Category Archives: The Writing Life

I Will Always Keep Writing

A Guest Post by Amanda Faith

When I was really young, apparently my favorite thing was to “write” with pen and paper.  Granted, no one but maybe an alien could have read it, but at least I committed something to paper.

I was fortunate in the fact that my sixth grade English teacher, Mrs. Clay, was my biggest inspiration as a child. It was my first year in a new school, and she took me under her wing. I think she saw a terrified child with a lot of potential. With her encouragement and guidance, I entered my first writing contest. It turned out to be a lot of fun. I had to write a short story, illustrate it, and create a cover to make it like a real book. I didn’t win, but it was so much fun. It was also comforting to get recognized for something I had created. It’s amazing that after all this time I still remember it. That story, and that teacher, meant so much to me.

My grandfather was another major inspiration in my life. He was a musician. He sang and yodeled, played the guitar and harmonica, worked in the music industry, and was a fantastic songwriter. He was also a ghostwriter for some of the major country performers in Nashville back in the 50s, 60s, and 70s. He taught me how to play the guitar and how to use my story ideas to create songs. He was so much fun. Even as sad as a lot of my stories were as a child, he would help me put such a twist on them that the good guy always won in the end.

There were times in my life I almost gave up writing completely. As a teenager, I lived with an extremely abusive father. Kids were never his idea of an accomplishment. But since I was the product of the pill not working and my mother ran away when I was eight, he was stuck with me. He would make sure I knew weekly how much of a loser I was, how I was never wanted, how he wished I would go away, how worthless I was, etc. There was the physical abuse, too. If I wrote anything, he would tear it up in my face and tell me how horrible it was and that I would never amount to anything. I would hide my writing, not wanting to give him more ammo for his rages. I still had to write. It was cathartic; having to pour out emotions that I couldn’t do otherwise. I couldn’t show anyone. I never thought they were good enough or that people would laugh at me. After a particularly terrifying incident, I left home at fifteen and never went back. I don’t have any of those stories. The day after I left, my father burned anything I had left behind, trying to blot out my memory.

After graduating high school at sixteen, I didn’t write a lot. What I did write was more along the lines of a thought or two here and there. I was too scared and too beaten down to try anything creative. I had to survive. But in time, I began to write again. At first, it was smaller projects. Poetry came first. I could pour out a lot of emotion in poetry. There was so much hurt and grief. It was a cleansing, of sorts. This cleansing took about ten years, but at least I was able to become strong enough to know I wanted to write. I did just that. I had some of my poetry published in anthologies.

I always loved reading. I would devour books. Going to the library was a weekly adventure to see what new book or what new author I would discover next. I was always drawn to science fiction and fantasy. It was my escape, my dream world. My first short story publication was in 1995 called “Dream Trap.” It was my first published step into science fiction as a writer.

2012-10-04 10.09.35My love for science fiction and fantasy has not wavered. My first book, Strength of Spirit, is an urban fantasy. It came out in 2012 with MuseItUp Publishing. In 2014, it won the 2014 Gold Global eBook Award for Paranormal Mystery. I was so thrilled. Not only is this book my first professional publication, it won an award.

I have come a long way. There is still so much to learn and so much to do in life. There is an adventure around the corner. Even though I look back and still see that scared, beaten child, I know I am so much more than that. My writing is a testament that I overcame great distress and agony to write and to be published. I still polish my craft and still want to learn from others. It empowers me and sparks my creativity. I don’t believe a writer can ever know “enough” or even know what enough is. Writing is an ever-growing process, one that flows and should not become stagnate.

 

 

About the Author:Author
Award-winning author Amanda Faith may have been raised in Dayton, but her heart and home is in the South. With a lifelong love of teaching and writing, she had plenty of encouragement from teachers and friends along the way.

Teaching English and doing paranormal investigations doesn’t slow her down from having a great time with a plethora of hobbies. Her published credits include short stories, poetry, several journal articles, her doctoral dissertation, and her award-winning book Strength of Spirit. She is a staff writer for The Daily Dragon at Dragon Con and an intern for Kevin J. Anderson and Rebecca Moesta at WordFire Press. She has a Bachelor of Arts in English, a Masters in Education-English, and a Doctorate in Education-Teacher Leadership. Check out her website at www.amandafaith.net.

 

A Pirate’s Life for Me

yarr coverIn yesterday’s blog article I wrote about drawing inspiration from songs and music.  I provided an example of a short story inspired by a single line in a song.  Today, in celebration of my newest short story release – “The Lighthouse Keeper’s Daughter” in Yarr:  A Space Pirate Anthology by Martinus Publishing – I’m going to talk about a different kind of musical inspiration.

Music is a crucial component of cultures around the world.  When I was planning and writing “The Lighthouse Keeper’s Daughter,” I’d just moved back to the Maritimes, and was listening to a lot of East Coast music.  The East Coast of Canada has a longstanding tradition of sailing, smuggling, and bootlegging, so I found myself easily slipping into the mood to write a pirate tale.  Music helped me immerse myself in the kind of culture I wanted to portray in my story.

Many people are familiar with the song from the Pirates of the Carribbean ride – yo ho, yo ho, a pirate’s life for me – and the classic “Yo ho ho and a bottle of rum.”  One thing I didn’t want to do is create a pirate story too much like the ideas of pirates that are already common in popular movies like Treasure Island and its sci-fi Twin, Treasure Planet, or the fantasy-flavoured Pirates of the Carribbean.  Everyone’s familiar with the charismatic captain and battles on the high seas and hidden treasure chests.  East Coast music gave me some alternate ideas.

The biggest influence on “The Lighthouse Keeper’s Daughter” is the song “Wrecker’s Den” by Kilt.  This song is where I first heard the legend of wreckers.  The legend claims that brigands and thieves would lay out lights around rocks near the shore, signalling safe passage.  According to the story, ships would follow the lights and run aground on the rocks.  The wreckers would then pillage the foundered ship.  I’d never heard of wreckers before, so this song gave me an idea for another kind of pirate.

As I did my research, I wasn’t able to find any historical accounts of ships brought down by this method.  I did find articles alleging that a ship’s captain shouldn’t be fooled by lights on the shore.  (If you do know any historical accounts, please drop me a comment!)  Regardless of whether wreckers were real or a nautical “urban legend,” for the purposes of this story, mythology took precedence.  The pirates in “The Lighthouse Keeper’s Daughter” are space wreckers, bringing down their enemies by means of falsified guidance systems.

On the topic of legends, just as superstitions and “yarns” were common among real historical sailors, tall tales play a key role in “The Lighthouse Keeper’s Daughter.”  The main character, Lees Kai, a navigator and reluctant privateer, hears that his captain has been cursed by the lighthouse keeper’s daughter.  He’s forced to examine not just his own superstition but also his morality:  whether or not the curse is real, has the captain deserved it, and does Lees want to continue to be part of the privateering mission?

Some other songs influenced the space legends in the story.  Lennie Gallant’s “Tales of the Phantom Ship,” a song about a real-life legendary ghost ship that appears in the Northumberland Strait, inspired me to include a fiery phantom starship as one of those legends.  The ghost ship named “Mary Ellen Carter” is a nod to the song of the same name by Stan Rogers.  Great Big Sea, Rawlins Cross and Mackeel are other bands whose songs provided a background soundtrack for writing “The Lighthouse Keeper’s Daughter.”

I’d be amiss not to mention “Barrett’s Privateers,” also by Stan Rogers, which provided loose inspiration for the privateer captain as the villain of the piece.  After all, the major difference between a privateer and a pirate is the government’s seal of approval…

If you’d like to sail with Lees Kai, meet the villainous Captain Crest, and face the curse of the lighthouse keeper’s daughter, Yarr: A Space Pirate Anthology is now available in both print and ebook.

And if you’re stuck on inspiration, take a look through your music playlist and see what ideas come to mind!

Inspiration

A Guest Post from Amanda McCarter

I had a lot of trouble deciding which inspiration to write about. My whole life is full of inspiration, from bedtime stories, to family TV time, writing exercises in school. The list goes on. It took a lot of consideration to whittle it down. I suppose what’s most important is the moment I decided to take writing seriously.

Most of us have probably had that moment reading a best seller where we had to scratch our heads. The prose was clunky, the dialog awkward, the plot simplistic. But the writer, whether we liked it or not, had done something. They had caught the attention of millions.

Dan Brown’s The Da Vinci Code gave me one of those moments. It was a fun, quick read. I enjoyed it so much, I took a college course dissecting it. I tried to read it again for the class, but the magic was gone.

I was taken aback by how boring the book was. The first read was great, but once I knew what it was about, I couldn’t bear to read it again. It was painful. And I thought, I can do better than that.

Of course, I didn’t. Dan Brown in a good author. He wrote a fantastic novel. He caught the imaginations of people around the globe. I knew I had no hope of doing anything close to that, but it did plant the seed of something.

Years later, after a failed marriage and a move to a mountain town, I found myself alone with a crappy job and struggling to pay bills. I remembered a contest I found in high school, looking for scholarships for college.

L. Ron Hubbard’s Writers of the Future Contest, a contest for beginning science fiction, fantasy, and horror writers with only one stipulation. The entrants could not be previously published.

Writing was something I could do. I’d written a few fanfics over the years. They were somewhat popular. But I knew someone else’s universe would never get me anywhere and I wanted to be paid for my stories. So I wrote a short story, sent it to the contest, and promptly forgot about it.

Months went by. I didn’t even remember entering. Then, one day I got this strange little letter in the mail. I hadn’t won Writers of the Future. I had, however, made it to the quarter finals (now just called an honorable mention). This meant the judge had finished my story, but it was still lacking the strength of something saleable. My story was in the top ten percent of entries.

I was excited. I told everybody. I called my mom, told my co-workers, my friends, anyone who would listen. I made it to the quarter finals in a writing competition. I could write.

Well, sort of. I had a long way to go. I still do, but that little note from a complete stranger saying that I did what the majority of contestants couldn’t on my first entry meant a lot. It told me that I had something. It motivated me to keep going.

Over the next several months, I continued to write. I wrote my first novel. I wrote a lot of bad short stories. Some good ones. I found a writing community in the Writers of the Future forums. I joined a critique group. I came to understand that being a writer meant writing every day, submitting stories, and constantly striving to get better.

As time went on, I learned to draw from my favorite authors; Anne McCaffrey, Mercedes Lackey, Frank Herbert. I took classes and seminars on how to be a better writer. I learned how to craft a character and form a setting. Those quarter finalists became semi-finalists. I started to self-publish my better stories and novels. Editors started giving me personal rejections.

Two years ago, I did the best thing I could for my career, prompted by my long time writing colleague, Brad Torgersen. I needed a wider group of writers, further along on the path than my current writing group. I needed more inspiration and motivation. I went to Superstars Writing Seminar.

It was a huge amount of inspiration and motivation. I got to hear from long time professionals in the field, new professionals just figuring things out, and outsiders looking in and their observations.

I won’t say it was a game changer, but it was definitely an eye opener. I started doing things differently. I saw my career differently. It became something much more tangible and will continue to do so.

I suppose, in some respects, I owe my ex-husband for my current situation. I probably never would have taken that timid step forward of submitting a short story to a contest. But I think I owe that stranger who gave me my first honorable mention more. She gave me the confidence to keep going and I will always treasure that.

About the Author:Author
Amanda McCarter grew up reading the works of Mercedes Lackey, Anne McCaffrey, Frank Herbert and dozens of other fantasy and science fiction writers. As time went on, it occurred to her to write her own fantastic stories of faraway places and distant lands.

Encouraged by her mother and her family to write, a one time hobby became an obsession and a passion. An obsession she hopes to one day make full time.

Currently, Amanda lives in Tulsa, OK with her boyfriend, a snake, two cats, and two dogs. When not dreaming of faraway places and distant lands, she spends her time knitting, reading, and playing video games.

 

Like a Movie Trailer for Your Head

In approaching this month’s topic, I realized something irritating. I’ve already written about my best inspirational stories on previous Fictorians posts. As I had little desire to repeat myself, I knew I had to come at this issue from a different angle. So rather than focus on discrete stories about what’s influenced my writing, I asked myself what techniques I used to get psyched to write day-to-day.

I’m sure I don’t have to tell any of you writers that some days the effort to get started writing can be too much. Unless you are already a professional writer or are both independently wealthy and childless, you spend your days expending energy on something or other that isn’t writing-related. You have to divert energy to writing that could be used elsewhere on higher-priority things, like earning money to eat.

So in order to get any writing done at all, we have to find ways to slip past exhaustion, laziness or a bad case of The Mondays and get excited about it. Quite without meaning to, I stumbled upon an admittedly silly technique a number of years ago that works well for me.

The answer? I advertise my book to myself.

Think about how you felt the last time you saw a really well-done movie trailer. Maybe it brought a rush of excitement you thought you’d left behind with youth. Maybe you watched it over and over again on Youtube just to wring that little rush dry. It makes sense. The people who make movie trailers mostly know their business. Their goal is to get you to mentally commit to seeing the movie in advance, ideally without paying attention to those pesky review aggregate sites before plunking down your hard-earned cash.

Now take your work in progress and try translating it into a movie trailer that you play in your head. Your hero, covered in grit and with a wound on their forehead from all their heroic efforts, stares stoically into the middle distance just to the right of the camera lens. A series of sequences flash by in which characters dodge bullets or spells or leap off of buildings only to turn back around and fire lightning bolts at their pursuers while their hair flows in the wind, all in slow motion with a dramatic swell of the soundtrack.

Writing it out like this makes it seem silly and self-indulgent because it is. You’ve seen these sorts of scenes in a million movie trailers, and after a while they all start to look the same. But guess what? If scenes like this didn’t work, the people making the trailers wouldn’t use them. And there’s one big difference here: these are your characters in your world, both of which you are (hopefully) already excited about. I suspect you’ll feel at least the hint of a giddy little thrill imagining them starring in their own expertly produced movie trailer.

A lucky handful of us may someday write works popular enough in print to be able to see our characters brought to life on the big screen (or the small). For the rest, a little daydreaming can give us that spike of excitement we need to sit down at the keyboard after an otherwise long day.

Give it a try. Don’t worry, you don’t have to admit it to anyone.