Category Archives: Making Progress as a Writer

Juggling Personal and Professional Lives – Never Drop the Ball

A year has passed since I wrote my post on how we spend our time being a value statement, but I still find that my time is my most precious resource. By the necessity of my choices, I have become very skilled a juggling large workloads. Between extraordinarily long professional workweeks, maintaining my personal relationships, and the every day effluvia of keeping food on my table and a roof over my head, I somehow find the time to regularly blog and write fiction. It is a juggling act that I suspect that many aspiring writers will empathize with.

However, some of those balls, those commitments, have come disturbingly close to hitting the ground recently. I was able to recover, but as I grow older, the number and weight of my obligations grows ever larger. I fear that one day I will accidentally and irrecoverably sacrifice something important to me to feed my ambitions.

I have been pondering this possibility a great deal recently, as both my personal and professional lives gain momentum. For me, personal and professional progress is both exhilarating and terrifying. You see, once you start getting what you want, you have something to lose. As we chase accomplishment, we often put on blinders to what else is important in our lives. As an example, I was fortunate enough to be invited to dinner with an extremely successful author in her field at a convention I recently attended. During the meal, one of the diners asked the author what her greatest professional regret was. I can still remember the broken sound of her voice as she told our group that she was afraid that her daughter would never forgive her for the years she spent locked in her office.

Despite the trepidation that such examples inspire, I am unwilling to give up my writing and my dreams of professional authorship. After all, in biological terms, the fear response serves to both identify potential hazards and prepare us to face them. If I want to accomplish my personal and professional goals, I must use my fear, not be ruled by it. My unease reminds me that I have things that I value outside of my accomplishments, and in so doing, allows me to keep my other priorities in focus. I must choose what I sacrifice, not let circumstances decide for me. As an example, for the past couple of years, I have rarely played video games or watched television. By cutting out these activities, I have made more room in my schedule for writing. I have talked to many authors who have done the same thing. Compared to the rest of my life, that particular sacrifice was well worth the cost.

Throughout my life, I have found that accomplishment is almost always paired with sacrifice. It is up to me live deliberately and choose how I spend my time wisely so that I may both achieve my goals and retain what is important to me. To live is to risk pain. To fear is to be aware of that risk and to manage it appropriately.

Weird Antho Angst

It’s not the waiting the kills… it’s the waste.

One of the more common ways of getting into the writing business and building “street-cred” is to peruse the calls for submissions on sites like Duotrope.com, Ralan.com, and Submission Grinder. Those sites are great for providing loads of opportunity. The problem is that many of the themes listed are pretty specific. Most of them run along the weird paths of cross-genre or niche topics that are hell-and-gone from the mainstream.

Sure, it can be fun writing a story about zombie porn or purple unicorns, but it’s also exceedingly risky. And yes, I have a buddy who is in a zombie porn antho called 50 Shades of Decay, and I just had a story come out in a purple unicorn anthology titled One Horn to Rule Them All. I can say with confidence that the quality of stories in these off-the-beaten-track collections is on par with mainstream fiction, and can be even better as a result of the topic.

The problem stems for the fact that once you write the story, you have to wait weeks or even months to hear back on whether you made the cut. That’s the same as with any short story submission, certainly, but with one of these, the bar is sometimes a bit higher than “normal” fiction. With regular fiction the bar is established and fairly well understood by the community. With non-traditional anthos, however, you not only have to write a good story, you must more accurately discern the tastes or intent of the editor or publication putting out the call for submission.

It can be like trying to hit a kangaroo from orbit with a drunken koala.

(Just let that visual sink in for a minute).

Now, if you make it in, great. But statistically speaking, the odds are that you won’t make the cut. That’s where the real pain comes in. If your story isn’t selected, you have one to six-thousand words that you’re going to play hell placing elsewhere. I mean, what are the odds that Asimov or Fantasy & Science Fiction want something that was written specifically for someplace else? It can be done, but those are pretty long odds, especially if the story wasn’t good enough to make the cut for the antho.

There are no easy roads into the business, and while weird anthos are one of them, you may want to go with the more mainstream topics when you’re first starting. Once your writing is cleaner and you’re placing stories more frequently, or even at will, then it’s time to hit the weird stuff.

Rejection: Everybody Hurts Sometimes

Rarely Oftentimes, the writing life feels like an uphill climb. First comes the Dear Sir or Madam rejection, then the personalized rejection. Then, the editor gives you personal feedback and/or reasons why they couldn’t publish your work. After that, you cry into a Blue Bonnet-sized bucket of chocolate ice cream and ask the gods why you can’t just be good enough, already. All of that time, all of that work! What you wouldn’t do for a hot, luscious, sexy, multi-paged contract in your inbox. You are the Charles Barkley of the writing world: pretty good, just not good enough to win a championship. You’re a Baby Ruth when all you want is to be a Snickers bar.

I know it may be hard to believe (har har), but you’re not alone. You’re actually in really good company.

Every now and then Pretty much every week or so, I read about a classic or popular book that had been rejected a bajillion times by every publisher on the planet until one said yes. Here is a list of those books, just for you to keep handy. May it bless you and keep you, and may it help pry your fingers off of the tub of Rocky Road.

1. Chicken Soup for the Soul by Jack Canfield and Mark Victor Hansen. Rejected 140 times, one publisher claiming it was “too positive.”

2. Dubliners by James Joyce. Rejected 22 times, only sold 379 copies in the first year (James Joyce bought 120 of them).

3. Zen and the Art of Motorcycle Maintenance by Robert Pirsig. Rejected 121 times.

4. Carrie by Stephen King. Rejected 30 times. We have Tabitha King to thank for it seeing the light of day, as she dug it out of the trash when King threw it away.

5. Gone with the Wind by Margaret Mitchell. Rejected 38 times. Mitchell won a Pulitzer for her efforts.

6. A Wrinkle in Time by Madeleine L’Engle. Rejected 26 times. Awarded a Newbery Medal.

7. Anything by C.S. Lewis. Lewis amassed over 800 rejections before selling a single piece of writing.

8. The Diary of Anne Frank. Rejected 15 times. Recieved the editorial comment, “This girl doesn’t, it seems to me, have a special perception or feeling which would lift that book above the curiosity level.”

9. The Tale of Peter Rabbit by Beatrix Potter. After receiving so many rejections, Potter was forced to publish the book herself.

But my favorite story of all time goes to Dune. You can read an interesting story from Frederik Pohl here, but here’s the abridged version of Dune‘s publishing history. Frank Herbert spent years trying to get a publisher to pick up Dune, and received about 20 rejections. After years and lots of revisions, he sold the book to a small publisher that was known for mechanical manuals for automobiles and motorcycles. It’s now one of the most celebrated science fiction novels of all time.

Keep your head up, and keep on going. You really don’t know when or from where your big break is going to come.

The Crust of Mediocrity

When I was in college I thought I would make dinner for my family. It wasn’t anything fancy — just a pizza and I used Bisquick for the crust — but since Mom worked long hours and my siblings had sports practices that ran late I figured they’d love it anyway.

As it turned out Bisquick was (and still is) my culinary kryptonite. The pizza crust could have doubled for a paving stone. I followed the instructions to the letter and I didn’t over cook it. As far as I can tell it should have turned out perfectly. For that matter, nothing else I’ve made since with the product has turned out either. It’s still edible and the flavor is spot on. It’s just too crunchy for the experience to be enjoyable (and potentially detrimental to dental work).

Now I’m afraid to touch that defiant yellow box.

I have a similar fear concerning my writing. Not that the story won’t turn out right. Practice, study, and good editing will take care of that. No, my fear is that no matter how hard I try my writing will be mediocre.

Now I do realize that mediocre is a relative term. For some it might be the absence of awards and accolades. For others it might be that they can’t afford to quit the day job.  I define it as being as unsuccessful as a writer as I am with Bisquick. That no matter how hard I study and fine-tune my craft my literary contributions will amount to a glutinous hocky puck that will be laughed about for years.

I want to be better than that and unfortunately only time will tell. There’s no way to safeguard against it. I simply have to practice, hone, and cross my fingers that this time it works.