little green aliens to the tune of 2+2, I needed to figure out something else to do with this crazy thing. Since we couldn’t afford AOL, I missed out on the gory days of the internet’s wild west.

Enter LotusWorks.

I found it quite by accident actually, it was one rainy day in mid-September and I sucked at Solitaire. MineSweeper was way too complicated for me. So, here comes this little window with an icon for Lotus…and being the mischievous little twerp that I was, I clicked the icon.

There was a splash screen…and then pure white. A blinking cursor made me crap my pants and I thought of a million and one excuses to tell my parents about how I broke their brand new computer.

After a mild freakout, I tried pushing buttons to make the cursor go away. Everyone knows the way to fix a broken computer is to mash as many buttons as possible. Beeps are good.

My first sentence was something like this:

xcufsdpofdjbklfdghs

It was the coolest thing ever.

Allow me a brief sidetrack for a moment here…

There was this paper mill up in Newark, NJ where my dad worked. He found out about it and started visiting the place about once a month, it was mostly a recycling center for old and unsold books, magazines, and comic books. He ended up being able to take like a box away a month. It was like a treasure chest brimming with amazing superhero stories and  castoffs that nobody wanted anymore.

Anyway…back on track.

So, here I am staring at a cursor with xcufsdpofdjbklfdghs written on the screen. I hit the delete button. It vanishes. I type “See Spot run.” … over and over and over again. There’s fonts! Some look like the cool titles of the books in my room. I can change the color!

It was fascinating to me as a small child.

So, now that I learned how to do all this cool stuff, I amped it up a level. I started making sentences. Sentences turned to paragraphs, paragraphs to stories…

In the winter of 1993, I wrote my first story. It was eight pages in size 28 font. And it’s days like this where I wish I still had the printouts in my archives.

I wrote something about a superhero saving a cat. It was pure dreck, but my parents loved it.

Their encouragement led me to expand my series of Captain Superhero. My next “book” was 10 pages in size 18 font, I printed them out and stapled it together. I even drew my own cover of the stick figure superhero using Microsoft Paint, or whatever the program was called at the time.

Three books later I was in middle school and ready to really get serious about my writing. Over the course of six months, I penned my first novel and turned it into my teacher. She didn’t send me to the guidance counselor, so I guess I did okay.. 😉

I wrote 23 pages of 14 point font. It was complete with frilly medieval lettering and everything. Not just titles or first letters. The whole book. I had written something horribly derivative of the worst of the worst. All full of fantastic barbarians and damsels in distress..oh – and dragons.

There were always dragons.

I drew inspiration from the worst of the worst. If it had a pretty cover or a rousing blurb, it was in my hand and I was begging dad for it. We couldn’t go into the book store without spending $30. When books were like $5/paperback, that was a lot of money.. and a lot of books 😉

Times changed and the market crashed, stagnated, and resurrected again. I kept writing. Never intending on publishing anything for anyone except those who wanted to read what I want to write. I’ve always stood by the fact that I write what I want to read at that particular moment in time…and as my tastes have changed, so has my style.

I never thought or expected anyone would pay for my work or download it. It was more of a personal goal that I wanted to complete before I got too old or busy to take time out.

Last week I released my first two books on Smashwords. They were submitted and published ninja-style. I dropped them into the meat grinder at midnight, they were on the website by 2am.  No Facebook posts, no text messages, nothing. I just clicked publish and went to bed.

When I woke up I had a combined total of ten downloads for my two samples and one sale.

As minuscule as the numbers are, they represented a profound sense of accomplishment for me. It was an unexpected surprise to celebrate nearly twenty years of writing for the sake of writing with a single, unsolicited sale.

Someone decided to take the chance and give up a cup of coffee for my book.

And for that, I say thank you to the mystery shopper.

So, that’s my story.

What’s yours?

 

Simple Keys to Productivity

I’m sitting here with two tasks I need to accomplish – the first is to write my post for this blog and the second is to write a minimum of 100 words.  So I’m doing both in one fell swoop, but what to write about?  I suffer this question a lot.  A lot, a lot.  A while back, I wrote a post about ideas being cheap and everywhere and while I still believe that, sometimes you’re tired and your brain sees nothing that isn’t blatantly pointed out.

   So, to overcome brain-fade or writer’s block or whatever you want to call it, I’m going to suggest fuel for your body.  Sleep, and enough of it, and eating with some regularity.  It’s preventative maintenance.  We don’t expect our cars to run without gas and oil, but we expect ourselves to run without adequate sleep and food.

I am especially guilty of both these things.  I stay up late, don’t get nearly enough sleep and then eat only when I’m absolutely starving and have given  up all hope of   some magical fairy-godmother coming in and cooking for me.  I’m running on fumes and I have no one to blame but myself if my productivity is crap.

As a matter of fact, I’m tired now.  I did eat and I did sleep last night, but I’m playing catch up from days where I got way too little sleep and ate garbage when I did eat.  I like to tell myself that microwave popcorn and frozen dinners are decent meals.  They aren’t.

So, the final words.  There’s three of them……    Regular…. Sleep…. Food…..

 Let’s all be more productive, shall we?