Category Archives: Superstars Writing Seminars

Happy Thanksgiving

 

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It’s that time of year again in the United States, the start to the holiday season, Thanksgiving. It’s that time of year when we gather friends and family together to count our blessings. And, to fully disclose all relevant facts, to eat far too much turkey and trimmings and watch the Macy’s Thanksgiving Day Parade, and football. Okay. I don’t do that last one, but I get that others do.

What are we thankful for here at Fictorians? Well, I can’t answer for the group, but I can tell you a few things that I’m thankful for.

Wizard of Oz reruns. In fact, I’m watching the movie as I write this post. I’m not sure how The Wizard of Oz became associated with the lineup of more usual holiday specials – maybe because Dorothy learns to be grateful for home and what she has – but watching the movie has been a holiday tradition for as long as I can remember. I got to stay up late to watch it. Really, what more was needed to endear the movie to me? I’ve watched the movie over 40 times and it remains a favorite.

The Macy’s Thanksgiving Day Parade. Growing up, I’d wake up to the smell of roasting turkey and know it was only a matter of time before Mom would take a break from cooking to watch the parade with us. The Parade was family time.

The Superstars Writing Seminar. Without the seminar there would be no Fictorians.  The members probably wouldn’t know each other or have met so early in our writing careers. We’re more than friends, we’re tribe, we’re family.

Kevin J.  Anderson and Rebecca Moesta who invited me to be part of the Superstars staff and help them share the experience with others.

Flash Fiction Online for giving me the opportunity to hone my writing skills and give other writers a chance at publication.

The clients who stuck with me as I changed firms twice within a seven month period.  I thank them for giving me the opportunity to serve.

My friends and all their support over the years. Their refusal to let me crawl into my shell and become a hermit crab.

My family.

– The many many sacrifices my parents made for my siblings and I and for the person they helped me become.

– I am eternally grateful to my brother for what he does for our parents, and his long-term employment with Disney so we can get into the parks for a lot less than we would otherwise. I am sure my sons echo that last point.

– My ever supportive sons and husband and the opportunity to return the favor for my husband as he works on a large appeal due on December 16.

– I’m grateful that my boys feel comfortable coming to me to ask those questions we all have when we start to grow up. I’m  a romance writer, right? I should be able to field those questions. Right?

I am humbled by all of you who spend a little bit of your week with us on this blog.

So, while 2013 has been full of challenges there was a lot of good too. I hope life is kind to you and your family and your life is full of things to be thankful for. And thank you for spending your time with us.

 

 

Information about Superstars Writing Seminars

You may have noticed that quite a few of the posts this month have mentioned Superstars Writing Seminars. There’s a good reason we keep bring up this particular seminar, other than it’s because what all of the Fictorians have in common (we have all attended at least once).  It’s because it’s a darn good conference.

Superstars is a 3-day conference that happens once a year about the business of writing. Kevin J. Anderson and his wife Rebecca Moesta organize the events and are part of the faculty. Brandon Sanderson, James A. Owen, David Farland, and Eric Flint are also faculty and partners. All will be instructors at the upcoming Superstars in February 2014.

What you need to know about Superstars Writing Seminars 2014:

And most importantly, if you are serious your writing career, this seminar is for you.

Click here to register now.

 

Being Creative While Working a Full-Time Job

A guest post by Nick Ruva.

One piece of advice you will hear repeatedly as you embark on a writing career is, “Don’t quit your day job.” Many of us know that all too well. Either you do not make enough as a writer to pay the bills, or you need the security of a consistent paycheck and those much appreciated health benefits. Whatever your reason may be, trying to squeeze in your writing time while working a full-time job can be difficult. It is harder if you are working a job that challenges you to find creative solutions to problems. I cannot prescribe a way to squeeze more time out of your day to write. I am a staunch believer in the idea that when we say we do not have time to write, what we are really saying is there are other things we would rather spend our time on. I get that, and by all means if you would rather spend time unwinding after a long day by watching the tube or shooting baddies online, I cannot blame you. I have been there a million times. When I was asked to write an article about working a job that consumes you night and day, but still finding time to write, I had to sit down and think about it. Sure, I am busy often, and I work some long hours, but at the end of my day I still have time I could be writing, but sometimes I mentally cannot. I have found that there is a limit to the creative output I can muster in a day. Some nights all I want to do is flop on the couch and nullify my brain watching TV. The trick for me has been finding a balance.

I work as a Configuration Management Engineer, which is a fancy way of saying I manage the automated building and release of software. My job requires me to research and solve complicated problems. We need a product to build faster, or a process improved so it is more stable or does something else. It is a job where you are constantly being presented with a problem and asked to find a fast and elegant solution. It is a lot like creative writing, and it ticks a lot the same creative pleasure centers in the brain. Over the years I have had several jobs that did not challenge me, such as my early years in retail, or doing simplistic quality assurance testing. Now, some QA testers need to be deviously creative, but my stint was ticking boxes on a checklist as either pass or fail. Do this, record result, repeat. I would not say it was mind-numbing, but it did make me desire to be more creative during my downtime. As the skill and creativity necessary for my day job increased, my writing productivity took a hit. Again, it was not for a lack of time. I have the time to write, and I feel guilty if I am not working on a story, but finding the drive when I am already creatively satiated during the day means I need to use other criteria to motivate me. So what do you do if you find yourself in a similar situation?

The first thing I would recommend is to reach out and meet other writers. Writing groups can be incredibly helpful. While at the University of Southern California, I took a few creative writing courses which allowed me to meet other writers on campus and establish critique groups with other newbie writers. After school, I went to a few local bookstores and looked for fliers for writing groups in the area. I am still in a group thanks to a post I found years ago. Likewise, I have met writers online and at classes and workshops, and we have created an online critique group that is still in its infancy, but is already having a huge effect on my writing. A good writing group will help you on so many levels. First, and maybe most important for us busy folks, a writing group will encourage you to write more. I feel extremely guilty if I do not bring something to my critique groups, and shame writing is still writing. If that is what you need to motivate you, I am right there with you.

A critique group also offers a network of writers you can grow and learn from. I have received some amazing critiques over the years, and my writing gets stronger every time I submit. For instance, I had a horrible tendency to write characters who stare. They would stare at everything and everyone, and it drove someone in my critique group up the wall. Looking back over my work, it was a pattern, and a problem, that I have corrected. Likewise, I like my fiction sparse, but that’s a fine line to walk, and if I submit a piece and get too many “white room” comments, I know I have not gotten the balance right. The writers in my critique groups have been instrumental in making me a better writer.

Just meeting and being around other writers can be an enormous help. My writer friends and I like to commiserate and daydream about writing. It helps when you have an all-consuming job, especially if you can talk with other writers in similar situations. If you’re having trouble meeting writers locally, I recommend the more networking heavy seminars, such as the Superstars Writing Seminar. Superstars, and other seminars like it, throw you in an incubator with around fifty other writers. Thanks to social networking sites, we have kept in touch and continue to help promote and nurture each other’s work. Seeing status updates from other writers, yes, even those: “I just wrote 5,000 words this morning,” that shame me into writing, are wonderful motivators. When you are feeling burned out, and all you want to do is click yourself numb on the Internet, having some streaming encouragement definitely helps.

I know what you are thinking. I am telling you the way I find more time to write is by hanging out in writing groups, meeting other writers, and going online to Facebook. OK, so, those are motivators, but what about actually writing. For me, it is trying to find the right mix of time to productivity. I have tried to schedule daily writing times. Early morning before work, during a lunch break, right after work, before bed. When I try to make a set schedule, especially at a set time, I normally start strong and fail miserably in a few days. The biggest issue I have is making the time to write when I am actually feeling inspired. If I am feeling especially creative, and I am excited about a story, I will fly through a couple thousand words. If I am feeling tired, or forced to write, I will resist even opening my manuscript.

I am also leery of setting daily word count goals. I know they work for many of my writer friends, but if I set a goal for a thousand words a day, I will probably slack off thinking, “I can do that in an hour. I’ll just bang out a few paragraphs before bed.” Never happens. If I am crunching, for say NaNoWriMo, I will do hourly goals. For instance, instead of shooting for a thousand words a day, I will force myself to it sit down for two hours and set a goal of five hundred words an hour. Something about moving the goal up and making it smaller, and more immediate, helps me stay accountable. It is not perfect, and sometimes I will balk at that two-hour window, but it helps. For the most part, I am against the writing word count goals as they normally make me less productive, and I sometimes feel defeated if I miss too many in a row.

What has worked for me was creating a little leeway for creative time during the day. I know this may not work for everyone, and maybe you can schedule a solid block of time and work like a champ, but if you are like me, do not feel guilty stopping your daily work here or there for a few minutes to write a paragraph of fiction when you’re inspired. I started doing that a few years ago, and barring a meeting or a catastrophe at work, I can usually find fifteen or twenty-minutes each day to work on some prose. I have also found that it energizes me when I return to my day job, especially if I am stumped on a particularly hard problem, or if I am simply not in the mood to be 100% productive for the nine to five. Completing a few writing goals has worked wonders and I have hammered out a few solid short stories recently on work breaks that have gone over well in my critique groups. Again, your mileage will vary, and make sure that your writing does not jeopardize your day to day. I know how easy it can be to get lost in your writing and lose a few hours of time. You need to find that balance, but I have found writing during my day as a great tool that has made me more productive in my day job and my writing life.

Finally, you need to ask why you are doing this. Over the past year I have been putting my writing life into better perspective. I look at myself as a small business owner, and my writing as a product I need to ready for release. Every time I skip a writing session, or get nothing done for the day, I am pushing my release date out. If I want to get my product on the shelf, I have to put in consistent work. You need to find that big, juicy carrot to dangle in order to keep you motivated even when there is a full DVR to distract you. For me it is simply to write when inspiration hits. I cannot count on having an hour of quality brain-time later. If I can put things on pause for a few, write that scene, and then go on about my day I am that much closer to my finished product.

Nick Ruva Bio:
Nick Ruva is a literary writer who dabbles in Sci-Fi and Fantasy. While he is not practicing the dark arts of fiction, he manages the release and build process of software products and specializes in process control and automation. A Los Angeles transplant, Nick has worked with local LA writers, editors and publishers who are working to promote the independent L.A. writing and arts scene. Nick is a Superstars Writing Seminars alum, David Farland Death Camp survivor, and was a member of the inaugural Writing Excuses “Out of Excuses” Retreat.

How Writing Badly Can Help Your Career

Sounds a bit silly, doesn’t it? But as I’m sure everyone here knows, one of the biggest stumbling blocks for any aspiring author isn’t really how good their book is. It’s how finished their book is.

After all, you can’t have a business without a product, which is, in our cases, a completed story.

The key is to be productive and with just about everyone I know, one of the biggest obstacles to their productivity (right next to the two hour commute or the kids who can’t seem to do anything without parental help) is that voice in their head that keeps popping up to say, “What are you thinking? That comma’s ruining the emotional thread of this scene!” or “Jeez, this is crap. Let’s go play on the Playstation where it at least feels like I’m accomplishing something.”

A recurring session during the Superstars Writing Seminars is Kevin J. Anderson’s productivity tips (which he is currently covering on his website for NaNoWriMo). This is where I first heard his #3 tip: Dare to Be Bad (At First)…Then Fix It.

And the guy must be on to something because he makes prolific authors look lazy.

Now, I do spend some time prewriting to figure stuff out, for the most part I find my story as I’m writing it. For the longest time, I’d get stuck in that loop that made me want to re-read what I’d already written and tweek the text until I had to force myself to move on to the next scene. And then I gave myself permission to write badly. This was incredibly freeing. Now, when I’m doing a first draft, I can write upwards of 20-25k words a week, knowing that I’m going to edit it like crazy once the first draft is done. They aren’t great words, sometimes they’re downright horrendous, but they come together to form a completed work.

Now, your process might be different. But ask yourself, is your book stalled because you keep going back to that one or two scenes that seem so pivotal but your inner editor keeps telling you it’s just not right and if you don’t fix it now the whole book will fail utterly?

Stop that.

A house builder doesn’t sit there working on the same bathroom for years because they can’t get the shower to the perfect dimensions. They have a whole house to build and if someone isn’t living in it, it has no purpose. The same goes for you. Don’t let a desire to write perfection stop you from finishing the book, because if no one reads it, it also has no purpose.

Once the first draft is done, then you can let your inner editor run amuck…somewhat.

I usually have to step away for a bit before diving in the editing/revision process, otherwise, I’m just polishing the punctuation. Some people go ahead and send it out to alpha readers to get feeback. You’re process should be whatever works for you, but the real key to editing your own work, I think, is honesty.

Yes, that scene in your epic fantasy between the hero and his pet parakeet makes you cry every time, but does it move your story forward? Yes, you skipped that escape scene in your adventure to get to the emotional angst, but is the reader still engaged? Yes, you left out the detailed description of your cyborgs in your SF because it slowed the pacing, but can the reader really understand your world?

They may be you and your critique group’s favorite scenes. They might be hard to write. But if the story and the reader isn’t served, be honest. You’re going to have to fix it. The nice thing is that you’ll probably like the result better.

It’s actually kind of funny how often I tell someone that a scene isn’t working, or the story is missing something, and they say, “Yeah, I was kind of thinking that, too.” If something doesn’t ring true, or a scene doesn’t seem right, don’t wait for someone to remind you of something you already know. This instinct might take some time figuring out on your own, but the only way you’re going to learn how to tell what works and what doesn’t, is to keep writing and reading your genre.

It’s all so much work, I know. But that the difference between a hobbiest and a professional: get the work done, then make it the best you possibly can.

Dare to be bad. Fix it later.