Tag Archives: productivity

Aim For the Stars

Aim for the StarsLet’s face it, most New Year’s resolutions fail.  It’s fun to set goals, but it’s hard to establish patterns of success and to maintain enough focused enthusiasm to see those goals to completion.

You may ask, “Does that mean setting goals is a waste of time?”

Not at all.  I’m a big fan of setting goals, and I often use the famous SMART method.  Make the goals Specific, Measurable, Action-oriented, Realistic, and Timely.  I’ve accomplished much this way.

Sometimes the SMART method isn’t so smart, though.  There are times when we need to leave SMART behind and aim for the stars.

That means to think big, think outside of the box, contemplate breaking free of the ruts we’ve fallen into and set a goal that’s so far out there, it takes your breath away and makes you nervous.

And motivates you like nothing else can.

Those are the goals that inspire, that generate enough enthusiasm to launch beyond inertia and make something happen.  If a goal like that fails, it’ll fail in a big way, but might still change the landscape of your life.

Like the saying goes, “Aim for the stars, and you might land on the moon!”

A corollary to that is:  “Aim for the mud, and you’re bound to make it.”

Last year I aimed for the stars and decided to launch my writing career in a big way.  I’d been writing for almost ten years, with several manuscripts completed, and I was considering jumping into indie publishing with both feet.  I’d already self-published one novella, but had lacked the confidence to really launch it.  I’d released it under cover of darkness on a moonless night, and of course, it went nowhere.  Since then, it’s starting to gather steam, and it’s been well-liked by the few who have found it, but that was not the way to get books published.  I needed a different approach.

So I said, “Hey, if I’m going to do this, let’s really do this.”

I set the ridiculously ambitious goal of publishing eight books in eight months.  This was no secret goal.  I went public with it.  I told the world I was going to do it, I created the hashtag for it (#8books8months) and I set to work to make it happen.

I didn’t publish eight books last year.

Not even close.

However, I did publish three books last year.  Three major titles, each about 150,000 words, in hardcover, paperback, and ebook formats.  They’re awesome, and they launched pretty big.  I got a short story published in an anthology filled with incredible authors, including several other fictorians.

I also created a publishing company and learned all the ins and outs and difficulties associated with indie-publishing novels, and I worked through them.  I worked with editors and learned that major rewrites sometimes can’t be completed in two weeks, no matter how fast I type.  I worked with cover artists and learned the hard way just how difficult it can be to come up with a great cover.  Got some fantastic covers out of the experience, though.

I worked with printers and learned just how long it takes to get proofs and to order print runs.  I celebrated book launches, some with more success than others, and learned a ton in the process.  I attended two major conventions, participated as a panelist for the first time, and learned how to run a successful convention vendor booth.

I might not have published eight books in eight months, but that goal forced me to change gears and really embrace the intent to indie-publish with my full focus.  And I’m on my way to publishing eight books in eighteen months.  This year, I plan to release four or five more big titles, plus some shorter work, hopefully launch my existing books as audiobooks, and maybe even produce a teaching guide for at least one novel.

I’m not using this post as an excuse to blow my own horn, even though I’m thrilled with how much I accomplished last year.  This is an example of what things can happen when we aim for the stars.  By setting a crazy-high goal and committing to making it a reality, I energized myself to get to work, make decisions, and push ahead when I might have otherwise hesitated and delayed.

I learned to be flexible while still keeping my vision fixed on the ultimate goal.  When edits to A Stone’s Throw took longer than anticipated, I made the hard decision to push out the hoped-for release date.  I didn’t like having to make that decision, but the story required it, and the result is an awesome book that was totally worth the wait.

So set high goals and embrace them.  Feed on the energy they produce and use it to drive as close as you can to success, even if ultimately reaching 100% might be a bit out of your reach.

Why not?  Even if everything falls apart and you fail, at least you’ve failed spectacularly.  And you’re no worse off than if you never tried.

So shoot for the stars, and I’ll see you on the moon.

About the Author: Frank Morin

Author Frank MorinA Stone's Throw coverFrank Morin loves good stories in every form.  When not writing or trying to keep up with his active family, he’s often found hiking, camping, Scuba diving, or enjoying other outdoor activities.  For updates on upcoming releases of his popular Petralist YA fantasy novels, or his fast-paced Facetakers alternate history fantasy series, check his website:  www.frankmorin.org

Writing While You Condition and Rinse

ShowerAs I am still in the early phases of my writing career, I approached this year with goals that were as much about education as production. I did have specific writing milestones I wanted to achieve, but I also wanted to devote a decent percentage of my time and resources on learning as much as I could about the craft. I attended classes, took workshops (both online and off) and made as many contacts in the industry as I could. Like most new writers, I was looking for advice from every corner I could find.

The most valuable thing I learned this year though was how to tailor all the advice and counsel into a form that worked inside my own life and methods. Different strokes, as they say. For me, the most important lesson was how to integrate the most common advice of all: write every day.

“Write every day” or some version of this is by far the most frequent recommendation I’ve seen, the one piece of counsel most writers seem to agree on. This was something I was aware of in 2014, and by the start of this year I was in already in the habit of sitting down at the keyboard at the same time every night and working through my two hours of blocked out time. Some nights I wrote little, sometimes I wrote a lot. For a while I became very focused on word counts, during the Spring I decided this was less useful than I had hoped.

As the year progressed, I started to look at this time differently – it stopped being writing time and started being typing time. When I entered my two-hour block with a solid idea of what I was there to do, the words would flow quickly and freely. When I tried to use the same time to work out my story’s problems and issues, all the while with hands on the keys and eyes on the screen, I could feel the momentum grind to a halt.

To work on the mechanics of my stories I needed not only a different environment but a different time. That time might come in smaller, harder to predict chunks, but it was there. In the car, at the grocery store or in the shower. I could spend that time thinking about my stories, and that was writing too.I discovered that, for me, writing was not only something I could do at other times of the day, often times it worked better.

To give a specific example, I’d like to dive briefly into a more detailed lesson I learned this year. This came courtesy of an online workshop taught by Dean Wesley Smith. (I found these workshops to be excellent – here’s a link.  The relevant item to my story was the lesson that your character needs to have an opinion about the setting; omitting this will deny both the ability to resonate with the reader. As Dean often says in his lessons, I filed that “in the back of my writer brain” and moved on with my writing.

Fast forward to several months later. I was working on a new short story that I was quite passionate about. I had an interesting setting, a solid premise and what I felt was a really compelling main character. Unfortunately, when I ran the story by my writing group I got very consistent feedback: the readers could not connect with my main character. She was coming off as cold and distant, removed from the story somehow. I racked my brain trying to reason out why that was and eventually that voice from the back of my writer brain reminded me of Dean’s lesson. Taking a second pass at the story, I added her opinions about the setting and got the feedback I was looking for.

The important piece I want to stress here is not really how I solved this particular problem, but where. I didn’t solve that in front of my monitor, hands on the keys. I solved it in the shower, because when I take a shower, I always take it as a writer.

As I said above, I realized earlier this year that I have all my best ideas and breakthroughs when I am isolated. Taking a long walk by myself, driving to the store, or taking a shower. Thus I decided that when I am in those isolated situations, I will always think about my writing. This has allowed me to be mentally present when I am with my family or working my day job, while still getting maximum usage out of my typing time.

One of the most common statements I hear from folks in my position is “It’s hard to find time to write” and I almost agree. Balancing a job, a family, healthy living; all the demands of real life can be quite challenging. Sometimes you can only find a few minutes a day to type, but it can be easier to find time to write if you remove the requirement of a keyboard from the definition.

Just make sure you have a good hot water heater for those long showers.

About the Author: David Heyman

David HeymanDave writes both novels and short stories in the various genres of speculative fiction. His other passions include his family, his job, gaming and reading about mountaineering. Sleep is added to the mix when needed. You can visit him at daveheyman.com

I don’t want to know that sometimes it’s who I know.

I’m an introvert.  Growing up, I liked to believe that I could accomplish my goals via my own efforts, and I didn’t need anyone else’s help (for fear it would only come with strings attached).  So when I first started hearing about “networking,” I cringed.  I was sure that professional writers were tired of being pestered by newbies who wanted favors, and I feared that my fellow authors were “competition,” the people I would have to beat if I wanted to be published.

My experiences with networking haven’t been like that at all.

Firstly, it takes more than one writer to fill an anthology.  And more than one writer to contribute to a magazine.  And more than one writer to fill a publishing company’s needs.  Writing is not a race that will only be won by the first person past the finish line.  In fact, when you’re a writer and you need a hand, the people you’ll turn to – the people who can offer you contacts and introductions and support and advice – are your fellow writers.

one hornI’m here writing on this blog because I went to Superstars Writing Seminars in 2010.  I went to Superstars because another friend of mine, a published author, recommended it to me.  I’ve published short stories in “Game of Horns:  A Red Unicorn Anthology” and “One Horn to Rule Them All:  A Purple Unicorn Anthology,” and I still can’t believe I’m seeing my name on the list of contributors along with Peter S. Beagle, author of “The Last Unicorn,” a movie I’ve loved since childhood.

None of that would’ve happened if I hadn’t known the right people.  And I would never have known them if I hadn’t talked to my fellow writers.

“Knowing the right people” can be frustrating.  It takes more to make friends and contacts than simply the desire to have them.  You need to go out–preferably not with the mindset of “catching a contact who can do things for me.”

Put yourself out there with the intent of getting to know some people with the same interests as you.  You might not click with everyone, and that’s okay.  Everyone has some people who are close friends, some people who are casual acquaintances, some people they have little in common with — and that’s okay.  Keep going.  Keep meeting new people.  Keep reaching out.

Reaching out might not always involve face to face socializing.  The person who recommended Superstars to me was someone I’d first started chatting with on an online message board.  Face-to-face is often easier, but if health, money, or other factors make it difficult, online contacts can get you started.

Look for writers’ groups in your area.  If there aren’t any that meet your needs, consider starting one.  Go to conventions, if you can afford to do so–and affording gets a lot easier when you have friends who will let you stay and/or travel with them (thanks Marie and Kerri!)

If you’ve got a friend who’s a big-name author, remember first and foremost this person is your friend.  Not your “awesome inside source,” not a name-drop to impress people, not Santa Claus (write them a wish list and wait for them to fulfill it).  Treat your contacts as people first.

I have an exciting project that will be the focus of my writing in 2016.  I’m not yet free to talk about it (contractual obligations) but once again, it’s a project that has come to me because of who I know.  Being able to write the kind of stories I tell is important too–don’t get me wrong!  Two of my previous short stories in particular  were very helpful in proving that I’d be up to this project.  But in the end, it was the recommendation of a fellow writer that first brought me to the attention of the project lead.

Stay tuned – I’ve got big news coming in 2016 !  Have a great holiday season and a prosperous New Year.

Building Your Writing Tool Belt

ToolbeltNow that we know how to get our heroes into all sorts of trouble and torture them in ways both subtle and extreme, we face the next challenge.  How exactly are we going to craft these awesome stories and package them in ways that leave readers begging us to take their money?

I’m not talking about the process of writing the scenes.  I’m talking about what platform do we work on and what tools do we employ to write, edit, polish, and publish our stories?  Imagine the story like a house want to build and list on the market.  Do we use hand saws and wooden pegs, or power tools?  Not every new tool on the market’s worth the time and effort to master, but some of them are.  How do we decide?

Gone are the days when a writer banged away at a typewriter one sheet at a time.  The advent of word processing software like Microsoft Word revolutionized the process.  It was like replacing that hand saw with a skill saw.  The process of publishing that manuscript has changed even more dramatically.

The revolution continues, and it’s never been a better time to be a writer.  We have choices, options, and tools available now that no one has ever had before.  We can craft our own writing and publishing toolbelt from an astonishing array of software and tools.

In May we’re going to explore some of those tools  and software for writers and share experiences and advice that might offer better ways to do things.  Some examples may include:

  • I wrote my first couple of novels as single, huge Word documents.  Now I use Scrivener.  How or why is that a better tool?  Is there something even better available now?
  • What about editing?  Are there tools more effective than the built-in spell check?
  • How about when we blog.  Where can we best find cheap or free images to include without infringing on copyright?
  • Are there better ways to reach our readers than we have in the past?
  • When indie publishing, what’s the best tool for prepping our manuscripts to meet the myriad requirements of different vendors, and is it easy for authors with little technical skill to do this on their own?

These and many other options will be explored this month.  None of us can keep up with all of the new tools available across this rapidly changing industry, but together we can explore many of them.  By the end of the month, we hope everyone walks away with at least a couple of new tools in their toolbelt.