Tag Archives: Finding Inspiration in the Writing Life

My Last Thought

A Guest Post by Darin Calhoun

April 2002, I was driving to work on the 210 Freeway, just passing Irwindale, when I glanced at my rear view mirror and saw a white, Scully, Semi-Truck. My Last thought was, “Wow, he’s going fast.” I have no memory of the collision, only fragmented flashes of the aftermath. One such brief moment, I was staring at the instrument panel of my Geo Metro, and someone was holding a wad of cloth on my head. They placed my hand on it so that I could hold it myself. Someone talked to me, but I don’t remember their words or my own. A flash later, I was in a helicopter on a stretcher freezing my ass off because someone had cut up my clothes, and the doors were open. I yelled at them to close the doors. They ignored me. I remember coming around as they wheeled into the emergency room.

The doctor told me that he was going to put staples into my scalp. The skin made a squishing sound as he inspected it. I chuckled. It was like something from a bad movie. He told me there wouldn’t be much pain because there weren’t a lot of nerves back there.

“So what are your hobbies?” asked the doctor.

“I belong to the Society for Creative Anachronism, and I do medieval combat in armor with rattan weapons.”

“So, like jousting?”

“We have equestrian arts but not with heavy armored fighting. Physics works. If we use horses we would hurt each other, and it’s not cool to break your friends.”

The doctor put in the first staple. Everything faded, and a string of curse words that sounds like my voice comes from somewhere distant.

“Just two more.” said the doctor.

I hear the staple gun click, and my world faded even more. Machines chirped and beeped in alarm.

The doctor shakes me. “Hey, hey buddy. Tell me more about that jousting.”

That pissed me off. “I…to…ld…you, it’s, not jousting!”

The doctor gave me a shot of local anesthetic and stitched up the rest of my scalp. A nice four-inch crescent scar between the parietal and occipital area of my brain, the lowest part was about an inch or so above my brain stem.

After some x-rays to make sure my brains weren’t leaking out, they sent me to the recovery room to fill up my diminished blood with saline. Supposedly, I was two quarts low. Then after making a statement to the police that, I don’t recall the details of, my wife, then girlfriend, took me to her work. I nearly passed out in the car. It seemed that the saline in my blood wasn’t really helping and that I was still a few quarts low. So after twenty-four hours of observation I was clear to start my recovery.

At first, I did not realize how much I had lost. What was bad before became worse. It was a challenge just to remain awake. At first, I’d be awake for an hour or two, and then I would fade out. For two weeks, I struggled to be awake for eight hours, so I could return to work. But I was on autopilot. The hours on the bus and at work were a blur. I changed jobs, and I still don’t remember the details. I was in limbo.

Gulf War One hit and I was laid off. I was without a job for the first time in my life. I was collecting unemployment, and in a bad place, but my girlfriend was there to help me. She took me in and I pitched in with money from my disability check while I waited on my settlement from the trucking company that ran me over.

But I was just existing, a bad place for an artist. After the crash, I lost the ability to draw. I had spent twelve years in developing a career in comics, and now that was suddenly gone. To keep my sanity, I turned to writing. I took out three pages I had written five years before as a challenge, a story about a world that had neither magic nor digital technology. I worked at it. I struggled to write a single page a day. I failed more than I succeeded. I still went to the doctors, but they just wanted to give me pills and I wanted rehabilitation–a purpose for my life.

I went to a social security judge for my federal disability and he said, “Mr. Calhoun, you are impaired not disabled.”

“Yes sir, your honor.” I replied.

“If you apply to five jobs and are fired. Then I’ll reconsider your case.”

I was appalled. “Thank you, your honor, but I can’t do that. I will find another way.”

That is when I decided to become a professional writer.

Life had other plans. I received a panicked call from my ex-wife that my daughter had been taken into protective custody by Child Protective Services. After enduring, a hellish bureaucratic quagmire of jumping through hoops my girlfriend and I got custody of my daughter, and I became a househusband and a PTA dad.

My daughter loved my stories. She just hated it when I was writing. So I wrote when she was at school and when she was asleep. It took me seven years to finish my first book and I was shocked to find out why. I had undiagnosed diabetes for seven years due to the accident.

It was in 2009 when I found out. My energy and focus was crap, and my temper had a hair trigger. Although, most of the time I was angry with myself due to frustration. When I talked about it with my mom, I found out she had hypoglycemia. I never knew that about my mom. She suggested that I eat five small meals a day. I did and I felt worse. I felt that I might be diabetic so I bought a blood sugar tester at a drugstore–467.

Oh, crap!

So now, I knew. After a doctors trip, and a diabetic training session, I found out diabetes is a package deal. You get the bonus of high blood pressure and heart disease.

Triple crap!
But I felt better, and now I made the big jump, perusing a career as a writer. I read a half dozen how-to-write books. I also listened to writing podcasts (Yay, Writing Excuses!), went to writing conventions:   LtUE in Provo, and World Fantasy Con. But most importantly, I took the Superstars Writing Seminar. Which was not about craft and how to write, but giving the writer tools on how to have a successful writing career, how to set yourself up so you’re not just going from failure to failure.

In the years, after I have found out whom I am as a writer. What my voice was, and where I belong in the wild world of publishing. The Superstar members are on the cutting edge of the industry. They were surfing the e-book revolution while the big 6 (now 5) publishers were in denial of the importance of Amazon.

And just when I thought I had learned all that I could from the Superstars, I volunteered to help run the Word Fire Press booth for Wondercon. I have not worked that hard since I was holding a waterlogged, ice cold, eight-inch line during an underway replenishment in the North Atlantic when I was in the Navy. Everyone was an author, who I swear had a secret contest on who could sell the most books. I struggled to keep up with these hard working writers putting themselves out there. I learned the importance of how to set up a booth for maximum exposure, the Feng Shui of stacking books, and the art of the soft sell, and most importantly, how much stories affect our lives. From when a young man brought dog-eared books, his father had passed on to him and how that son thanked the author for the wonderful childhood memories as the author signed with ink and tears. To the veteran thanking the author for helping him through the hell of war and its aftermath–not a dry eye in the house with that one.

That is why I write. I wish to be a ray of hope in a dark world. And that is my last thought.

About the Author:Author
Darin Calhoun is an author adrift on the genre seas, with the island of Action and Adventure as his home. Be warned, as he tends to write about strong women and flawed heroes. You may see him posting on Twitter or Facebook at 3AM but this isn’t unusual. He has an abusive muse. Some writers’ muses give them a gentile tap on the shoulder, his uses a sledgehammer to the head.

Do Unto Others

I’ve written on this subject before on the Fictorians, but I can’t help repeating myself every so often when it comes to the impact of fans. It wouldn’t be honest to say that I primarily write for my fans. Truth is, I write for me, because I love writing and creating. Stories drive me. But I find the energy to keep writing, to power through the really hard days and finish books, because my readers frequently find inspiring ways to remind me that what I’m doing matters to them. And isn’t that what we all want, at the end of the day? To matter?

A friend of a friend recently messaged me on Facebook to say that she had started reading my first book on a Monday and finished it at 5:00 a.m. on Wednesday morning. She then started the second book on Thursday night and finished on Saturday, and messaged to let me know that she thought it was better than the first. She didn’t want it to be over, so she hoped to take her time on the third book. We’ll see how that goes…

The point is not to toot my own horn. Here’s what I’m driving at: those two books took a minimum of four years to write (even longer to conceive) and boom, they are easily read in just four days. Which is a bit lopsided, but one hopes that great books will be consumed as quickly and voraciously as possible. In an ideal world, I want voracious readers to discover me right now, but I also long for the day when voracious readers will be discovering me and my backlist of thirty other books.

Hearing from fans means a lot to me. And I know it means a lot to other writers, too, which is why when I discover a book I really love, I follow the golden rule: do unto others what you’d have them do unto you. That doesn’t necessarily mean that I get in touch personally, but I leave reviews and try to spread the word. It seems to me that word of mouth and personal recommendations are among the most important (if not the most important) way that people discover new books.

So let’s not be stingy with praise and appreciation. Writers are often lonely, socially starved people sitting behind computers in quiet rooms at ungodly hours (unless it’s just me?), so words of appreciation tend to go a long way.

Evan BraunEvan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, has just been released. He specializes in both hard and soft science fiction and lives in the vicinity of Winnipeg, Manitoba.

I Will Always Keep Writing

A Guest Post by Amanda Faith

When I was really young, apparently my favorite thing was to “write” with pen and paper.  Granted, no one but maybe an alien could have read it, but at least I committed something to paper.

I was fortunate in the fact that my sixth grade English teacher, Mrs. Clay, was my biggest inspiration as a child. It was my first year in a new school, and she took me under her wing. I think she saw a terrified child with a lot of potential. With her encouragement and guidance, I entered my first writing contest. It turned out to be a lot of fun. I had to write a short story, illustrate it, and create a cover to make it like a real book. I didn’t win, but it was so much fun. It was also comforting to get recognized for something I had created. It’s amazing that after all this time I still remember it. That story, and that teacher, meant so much to me.

My grandfather was another major inspiration in my life. He was a musician. He sang and yodeled, played the guitar and harmonica, worked in the music industry, and was a fantastic songwriter. He was also a ghostwriter for some of the major country performers in Nashville back in the 50s, 60s, and 70s. He taught me how to play the guitar and how to use my story ideas to create songs. He was so much fun. Even as sad as a lot of my stories were as a child, he would help me put such a twist on them that the good guy always won in the end.

There were times in my life I almost gave up writing completely. As a teenager, I lived with an extremely abusive father. Kids were never his idea of an accomplishment. But since I was the product of the pill not working and my mother ran away when I was eight, he was stuck with me. He would make sure I knew weekly how much of a loser I was, how I was never wanted, how he wished I would go away, how worthless I was, etc. There was the physical abuse, too. If I wrote anything, he would tear it up in my face and tell me how horrible it was and that I would never amount to anything. I would hide my writing, not wanting to give him more ammo for his rages. I still had to write. It was cathartic; having to pour out emotions that I couldn’t do otherwise. I couldn’t show anyone. I never thought they were good enough or that people would laugh at me. After a particularly terrifying incident, I left home at fifteen and never went back. I don’t have any of those stories. The day after I left, my father burned anything I had left behind, trying to blot out my memory.

After graduating high school at sixteen, I didn’t write a lot. What I did write was more along the lines of a thought or two here and there. I was too scared and too beaten down to try anything creative. I had to survive. But in time, I began to write again. At first, it was smaller projects. Poetry came first. I could pour out a lot of emotion in poetry. There was so much hurt and grief. It was a cleansing, of sorts. This cleansing took about ten years, but at least I was able to become strong enough to know I wanted to write. I did just that. I had some of my poetry published in anthologies.

I always loved reading. I would devour books. Going to the library was a weekly adventure to see what new book or what new author I would discover next. I was always drawn to science fiction and fantasy. It was my escape, my dream world. My first short story publication was in 1995 called “Dream Trap.” It was my first published step into science fiction as a writer.

2012-10-04 10.09.35My love for science fiction and fantasy has not wavered. My first book, Strength of Spirit, is an urban fantasy. It came out in 2012 with MuseItUp Publishing. In 2014, it won the 2014 Gold Global eBook Award for Paranormal Mystery. I was so thrilled. Not only is this book my first professional publication, it won an award.

I have come a long way. There is still so much to learn and so much to do in life. There is an adventure around the corner. Even though I look back and still see that scared, beaten child, I know I am so much more than that. My writing is a testament that I overcame great distress and agony to write and to be published. I still polish my craft and still want to learn from others. It empowers me and sparks my creativity. I don’t believe a writer can ever know “enough” or even know what enough is. Writing is an ever-growing process, one that flows and should not become stagnate.

 

 

About the Author:Author
Award-winning author Amanda Faith may have been raised in Dayton, but her heart and home is in the South. With a lifelong love of teaching and writing, she had plenty of encouragement from teachers and friends along the way.

Teaching English and doing paranormal investigations doesn’t slow her down from having a great time with a plethora of hobbies. Her published credits include short stories, poetry, several journal articles, her doctoral dissertation, and her award-winning book Strength of Spirit. She is a staff writer for The Daily Dragon at Dragon Con and an intern for Kevin J. Anderson and Rebecca Moesta at WordFire Press. She has a Bachelor of Arts in English, a Masters in Education-English, and a Doctorate in Education-Teacher Leadership. Check out her website at www.amandafaith.net.

 

A Pirate’s Life for Me

yarr coverIn yesterday’s blog article I wrote about drawing inspiration from songs and music.  I provided an example of a short story inspired by a single line in a song.  Today, in celebration of my newest short story release – “The Lighthouse Keeper’s Daughter” in Yarr:  A Space Pirate Anthology by Martinus Publishing – I’m going to talk about a different kind of musical inspiration.

Music is a crucial component of cultures around the world.  When I was planning and writing “The Lighthouse Keeper’s Daughter,” I’d just moved back to the Maritimes, and was listening to a lot of East Coast music.  The East Coast of Canada has a longstanding tradition of sailing, smuggling, and bootlegging, so I found myself easily slipping into the mood to write a pirate tale.  Music helped me immerse myself in the kind of culture I wanted to portray in my story.

Many people are familiar with the song from the Pirates of the Carribbean ride – yo ho, yo ho, a pirate’s life for me – and the classic “Yo ho ho and a bottle of rum.”  One thing I didn’t want to do is create a pirate story too much like the ideas of pirates that are already common in popular movies like Treasure Island and its sci-fi Twin, Treasure Planet, or the fantasy-flavoured Pirates of the Carribbean.  Everyone’s familiar with the charismatic captain and battles on the high seas and hidden treasure chests.  East Coast music gave me some alternate ideas.

The biggest influence on “The Lighthouse Keeper’s Daughter” is the song “Wrecker’s Den” by Kilt.  This song is where I first heard the legend of wreckers.  The legend claims that brigands and thieves would lay out lights around rocks near the shore, signalling safe passage.  According to the story, ships would follow the lights and run aground on the rocks.  The wreckers would then pillage the foundered ship.  I’d never heard of wreckers before, so this song gave me an idea for another kind of pirate.

As I did my research, I wasn’t able to find any historical accounts of ships brought down by this method.  I did find articles alleging that a ship’s captain shouldn’t be fooled by lights on the shore.  (If you do know any historical accounts, please drop me a comment!)  Regardless of whether wreckers were real or a nautical “urban legend,” for the purposes of this story, mythology took precedence.  The pirates in “The Lighthouse Keeper’s Daughter” are space wreckers, bringing down their enemies by means of falsified guidance systems.

On the topic of legends, just as superstitions and “yarns” were common among real historical sailors, tall tales play a key role in “The Lighthouse Keeper’s Daughter.”  The main character, Lees Kai, a navigator and reluctant privateer, hears that his captain has been cursed by the lighthouse keeper’s daughter.  He’s forced to examine not just his own superstition but also his morality:  whether or not the curse is real, has the captain deserved it, and does Lees want to continue to be part of the privateering mission?

Some other songs influenced the space legends in the story.  Lennie Gallant’s “Tales of the Phantom Ship,” a song about a real-life legendary ghost ship that appears in the Northumberland Strait, inspired me to include a fiery phantom starship as one of those legends.  The ghost ship named “Mary Ellen Carter” is a nod to the song of the same name by Stan Rogers.  Great Big Sea, Rawlins Cross and Mackeel are other bands whose songs provided a background soundtrack for writing “The Lighthouse Keeper’s Daughter.”

I’d be amiss not to mention “Barrett’s Privateers,” also by Stan Rogers, which provided loose inspiration for the privateer captain as the villain of the piece.  After all, the major difference between a privateer and a pirate is the government’s seal of approval…

If you’d like to sail with Lees Kai, meet the villainous Captain Crest, and face the curse of the lighthouse keeper’s daughter, Yarr: A Space Pirate Anthology is now available in both print and ebook.

And if you’re stuck on inspiration, take a look through your music playlist and see what ideas come to mind!