Tag Archives: productivity

The Patience of Writing an Onion

Writing a good onion, I mean story, takes time and I don’t just mean the time to think and type the first draft. Becoming and being a writer is an evolution, a process, and we need to be patient with ourselves as we learn the craft and apply it. But what does being patient mean and how can we apply it in a meaningful way? Here are three areas where I’ve learned to apply patience:

Creating the story
One day, I heard one writer critique a story. “Sheila is a patient writer,” he said. I was dumbfounded. What did he mean? I read Sheila’s piece and then looked more carefully at the author’s I liked. Slowly, I figure it out and my writing improved immensely.

Patience in your writing means taking your time to explain things where and when they need to be explained. For example, a story which starts with a lot of back story tells of an impatient writer. Knowing when to sprinkle in the details and saving some of them for later takes patience. It also means taking the time to explain things clearly when the opportunity presents. That can be with setting, character description, with action or dialogue. If you are clearly grounded, then the reader will be as well. Take time developing that scene. Show the situation, the feelings, and focus on the important points and explain them as clearly as needed. Don’t rush it unless there’s a good reason for doing so. If you over-write, you can edit it down later. If you are patient with characters you will make them memorable. If you are patient with your story, you will ground your readers and hold their interest.

Learning new skills
You can’t learn everything from a book, a workshop, a conference or a course. The secret, I’ve learned, is to take one thing that stuck with you and apply it to your story, scene or character. That one thing is usually an aha! moment and because of that it means you’ve become aware of something you never realized before. It’s another layer in writing the perfect onion. Apply that new understanding to your work and suddenly it’s transformed in ways you couldn’t have imagined. The truth is that how-to books are long and cumbersome and workshops are intensive because they try to cover enough points so that everyone will get something from it. So, take one thing and apply it.

Deciding which hat not to wear
The first draft can never be perfect – you’ve heard this before but what does it really mean? If you strive for a perfect first draft, your story will never be written and it’s an impossible feat. It’s impossible to wear both the creative hat and the editor’s hats. Yes, plural hat for the editors.

There are three editorial hats: conceptual where the larger elements of the story such as plot and structure are examined; line by line where every sentence and word are examined for clarity, word choice and content; and copy editing for grammar, spelling and punctuation. Then there’s the creative hat. Wearing four hats? Suddenly that sounds silly, doesn’t it?

Your first draft can be augmented by some planning (outlining) and your current writing skills. As you’ll write, you’ll learn more up skills along the way which makes new works cleaner and more cohesive. But that first draft will never be a perfect finished work. Every successful writer knows that. Don’t believe me? Check out their acknowledgements pages. First readers, proof readers, editors – they’re all thanked because they’re all there for a reason. Creativity needs its own hat to weave unexpected twists and unfetter your imagination. The weight of four hats will give you a headache and ultimately, writer’s block. So be patient. Wear your creative hat and come up with an exciting, moving story. The wear each editorial hat in turn. As you wear each one, that’s a good time to apply new skills or insights about the craft. A trick is to have cheat sheets with points or questions for each of the editors.

Patience can best be described as creating an onion rather than peeling it back. Layer upon layer must be built before the story is completed to our satisfaction. So perhaps the hat analogy doesn’t really work. The creative and editing processes are about layering the story to add density to the concept, the plot, to character, to our voice and mastery of the craft. An onion grows from a small seed and layer by layer with watering and patience, it forms a solid bulb and so too grows a story.

Wrapping Up June and Our Summer Sanity

checklistDid we make it? Did we survive the June heat and the mid-year failures or successes? I learned a lot and got reminded of more. So for me, this was a good month… on the Fictorians and in achieving my personal goals. If you missed anything, here’s a quick summary with links.

Evan discussed health and writing and finding a balance between the two which I am always in need of rem
inders about since staying healthy for me usually means trying to avoid the potato chips.  Guy showed how to take our writing with us when we’re out enjoying the summer. As he said, not typing doesn’t mean you’re not working. Creativity takes a lot of thinking and observing life around us.  I reminded us all that sometimes we have to say No to other things so we can achieve success in writing and in life. Being stressed out about being over-committed is no one’s friend.  Nancy shared some tools for organizing our complicated and busy lives.  And who can’t use better ways not to drop all those balls we’re juggling.

Sherry gave us insight into her thought process on deciding to self-publish and then how she succeeded at it.  I know I’m reading her book on Silencing Your Inner Saboteur and getting a lot out of it.  I loved Frank’s Go Big or Go Home post.  We have to take big risks  to get the big rewards. And Brandon’s discussion on how your environment can impact your productivity resonated as I have been displaced from my office for weeks during some construction work being done on my house. I liked Mary’s take on how despite having health challenges, we can be productive if we play to our strengths when we ‘re strong.

Ace gave us some ideas on ways we sabotage our goals and ways we can score with them.   Quincy’s post on sacrifice and being in writing for the long haul reminded me that if we just keep at it, we can be a success. And it is a grind, but a worthy one. I found Lou’s post funny and true.  Focus, discipline and being consistent are key. Colette reminded us that we can get away from the summer heat by attending a cool Con.  James showed how tricky setting reasonable and attainable goals can be.  Jace showed how recalibration is just needed sometimes to get going again.

My dear friend Kelli Ann gave some concrete tools for taking any derail and getting the train back on the tracks. I loved Kristin’s post on how we all fail, but that doesn’t have to define our success.  Kim talks about using good planning skills and realistic expectations to keep us productive and sane.  Nathan makes a great point in that what we choose to do with our time is a statement of value. As I’m heading off to a four day writing retreat, this was an affirmation of what I’m doing with my life and career.  And after watching the video of Jim Carrey’s speech (all 28 minutes), feed your soul , folks! It was completely worth it. I found Tristan’s post on reassessing goals refreshing. He had a lot of goodl ideas on looking at goals that were helpful. And finally, John’s post on consistency speaks to a variety of types of consistency, all of which are important.

I hope you enjoyed the month and got as much out of it as I did.

Consistency

A guest post by John D. Payne

John Payne cover (1)I chose to write about consistency because it’s something that I myself need to work on. So I’m going to keep this in first person and talk about some of the ways I want to be more consistent.

1. Consistent writing
A professional writing at a decent clip produces about a thousand words in an hour. At that pace, you’ll have the first draft of a nice fat novel in one year even if you only write 15 minutes a day, as a number of successful pros have observed. That’s a lot of result for not much effort.

So, two summers ago I made a goal to write every day, even if only for a few minutes. I have months where I pretty much pull this off, and months where I’m not terribly close. But even with this spotty record, the last two years have been my best in terms of output.

Output matters. Lots of writers have been quoted as saying that the first million words anyone writes are just practice.  This really is just a variant of the ten thousand hour rule, that it takes lots of time to become successful at anything.

And not only will churning out lots of stories help me develop my skills as a writer, but it will help me feel more confident and comfortable with my voice. Rather than expecting that everything I write has to be perfectly polished before I can move on, I can be a little more forgiving of myself and have fun as I go. It’s like playing with legos. I pour out a bunch of ideas, grab my favorites, and then assemble them in whatever way strikes my fancy.  I’m just having a good time making a bunch of cool stuff.

I’ve tried inspiring myself to produce more in different ways. The desire to finish my first novel was a powerful motivation. Weekly submissions to my writing group make good mini-deadlines. And of course deadlines written in contracts and attached to paychecks are the best of all.

It also feels good just to keep a streak alive. That’s the secret to Tony Pisculli’s online writing tracker, The Magic Cricket. There are lots of others out there. The thing that has worked best for me so far is a calendar with stickers. It feels good to see all those gold stars.

This July, I’m going to use Camp Nanowrimo as another way to push myself to greater heights of accomplishment. Given my lack of consistency over the last few months, I fear that this will be like running a marathon without proper preparation. But even if I don’t make it to 50,000 words by the end of the month, every word I write will prepare me for what comes next. And if there’s anything I’ve learned from Dean Wesley Smith, it’s that every month is Nanowrimo if writing is your career.

2. Consistent finishing 
When I was younger, I got bogged down trying to perfect and polish stories that weren’t even finished. Since then I’ve realized that finishing something is a better use of my time than trying to get the beginning of something perfect.

Everything I write is in some ways an experiment, and not all of it will be equally appealing to me, or to readers. That’s hard to accept, because of course I want everything I produce to be of the very finest quality. But as Clausewitz said, quantity has a quality all its own.

For one thing, every story I finish (and get out there where people can read it) helps me build an audience. I love both Pat Rothfuss as much as I love John Scalzi and Brandon Sanderson. But I have a lot more of John and Brandon’s work on my shelves (both digital and physical) because both of them consistently put out new books for me to buy.

In addition to daily wordcount goals, I also have goals to finish stories.  At the Superstars Writing Seminar, Kevin J. Anderson (a very consistent producer) said that there’s no reason any new writer of genre fiction shouldn’t submit a new story to the Writers of the Future contest every quarter. I’m very glad to say that I’ve followed that advice, and I recommend that everyone who’s eligible do the same.

This year, I have two goals relating to finishing. I want to start and finish a new novel between this summer and next. And I want to finish a new story every month, even if it’s only flash fiction.  After all, every story I finish is a story I can sell– which is good, because I also plan to continue submitting a story to a paying market every single week. I’ve done that for the last two years, and although I’ve only made one sale so far it has also taught me a ton about this business.

3. Consistent self-education
No matter how well-informed I am at this minute, no matter how perfect my business strategy is for today’s market, continuing to educate myself is just plain necessary.  Of course, as with any other non-writing activity (social media, etc.), I need to always ask myself: Would I Be Better Off Writing? But without self-education, my career will not move forward.

I need to learn about every part of the industry– and the industry is constantly changing. Covers and interior design, blurbs and back cover copy, contracts, marketing, printing, etc. Fortunately, there are lots of people who are sharing their knowledge and teaching me how to do things myself: Kristine Kathryn Rusch, Joe Konrath, The Passive Voice, Hugh Howey, etc.

Even if I become the pampered darling of a big New York firm, or in some other way outsource everything but the actual writing, I need to know enough to protect myself. I hate taking my car to the shop and not knowing whether I really need to spend $700 to get that O2 sensor fixed. Educating myself means I don’t just have to hope that everyone else is being nice to me. Trust, but verify, as Reagan and Gorbachev agreed.

4. Consistent niceness

As with most any career, it’s a good idea for me to be nice. This means more than just handing my business card to big names in the industry (although I do that). First and foremost, I have an obligation to fans to be approachable and friendly. After all, it’s their good will, and of course their money, that ultimately fuels my career. And it’s important to be consistent about this, because even one bad moment might turn into a story that floats around the community for years to come.

Speaking of having a good reputation, I want to be someone that others want to work with. That means three things: doing good work, delivering on time, and not being a horrible, horrible jerk. Neil Gaiman rightly notes that you can get by on just two out of three. But if you want to maximize the chances that people will send work your way, shoot for all of the above.

So be a mensch. Mensches make the world go round, as my dissertation advisor told me many times. One way I practice meeting my professional obligations is by participating in a writing group. Every week, other people read my submissions and give me valuable feedback. The least I can do is return the favor.

There’s lots more to say, but (as usual), I’m over my word count. So I’ll just close by saying that writing this blog has helped me realize two things. First, there are lots of ways that consistency can help me as a writer. Second, I’m not bad at all of these.

So, as you’re revisiting your goals and thinking about what you’re going to do with the second half of this year, don’t be too hard on yourself. Give yourself credit for the things you’re doing well. After all, feeling good about how you’re doing makes it easier to maintain a consistent effort.

Good luck!

John D. Payne Bio: John Payne (1)
JOHN D. PAYNE is a Houston-based writer of fantasy, science fiction, and literary fiction. His debut novel, The Crown and the Dragon is now a major motion picture.http://wordfirepress.com/authors/john-d-payne/

The Tricky Art of Goal Setting

A guest post by James Wharton.

2148. That’s the number of words I wrote yesterday. If I can do that every day for a week—let’s see, that’s 15,036 words. If I do that four weeks in a row, that’s 60,144 words, almost enough for a novel. So there you have it, a short course in how to set goals.

The catch is I neglected to tell you I only wrote 300 words the day before. And the day before that, I produced only 100 or so words. So what is the total word count for the last three days? 2548. That equates to 849 words per day. That’s still a lot, or is it? How many words should I write every day? And, oh by the way, how many will I write today since I have what I refer to as a “work hangover,” a yucky, listless, energy-devoid state from working too hard the previous day. Of course, I must write this article as I committed to a deadline, but usually, one of those “days after” means I will get little to nothing written that day. You see the problem. In four days, I will have written at a rate of 637 words per day. Is that enough?

So what should I have done? How many words should I write a day? How many days a week should I write? How many books per year should I produce? Welcome to the tricky world of goal setting. It is world many of us inhabit. We must complete X-number of tasks by a certain time, get so many sales each month, drive so many miles per day and so on. For most of our lives, we are in some sort of goal-based environment.

The Destiny ProjectSeveral years ago I participated in NaNoWriMo, the quest to write a 50,000 word novel in one month. I did it. I learned that I could indeed write that many words, but also learned that is not the way I want to write. Yes, it was grueling but fun, and I felt good about hitting the 50,000 word goal, but not so proud of what I produced. I spent the next eight months completely re-writing it. Out of that exercise came The Destiny Project, the novel that is my best-seller.

Depending on who you listen to, it seems that the general consensus is that 1500 words a day is a respectable amount. Of course that comes with a ton of provisos. Stephen King may write 15,000 words a day or more for all I know. John Banville, one of my favorite authors, says he writes 1500 words per day on his Benjamin Black series, however, not nearly as many on his regular novels. If you’ve ever read a Banville novel, you know better than to sit down and get comfortable without a dictionary at your side. His regular novels are truly works of art and I can’t imagine Banville crafting such a book without many hours laboring over the dictionary and thesaurus. I have no idea how many words per day he grinds out on one those masterpieces, but I can’t imagine it is more than a few hundred.

Stephen King seems to have the ability to write spontaneously without the need for a lot of re-writes, but in view of his mammoth size books, I can’t believe he works anywhere near as hard as I must to produce half or probably even less the number of words he does. And there’s another proviso to the 1500 word per day goal. 1500 words is a gross amount. It’s what you put down before you revise, rewrite, delete paragraphs or pages, etc. etc. Personally, I do a lot of rewrites and revisions. Every time I re-read my draft, I find things I need to change or could have written better. Although my publisher did edit my two published books, I don’t use an editor on my self-published books because of the prohibitive cost. But let me tell you, editing your own work is difficult if not impossible.

The point is, after the revising, rewriting and editing is completed, your net words per day will drop dramatically, perhaps to only a few hundred.

Another proviso is the amount of uninterrupted private time you devote to writing. Writing is a time-intensive, energy demanding, solitary activity. Do you have a space where you write? Do you have a regular time when you write? I am fortunate to have a studio where I can cut off the world and its noises and other interruptions. Whatever you may have available, make it as “private” as possible and write at a regular time on writing days. Interruptions dramatically impact your productivity.

Another proviso is how far along you are in the writing experience. That also impacts your productivity. Your ability and speed will differ substantially if you’ve written fifty thousand words, two hundred and fifty thousand words, or a million words.

When I write a novel, I set my goal at 1500 words per day and 5 days per week. Obviously, from my opening paragraph, I don’t necessarily achieve that goal every day or week. But I consider it a good day if I produce 1500 words that, while still needing revision and editing, are probably solid enough to work as part of the book. That doesn’t mean they absolutely will. I’ve cut complete sections (1500 or more words) many times. It’s not right until it’s right, and you can only hope the reader will feel that way too.

The bottom line is that writing is a creative process and setting an absolute word per day goal, (the best measure of productivity) is probably impossible. That is why goal setting with writing is an art, not a science. So here is what I suggest:

  1. Have a specific place to write-one that is quiet and where you won’t be interrupted for a reasonable span of time. And turn off the cell phone.
  2. Set a daily word per day goal that is reasonable (achievable) for you. Decide how many days a week can you will work? Five days a week may or may not be realistic, but that is the number I use. That goal should be a comfortable number dependent on how well and how fast you write and what you feel works for you. This is a gross number as you will need to revise, rewrite and do a final edit later. The important point is to be faithful to your words per day and work days per week goals. If you don’t reach the words per day goal today, don’t try to do more tomorrow to catch up with your overall five day goal.Delirium
  3. Set a time for completion of your overall project. I find that my novels generally take a year to write (Approximately 75,000-85,000 words.) Obviously I don’t achieve a gross word per day goal of 1500 words per day. Life has its interruptions. I began writing The Destiny Project II early last year when my mother became seriously ill. I spent a lot of time visiting her out of state and her illness was so disruptive I couldn’t go on with writing that particular book. (I am again working on it.) However, I began writing another book to fill my idle hours. Out of that came Delirium, my newest novel.

Life and disruptions happen, but always stay focused on achieving your daily and weekly writing goals. Execution is the most important part of goal setting—SO DO IT!!

The main thing about writing is to have as much fun as you can and work at a pace that is comfortable and pleasant. Set your word per day and days per week goals and then a completion date for your project. Above all, adhere to a regular schedule and then judge your performance. How many words did I write this week? My goal was 1,000 words per day at five days per week. Did I write 5,000 gross words this week? Did I write 20,000 gross words this month?

After several months working your established schedule, you will have structure and discipline and be able to predict when your project will be complete–assuming no outside interference.

James WhartonJames Wharton’s Bio:
James Wharton is a full time writer with two published and eight self-published books. His most recent novel, Delirium, was published in February and his coming novel, The Destiny Project II, is due out in the Fall of 2014.

Web site:  jameswharton.net

Email:  jameswharton1@aol.com