Category Archives: Writing Tools

A discussion of the various software that authors employ to write, plot, backup, and ultimately use to write a novel.

Writing Guerilla Warfare Style

This last weekend I spent four days in a large house in the middle of the woods with seven other women.  It was understood from the get-go that this was a writing retreat, so excessive visiting would not be tolerated.  While there, we had a morning snack, lunch, an afternoon snack and dinner (we ate really good), and each of us was responsible for preparing one snack and one meal.  We had to clean up after as well, but that was the only time we really had to take out of our writing time.  We would stand around chatting for a few minutes during snacks and we would all eat together and check on our progress during meals.  This was fun and bonding for all of us.  But mostly, we were writing from when we woke up till we went to sleep.

Our commander-in-chief (and retreat organizer) aka the “Write or Die Nazi” said she would keep us on task. And she did.  We used Dr. Wicked’s Write or Die program ($10) and competed against each (I even did this virtually with a friend who didn’t come).  If you’re not familiar with this program, you set a word goal and a time limit – I use 1000 words in 60 minutes most of the time – and then hit the WRITE button.  It opens a new screen and this is where you start typing.  It shows you how many words you’ve typed and how much time you have left to go.  If you pause for too long, the screen starts turning pink and will go to red while simultaneously a heinous sound of your choosing starts blaring at you, but as soon as you start typing again, it will go away.  Trust me when I say this keeps you motivated.  When done, you can then copy/cut and paste your text into your main document.

Not all of us would participate all the time, but several times a day, our Nazi would call out, “Write or Die” and whoever wanted to join in would get ready and when called, we would all start at the same time.  An hour later, we’d check in and see how we each did.  After the brief cheers, we’d go back to writing.  Some would turn the sound off so as not to bother others (the red screen still keeps you hopping) and do it by themselves in between the group competitions.  We were writing almost all day of every day there.

The energy was supercharged and we all kept each other going longer and more productively than we would have if home alone.  This was exceptionally good for me because I’ve had a hard time writing lately.  I sit there thinking, fingers hovering over the keyboard, waiting for ideas to come.  At the retreat, I did this the afternoon of Day 1 and the first half of Day 2 and I had 800 words to show for it.  I was frustrated.  I had the Write or Die program on my computer but hadn’t used it in a really long time.  So, the next challenge that was called, I participated.  I did more words in that hour than I had in the eighteen hours prior combined.  I used the program and the challenges the rest of the  retreat and ended up getting almost 18,000 words done by the time I went home.  Our highest gal did 24,000 total.  We are romance writers who write in our free time when jobs, husbands, kids and everything else in our lives allows.  Some are better at making that time and being productive, others less so, but no one left from this retreat left with less 15,000 new words.

There are many of you out there that can produce like this or better without breaking a sweat, but for me it was huge.  Having the pressure of the red screen/screeching violins looming kept my brain from sabotaging me.  My inner editor couldn’t keep rereading and fixing the same material or searching for the perfect word.  My doubt couldn’t sneak in and plague me with whether I was going the right direction.  I couldn’t stall by doing research ad nauseam. I had to just write.  And I did.  Sure, I have to go back and edit it and add a lot of details that do take some thought, but it’s easier to do that when you have something to work with.  Surprisingly, it was even good material.  It’d been in my mind, I’d been thinking on it for a long time, but I’d been sabotaging my efforts to get it on the page.  Write or Die was like guerilla warfare blitzing my inner adversary.

If you are one of those who can produce consistently, I applaud you and hope to join your ranks sooner than later.  For those who may need some assistance, Write or Die may help.  I know that even since I’ve been home, if I use the program, I get more done.  I turn to it as a tool when I find my fingers hovering instead of typing.

Have you used it?  Do you use other types of warfare?  The more tools I have, the better.  Let’s hear it, troops.

An Exercise to Exorcise Personal Demons

Pretty much this entire year, thus far, I have been struggling with depression.  I’m doing better now, but I had to shed a lot of responsibilities that I had over committed myself to in order to get there.  That’s another story, and I won’t bore you with it here  🙂

  But, during all this, I wasn’t writing.  Wasn’t doing research, wasn’t brainstorming, wasn’t journaling, wasn’t working on my story – nada.  The only writing I was actually able to make myself do was the few blog posts I had committed to doing – like this one. That’s it.  This was not helping my depression either because I felt guilty I wasn’t working and I felt, acutely, the loss of my creativity.

I was talking to a friend (thank you, Wendy), who had just come out of some rough times herself and is also a writer.  What she had done and suggested I do was to listen to a dark song and write a character sketch for an antagonist with no intent to necessarily use the character.  Just to get dark feelings out.  Any song that took me to a dark place would do.   It took me a few songs and I had to get some suggestions, but I found one (Closer by Nine Inch Nails – the uncensored version – if you’re curious) that was sufficiently dark to me.  So, I listened to it a few times and started writing this antagonist.

What happened half way through was that I could see all the potential for a story using this character.  When I finished with him, I started sketching out the hero and heroine (I write romance – remember).  Already, I was feeling better and inspired.  Then I started writing some rough plot points, followed by the intro to the story.

 

And now, I’m writing.  It worked.  I hadn’t done any writing in months and through one cool exercise, I was back.  It is such a relief to be feeling more like myself and being creative.  So, I would suggest this exercise to anyone who needs to shake off some darkness from within.

How do you get through rough times when you’re struggling to create?

 

 

Sunday Reads: 29 April 2012

 

10 reads worth your time:

 

Rachelle Gardner suggests your Train your Muse Like Your Train A Puppy.

Sonia Simone talks about the 7 Bad Habits of Insanely Productive People, all of which are relevant to writers.

The Red Pen Of Doom discusses Why Every Man Must Read A Romance and Every Woman Read A Thriller.

Over at Writer Unboxed, Sophie Masson discusses Updating Traditional Motifs To Create Fresh Fiction.

Jody Hedlund has 7 Setting Basics That Can Bring a Story To Life.

At Writers In The Storm Blog, Janice Hardy discusses 5 Ways To Bring Your Description To Life.

Terrible Minds lists 25 Reasons I Hate Your Main Character.

Jennifer Conner explains why you should care about Categories, Key Words and Tags.

The Huffington Post has three tips for getting your e-book off the ground.

Roni Loren discusses some bad advice about twitter.

 

Missed any Fictorians articles this week?

The Heart of Fairwood Press – Guest post by publisher Patrick Swenson

The Conflicts of Character Design – Matt Jones

Plumbing the Depths of Emotion – Brandon M Lindsay

 

 

 

 

 

 

 

 

 

The Conflicts of Character Design

There are many parts of creating a new novel, and creating realistic characters is probably one of the most challenging ones. Characters need to be believable. They need to have their own personality, habits, and traits that set them apart from others. If done correctly, the reader will be able to relate. They’ll understand and feel concerned. It’ll pull them deeper into the novel and they’ll keep reading to figure out what will happen. If done poorly, it will throw them out of the novel. They won’t be able to believe and before long, they’ll look elsewhere and leave your novel behind.

When I create new characters, I focus on the conflicts. Everyone has conflicts they face and have to deal with. It’s the sum of all these conflicts that can lead them on the road of hero or villain. These conflicts will generally take on the shape of external and internal, two sides of a fight that is always raging in everyone.

Internal conflicts are anything that tears your character apart from inside. This can be dealing with a phobia, memory, or other psychological barrier. It can be need to be the best, or look the prettiest. It can be the fear of the dark that makes your character abandon others he could easily save. Or the pride that keeps him from admitting he was wrong. The internal conflicts are generally the deeply ingrained problems that the character spends the entire novel attempting to overcome.

External conflicts are everything else that keeps your character on track. The broken home he has to deal with, the abusive parents. They can include the weather, environment, wild animals, or other characters. Anything that goes against what the character would do and forces them to make decisions.

When you create a new character, consider all the conflicts that they have to deal with. Write them down and keep them in your mind as you write them. They’ll keep your character constant and provide motivation to act, even if it’s running away. Once these conflicts are established, your character can show true heroism by not only saving the day, but by having to overcome their natural reaction to do so.