Category Archives: Interacting With Fans

Growing Community

Evan’s 1000th post yesterday made me nostalgic. When my son showed me the Superstars Seminar advert, I never imagined how much that event would affect my life.  But, of course, that could be said of quite a few events I’ve attended over the years.  And it all started by submitting a story.

Intrigued by the concept of FTL travel and the suspension of time, I wrote a short story about a planet with aliens who travel from one end of their speed-of-light-rotation planet to the other, in opposite directions. It was terrible. I submitted to the only short story market I’d heard of, Writers of the Future. The rejection letter from Joni Labaqui, though I’m sure it was a form rejection, is still the nicest rejection I’ve ever received. Somehow, WotF has managed to put together a letter that says no while still telling writers, “you’re great, what you’re doing is great, keep at it and you will get there.” That was my community seed.

If my piece could be rejected and me still feel good about writing then I should be able to handle the rejection of my local peers. Thus, I joined the local writer’s group. If they enjoyed my writing and supported me then I could find the courage to attend my first convention. Thus, I attended World Fantasy Convention. There, I met a wonderful published author and I realized that if she saw promise in my work and was willing to take time on me then I should take the opportunity to learn from other well-published authors. Thus, I ended up at Superstars Writing Seminar and we eventually formed The Fictorians.

With my Superstars/Fictorians support I branched out further, attending more seminars, workshops, conventions and eventually I started having my own launch parties and signing events. Recently, I released the third book, Mwalgi Justice, in my “Mankind’s Redemption” series. I’ve had the series compared to Anne McCaffrey and Elizabeth Moon’s work. I also released the first book, Fourteen, in “The Number Prophecy. “I couldn’t have done it without the wonderful community that has encouraged and helped me move forward. Of course, not every interaction has been good, but most have, and the journey has been worth it. I have fabulous friends.

I encourage all writers to take the time to reach out and grow their community. Even if you’re published and attending conventions, do you spend time with people or hole up in your room. People remember how you treat others and your community can grow or shrink and it’s not all about the quality of your work. Get brave or get humble, whichever is necessary, and reach out a hand. Because a community holding hands can create miracles.

Just another reminder: There are a lot of great books waiting to be taken to a loving home.  Just click on the buttons in the right sidebar and enter.  Tomorrow, come back and enter again. If you’d like to try out my new series, “The Number Prophecy,” Fourteen will be one of the prizes next week.  Happy Reading!

Good Omens Gone Bad: Why I Shouldn’t Be Writing

A Guest Post by Aaron Michael Ritchey

I recently read Paulo Coelho’s The Alchemist, and it’s about dreams, or more precisely, the following of dreams, the wretched path that narrows, and the splendor of the vision. As you follow your dreams, Paulo writes, it’s important to notice omens along the way.

Omens, as in messages from the gods, or God, or the big bright Whatever in the sky. In pursuing my own writerly dreams, I’ve had omens, I guess, maybe. I’m a hugely dramatic man, and the only omens I care about are either engulfed in flames or splattered with the blood of sacrificial virgins.  I want impossible-to-ignore omens, dammit, crows that caw my name, and if I don’t get the cawing, it doesn’t count.

As you can guess, I’m disappointed much of the time. I can easily discount every single omen I’ve been gien on my writer’s journey. And I can point out to you, in exquisite detail, the omens my fellow authors have been given. Sure, the crows caw their name, but not mine.

Let’s talk about my first good omen. My dad had a friend who worked for the Modern Language Associations, you know, the MLA. They were to the English language as the KGB was to communism. Nobody messed with the MLA. My dad gave his friend a story to read, and she loved it and praised my talent. It was an omen. Or was it? She was my dad’s friend. I was sixteen and fragile and she was probably just sparing my feelings. Screw that omen, it doesn’t count.

In high school my stories were chosen to be in the literary magazine. That’s an omen, right? No, I had to vote for my own stories in order to win, and Pat Engelking always beat me. No omen for me!

A year after college, I finished my first novel. I gave it to a friend. He cried reading it. Omen, yeah? No, that first book was so bad that my wife couldn’t read it. And I dedicated it to her! The crows sat in silent scorn in the trees outside my house.

I wrote an epic trilogy after that, and my audience doubled to friends loving my work, but it still doesn’t count. I still wasn’t published.

Then? Eight books later, my lucky thirteenth book I’d written, The Never Prayer, not only was a finalist in a writing contest, but a publisher wanted to publisher it! Omens galore! Hide the virgins, the dagger is thirsty tonight!

I didn’t win the contest, and the publisher went under. As in glug, glug, glug. Going down three times, and coming up twice. No omens.

But my second book, er, fourteenth book, Long Live the Suicide King, found a publisher, and I got a strong Kirkus Review!  Not just strong, glowing, put on your sunglasses. That’s GOT to be an omen. Kirkus, son, they don’t mess around.

But I’ve read other books that got glowing Kirkus Reviews, and those books were iffy. Some downright bad. Not. An. Omen.

Elizabeth's Midnight Final smallBut what about my last book I published, Elizabeth’s Midnight? Omens? Another good Kirkus Review (Indie, so it doesn’t count), more good reviews on Amazon (blah, blah, blah), and even fan mail. Am I rich and famous? Am I hanging out with Lady Gaga? Do editors read my work and say, “Sorry, man, I’d like to edit it, but it’s too damn good.”

No. No omens.

So yeah, that’s me. I’m a small-minded, ungrateful, hateful little man. I’ve never had a literary agent. I’ve never been signed on by the big six, or five, or one. I’ve not been chosen by the elite.

For me, and this is only for me, my omens come in small packages, and I have the freedom to recognize them as omens, or discount them and be the lead kazoo player in my own pity-party band.

For me, I have to work to believe in my omens. Omen #1? My wife loves my books and is willing to spend money on them. That, my friend, is a bush on fire. She’s a frugal, level-headed sort of woman, and if she didn’t think I could make it, we wouldn’t be spending the benjamins.

Omen #2? My daughters read Elizabeth’s Midnight and loved it. If my wife is frugal with our money, my daughters are even cheaper with their literary praise.

Omen #3? I’ve had fan moments, where actual people, who have read my book, looked at me in wonder. I’ve gotten fanmail. Not a lot, but what I have gotten? Astounding.

The last omen? The only omen that really counts? I WANT TO WRITE BOOKS. I want to write a lot of books. If the good Lord didn’t want me writing, he wouldn’t have given me the desire to create stories. That is the crow cawing my name.

I have been chosen because I am choosing, choosing to write books and get them published, by any means necessary.

Omen enough for me.

 

2Author_Pic_AMR_2014 MediumAbout the Author:

Aaron Michael Ritchey is the author of The Never Prayer and Long Live the Suicide King. Kirkus Reviews called his latest novel, Elizabeth’s Midnight, “a transformative tale for those who believe in magic and in a young girl’s heart.” In shorter fiction, his G.I. Joe inspired novella was an Amazon bestseller in Kindle Worlds and his steampunk story, “The Dirges of Percival Lewand” was part of The Best of Penny Dread Tales anthology. He lives in Colorado with his wife and two ancient goddesses of chaos posing as his daughters. Visit his website at www.aaronmritchey.com.

 

Why I Write What I Do

A Guest Post by Monique Bucheger

The theme of the Fictorian blog this month is “Moments Of Inspiration In Life: Our experiences as people influences our writing.” Which made me ponder: Why do I write what I write? And why do I keep doing it? The answer comes from my individual journey through life.

When I was 12, two of my friends from school were physically abused at home by their parents. I knew they needed help, but since I was also a kid, I didn’t know how to help them. That feeling of helplessness stuck with me for many years—so I decided to do something about it.

Soon after we married, my husband and I applied to be foster parents and were licensed. Through the years we have cared for over 100 foster kids as well as our own 12 children. The feeling of helplessness lessened, though the guilt for not being able to help my abused friends never went away.

When I was pregnant with our youngest child, I started writing again—something I did all the time as a teen—but had put on hold to raise our family. I had intended to write one book about a quirky, spunky 12-year-old girl named Ginnie West to keep a promise to my high school creative writing teacher.

Ginnie West 4 covers squ (1)Instead, it has turned into a four book middle grade series with at least three more books to go.

The series features half-orphaned Ginnie West and her best friend, Tillie. Ginnie’s mom died in an accident when Ginnie was three. Tillie’s dad abandoned his family six years before the start of book one (The Secret Sisters Club) after abusing Tillie and her mom.

Tillie’s parents have been divorced for four years. Now, Ginnie and Tillie want to be sisters—for very different reasons—and since Ginnie’s dad and Tillie’s mom aren’t dating other people, the girls decide to nudge them toward each other.

Mostly the series is about friendship, BFFs, horses, finding out who you are, changing what you don’t like, and belonging—important things to kids aged 8-14, as well as everyone else.

My Ginnie West Adventure series also deals with surviving the ripples of child abuse, defining who you are, being okay with who you are, accepting other people within safe parameters, going outside your comfort zone to do the right things and not defining yourself by other people’s weaknesses—among many other things.

It is also a fun, funny, wholesome series set on a modern day farm where kids “candle” eggs they gather and milk ornery goats. Where family is defined by people you choose to associate with as well as by those you are born to. Where kids concoct schemes that often backfire—resulting in both humorous and not-so-funny opportunities to solve problems and mature in unexpected ways.

In short, I write contemporary realistic fiction with humor. Helping kids (and adults) navigate the murky waters of pre-adolescence in what I hope is an empowering way.

Kids may not be able to change certain realities in their world but I want them to know they get to choose how they think about themselves and and their reality. If there is something they don’t like, they can make changes. If there is something they do like—I want them to embrace their uniqueness.

Middle grade is the time when kids start realizing that the world (and themselves) are full of possibilities. It is also when peer pressure begins—in both positive and negative ways. Kids hear and embrace certain messages about themselves—and they believe them.

This can work equally as a benefit as well as a detriment. When kids live in a safe home and have good self images, they flourish.  When life experiences haven’t been so kind, kids believe the worst about themselves or other peoples’ bad opinions of them.

Because of my background as a foster parent, overcoming child abuse and other hardships are  themes in my books. Even if a person wasn’t or isn’t a victim of child abuse, we all know people who were or are.

Bruises on the body heal and disappear, bruises on the soul linger and color lives in unexpected ways—often resulting in poor choices that complicate life unnecessarily.

Child abuse and its effects are not something people want to talk about, but something way too many people live with or were wounded by, and something that affects how people make decisions for the rest of their lives. When you are the victim of child abuse, you want to know why—and you want it to stop.

Sometimes I wonder if the time spent writing my books would be better used doing something else. Then I hear from someone who has read one or more of my books and lets me know that the book or story line helped them deal with something they were struggling with in their life.

Before I was published, a lady I’ll call Lily, messaged me one day and told me that she had read all of my books on our critique site. She had grown up in an extremely abusive home—her mother locked her and her sister in closets for days on end-not feeding them, beating them, allowing boyfriends to have their way with her daughters.

In short, Lily grew up with horrific, vile, damaging experiences. She told me that she couldn’t believe that any family could be so loving as the West family, but it was healing to her that such a family could exist. She told me that reading about how the West family helped kids like her comforted the abused little girl inside her—and gave her hope for other kids like her.

Lily’s story encouraged me to pursue publication—not an easy journey as people familiar with the process can attest. However, since my series has been published, I have heard from many other adults who lived with an abusive parent who have found peace and strength in my series.

Adults who weren’t abused (many teachers and parents) have told me they welcome an opportunity to read an age appropriate series with their kids so they can have open discussions that deal with the ripples of child abuse (poor self image, wrongly thinking they deserve to be abused, feeling powerless to change things).

I have been pleasantly surprised to find my books resonate with kids and adults alike—one of my biggest fans is a 72-year old man. Last year several tween and teenage girls rushed over to my table at a book signing, wanting my newest release, Being West Is Best. They were fully invested in Ginnie and Tillie, and wanted to find out what happened next.

My main character, Ginnie, is a spunky, courageous girl with a strong sense of loyalty and adventure. She loves trying new things and while she doesn’t often outright break “the rules”—there are often piles of twisted and bent rules in her wake.

Her BFF, Tillie, is more timid—but no doormat. In each successive book, Tillie realizes that she can overcome her rough beginnings and that she is  worthy of being treated well. Together, they give each other strength and permission to explore this thing called life and make their own definitions of who they are.

Like Ginnie’s great-uncle is fond of saying: “You may not be able to help the whole world, but you can do your part to help your corner of it.”

Empowering kids and adults to overcome bad experiences and to find courage to redefine their world and how they view it—in effect to become superheroes in their own lives—is why I continue to write the Ginnie West series.

About the Author:Author
When Monique Bucheger isn’t writing, you can find her playing taxi driver to one or more of her 12 children, plotting her next novel, scrapbooking, or being the “Mamarazzi” at any number of child-oriented events. Even though she realizes there will never be enough hours in any given day, Monique tries very hard to enjoy the journey that is her life. She is the author of the middle-grade Ginnie West Adventure series, a picture book titled “Popcorn,” and in the process of releasing two new series in the near future-a family drama and a middle-grade fantasy.

 

Do Unto Others

I’ve written on this subject before on the Fictorians, but I can’t help repeating myself every so often when it comes to the impact of fans. It wouldn’t be honest to say that I primarily write for my fans. Truth is, I write for me, because I love writing and creating. Stories drive me. But I find the energy to keep writing, to power through the really hard days and finish books, because my readers frequently find inspiring ways to remind me that what I’m doing matters to them. And isn’t that what we all want, at the end of the day? To matter?

A friend of a friend recently messaged me on Facebook to say that she had started reading my first book on a Monday and finished it at 5:00 a.m. on Wednesday morning. She then started the second book on Thursday night and finished on Saturday, and messaged to let me know that she thought it was better than the first. She didn’t want it to be over, so she hoped to take her time on the third book. We’ll see how that goes…

The point is not to toot my own horn. Here’s what I’m driving at: those two books took a minimum of four years to write (even longer to conceive) and boom, they are easily read in just four days. Which is a bit lopsided, but one hopes that great books will be consumed as quickly and voraciously as possible. In an ideal world, I want voracious readers to discover me right now, but I also long for the day when voracious readers will be discovering me and my backlist of thirty other books.

Hearing from fans means a lot to me. And I know it means a lot to other writers, too, which is why when I discover a book I really love, I follow the golden rule: do unto others what you’d have them do unto you. That doesn’t necessarily mean that I get in touch personally, but I leave reviews and try to spread the word. It seems to me that word of mouth and personal recommendations are among the most important (if not the most important) way that people discover new books.

So let’s not be stingy with praise and appreciation. Writers are often lonely, socially starved people sitting behind computers in quiet rooms at ungodly hours (unless it’s just me?), so words of appreciation tend to go a long way.

Evan BraunEvan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, has just been released. He specializes in both hard and soft science fiction and lives in the vicinity of Winnipeg, Manitoba.