Finding Strength in Weakness

A Guest Post by Darke Conteur

I love to write. I love putting words together to form beautiful scenes, or insightful articles on interesting topics. I’m enjoying myself right now as I write out this post, and it’s because of this love that I set certain goals for myself when I started writing full time.

Back then, I had just an inkling of what it was like to be a writer. Sure, I’d written a few stories, nothing published. I thought, if I’m going to do this, I might as well discover all that writing had to offer. That meant exploring as many aspects of writing as possible. Everyone writes novels, but how many write short stories as well? Or flash fiction? What about writing a script? These idea’s tantalized me with possibilities. Whether or not they would prove to be fruitful was anyone’s guess, but I didn’t want to limit myself for anything.

I explored the world of flash fiction and became a content editor for a small online eZine and I wrote, and had published, the only flash piece I ever wrote. I wrote novels, and was on the editorial board for my local newspaper, and yes, I even wrote a couple scripts.

My jaunt into the genres was just as rewarding. Paranormal and scifi short stories were accepted, and my only erotic short story published with the first place I submitted it too (and for money. Sex sells! ;D ). The goals I put before me were falling like flies, and there was only one more attempt I needed to cross off my list to round off my goals; write something in the every-popular category of Young Adult.

Alas, my luck ran out.

It was a time-travel scifi novella involving two teenage boys. The plot was good, but there was something inside me that didn’t spark with this story. I tried again, re-working it into something a little tighter, but again, it fell short of my expectation. Was it the genre? No, I’d written other scifi stories and they were published. Was the story too short? Again, no. I wrote a paranormal novella and that was fine. The only thing I could conclude was that it was the YA category. As I looked over my other stories, I noticed the characters were all adults. Even my WIPs had adult characters. Many of them over the age of thirty. Whatever connected me to my previous stories couldn’t connect me to this story because the characters were too young.

I failed. I couldn’t write Young Adult.

I considered this a disappointment, but it was also a revelation. It showed me that I have limitations. Limitations that allow me to focus on the projects I know I can write. Not every writer can write everything. We all have that one genre or format that we can’t or won’t write. I don’t see that as a failure, I see it as a strength. It means we understand our craft as it pertains to us. We understand our writing style, our voice. In the end, I realized setting up these goals showed me not only where I failed, but where I could create.

 


Darke Conteur is a writer at the mercy of her Muse. The author of stories in several genres, she prefers to create within the realms of the three ‘S’; Science Fiction, the Supernatural, and Steampunk. A gamer at heart, she also enjoys knitting, gardening, cooking and good music. When not busy writing, she attends to one husband, one wannabe rock star, two cats, and one ghost dog.

http://darkeconteur.weebly.com/contact.html

A writers tale, perspective on success, failure and living the dream

Guest Post by J. Nathanial Corres

In retrospect, there have been hints all my life that I was destined to be a storyteller or writer of tales. My favourite class in secondary school and university was creative writing. My only obstacle was, and still is, myself. Specifically, not putting up barriers such as measuring myself versus others in terms of success. All the truly great storytellers of our time simply wrote from the heart and let all else fall into place.

To elaborate, they told their stories in their own words. This is crucial in an age where the proverbial norm has been to cookie-cutter authors and stories—follow fads instead of the readers’ hearts and desires.  This leads to one of my big pet peeves with the industry. The two terms that, over the last two hundred years, have changed very little if it all and only aesthetically.

Those would be “unproven writer” and “there’s no market for this.” The big guys seem to forget the history of the industry and all the times those terms have come back to haunt them. Starting with Mary Shelley and even up to Joann Rowling. The short memory of the big publishers has cost them dearly.

Additionally, there is an article I read a while back that said publishers relied on editors for a final vote of approval despite the fact that many, it seems, have rejected perfectly good work as rubbish just to spite their employers in a vain effort to bolster themselves. Politics as usual in the corporate sector.

As for myself, I’ve not paid any heed to the criticism or rejections from such places. I never listen to criticism anyway. I write as I envision the story with minor clean-ups here and there for grammar, unless it’s for dialogue, and then everything remains unless I forget to finish my characters’ thoughts. The optimum for any writer is to excite the senses and imagination of the reader so they can see each scene as it plays out, to depict the world or setting of the tale as it takes place and bring the characters to life.

When a reader can tell me they could see the protagonists and antagonists as clearly as they can see themselves, I feel as if I’ve done my job: basically, give the reader their own personal cinematic experience without leaving the comfort of their own home.

To summarise, my idea of success is painting an effective picture with words. To me there’s no such animal as an unproven writer, especially when they have pages and pages of manuscripts either physically before them or on a computer. The difference between a good and great publisher is that a great publisher never seeks a market, they let the work create its own. Don’t believe me? Ask J.K. Rowling or Rick Riordan. Tolkien isn’t available.

Jackson Pollock’s Fruit Salad

Normally at the beginning of the year I have a pretty good idea of what my career goals will be. This year my goal was to survive the Anthology Workshop at the end of February, hopefully selling a story in the process. The rest of the year I’d figure out later. I know that sounds like I’m throwing fruit on a canvas and hoping that the outcome is something other than a sticky mess. But when you’re juggling the pears of a day job, the oranges of an intense writing workshop, and the sour apples of a dying pet, hail Mary throws are about all you can do.

So, did I make a masterpiece? Perhaps. Out of the five stories I wrote for the workshop, three sold. Nothing to sniff at for sure but instead of finishing my second novel I spent the next six months hurling more and more fruit. Starfruit and persimmon, blueberries and cherries, all were thrown at the canvas. I didn’t need more fruit but it was hard to say no when the opportunities arose. I mean, how often does one get offered the persimmon of an invite only anthology? Even if it doesn’t hit the canvas it would be wrong to pass up the chance to make the throw.

And miss I did. But a few of those persimmons are still in the air so maybe one will land. I hope all of them will hit but the longer they’re in transit, the more I wonder. This isn’t a slow-motion montage and the canvas hasn’t been pushed back fifty feet so it should have connected by now. Right?

Given that I accomplished my initial goal, I can definitely count this year a success — though I certainly don’t have any desire to repeat the clean up. I haven’t decided if I’ll stay the course in the new year (you know, to improve my aim) or to set a new goal. Perhaps adding a laser sight to the act. Who knows. Whatever I decide, at least I know I can make one hell of a fruit salad.

That Moment it went from Hobby to Career

researchWhen I picked my topic for this month (titled above) I didn’t realize the title of my first Fictorian post this year, “Keeping the Day Job.” The two titles definitely describe where I was and am in my writing and I’m happy to see the progress made this past year due in part to my keeping goals.

I wrote everyday. There might have been a month or two that I didn’t hit 20,000 words, but there were others that I surpassed that. I did not submit something each month, but I submitted 12 pieces for publishing during the year. I finished a novel, my first, The Broken Amulet, and am in the stage of cleaning it up and editing. I went to Phoenix and Salt Lake City Comicons. And I attended David Farland’s writing workshop.

It was there that writing changed for me from a hobby to a career. In that workshop I was able to see how I could actually make money at doing what I enjoy. I’ve started working on a new book. David Farland helped me see how to craft, research, and frame the story and I’m confident that I will have it in the hands of an excited publisher by the end of 2015.

There was a moment in the workshop that I realized that I could be a successful author if I continued to learn and grow and develop as a writer. There wasn’t a month last year that I wasn’t a better writer than the month before.

So I’ve set some new goals and have developed a bit of work ethic. Here are some things that I am doing different now.

  • I set up an author email, jacebkillan@gmail.com that I use to keep all my writing stuff in one place. As I have ideas for short stories or plot twists in my novels I email those to myself with a descriptive subject line so that I can find them later, but I don’t spend too much time thinking on new things and forsaking my current work in progress.
  • I set up an author profile at Wattpad. At some point I will share a short story or two. It seems to be a great tool for aspiring and published writers.
  • I write at least a couple blog posts each month. This gives me a break from my work in progress and allows me to process things on my mind. It also helps in developing a readership.
  • I started outlining my novels. This was a hard thing for me as I’m a prancer or discovery writer, but Farland’s workshop helped me get some direction without losing interest in a story once it’s laid out. Another great tool is Farland’s Million Dollar Outlines.
  • With a good outline, I’m able to research with direction. I’ve spent the last month scouring old books, the internet, and museums for research on my work in progress. The picture above is of my readings this past weekend. In my hobby days of writing I would have taken the lazy, less expensive, less timely road of just making it up. Actually, I wrote a chapter of my current work in progress before Farland’s class.

The scene takes place in Milan, Italy in 1774, where the protagonist is enjoying chicken parmesan after having travelled a great distance from Nice, France. After Farland’s class I learned through research that Milan, Italy didn’t exist in 1774 but belonged to the House of Savoy in a country known as Sardinia. And tomato sauce wasn’t really used in Italian cuisine until later. And Nice wasn’t yet a part of France either, but also belonged to Sardinia and it wasn’t until a few years later during the Napoleonic era that Nice was annexed. So I rewrote the chapter and it no longer reeks of novice.

  • I started using Scrivener to keep track of my research and keep my thoughts and outline organized.
  • Every movie, television show, book that I experience is now analyzed for its story telling features.

To wrap up, my goals for this next year are as follows

  1. Finish my work in progress
  2. Find an agent
  3. Submit at least once to Writers of the Future
  4. Finish editing The Broken Amulet
  5. Outline another novel
  6. Attend two cons
  7. Attend two writing workshops
  8. Register for Superstars in 2016

I’m confident that I will become a published writer and professional author because I continue to improve, I continue to learn, and I continue to write.