Category Archives: Kristin Luna

Storytelling and Comic Books: What to Learn and What to Leave Behind

Can we just geek out over comics right now? Let’s.

I was introduced to comic books a little late in the game. My college roommate Danica was a proud, certifiable nerd. I was still in the closet and unsure if it was something I was willing to let myself become. One day, she invited me and our other roommate Ashley to Comic Book Club on campus. With only around ten members, the club had a comfy, family-vibe. What surprised me most was how welcoming everyone was, accepting of whoever came, conversing with them about whatever form of comics they were into. This included the guy who showed up who just really liked Dilbert.

Slowly, the members of Comic Book Club fed classics and newer works into my nerd IV, filling me with a new love for the medium. They took me to free comic book day, showed me the local comic book stores, and took me to see the new rash of comic book movies coming out at the time (X-Men: The Last Stand was our biggest Comic Book Club outing). I ended up writing my senior year Sociology paper on my university’s Comic Book Club, and my professor not only gave me an “A” but wanted to talk more about it after class.

What I wasn’t was a closeted book nerd. As an English major, you kind of give yourself away in that respect. I might even dare call myself (or would’ve called myself at the time) a book elitist. I didn’t read genre fiction, and found anything genre to be more on the entertainment side than on the enrichment side. So imagine my surprise when I loved comic books right away.

Over ten years later, skinnies and trades are a regular part of my balanced reading diet. In 2017, I read 104 books, 30 of those being comic book trades. I count them equal to any book in terms of enrichment and importance, something my 20-year-old self would call taboo.

However, there are some real and important differences between comic book and novel storytelling beyond the obvious, and they are important for writers to pay attention to.

Pacing.

Comics, by nature, are fast-paced. The reason for this is half of the story is told visually, and our brains process visual information much more quickly than reading words and conceptualizing those words into scenes in our minds. Also, in most comics, the majority of the words are conversation between characters, cutting out long descriptions, body language, and physical cues.

As writers, what can we learn from this? I’d argue learning pacing from comic books with caution. In many comics coming out today, the speed is breakneck. This is not always the best way for novels. Personally, I like a slower, blossoming effect, as I think it is more artful and immersive. Some indie comics are better for this effect (Shortcomings by Adrian Tomine and Blue Pills: A Positive Love Story by Frederik Peeters come to mind). However, if your book requires fast-paced scenes, sharp scene breaks, and minimal to moderate character development (aka when story is king), then comic books are a fantastic source to learn from.

Dialogue. 

I love comic book dialogue. This is a no-brainer for me. Yes, all writers can learn sharp, concise dialogue from comic books, especially how to write humorous exchanges. In humorous dialogue, the pictures don’t matter – the snappy wit and curt replies do. You don’t even need to look at the characters faces to know if it’s effective. Brain K. Vaughn is a master at this, and his work should be on your to-read list.

Character Development.

In my mind, this is the most obvious hinderance when learning storytelling from comic books. In order to serve the story, most characters have classic and even clichéd flaws and personalities. That’s totally fine, and I’m not meaning to suggest it’s right or wrong. Because it’s fine, and most comic book writers use these tropes very well. However, most characters’ backstories aren’t fleshed out when compared to novel characters. Usually their backstories are only fleshed out as much as is needed in order to make the story believable, or to serve a story element or conflict.

Brevity. 

One of the most beautiful things in comic books, in my humble opinion, is the brevity. In half the time and space of a novel, a comic book writer can tell a complete story. It’s masterful, really, when done well. Many of my writer friends become bogged down in their long-ass word counts, wondering how they can cut 20-30k words from their manuscripts. Comic books only keep the most important stuff – and that’s a big lesson for novel writers to learn.

What are some lessons you’ve learned from comics? And what comics are you reading right now? Personally, I’m geeking out over Lumberjanes, Saga (of course, duh), Faith, and Paper Girls.

To Quit or Not to Quit?

That wraps it up for us this month, and what a month it was! We dove into making goals, how to make better goals, when to amend your goals, and when to quit your goals. We hope our insights were helpful to you, and that you carry some of our hard-earned wisdom with you into your future work.

In case you missed a post this month, here they are:

The Stories that Just Don’t Sell by Mary Pletsch

We Always Need a Goal by Ace Jordan

Quitting by Nicholas Ruva

New Goal: Stop Making Goals by Kristin Luna (that’s me!)

A Gamer’s Guide to Quitting by Heidi Wilde

How Goals Can Destroy Your Writing Career by Gregory Little

Finish What You Start, or Not by Kevin Ikenberry

A Faster Book, or A Better Book? by Frank Morin

Quitting with Feeling by David Heyman

In Favor of Failure by Colton Hehr

The Goal Post by Sean Golden

Obstacles May Be Closer Than They Appear by Kim May

To Goal or Not to Goal, That Is The Question by Jo Schneider

Made to Be Broken by Hamilton Perez

2018 – Hello, Universe Calling, Is Scott There? by Scott Eder

When Chronic Illness Sabotages Goals by Ace Jordan

Setting Realistic, S.M.A.R.T. Goals by Shannon Fox

Resources on Goal Setting and Quitting Goals by Kristin Luna

 

What were some of your favorite posts this month? Did we leave anything out? Comment and let us know!

Resources on Goal Setting and Quitting Goals

This month, you’ve read posts from us about when it’s okay to quit your goals, the merits of seeing your goal through no matter what, and everything in between. We’re not the first to write on the subject, and I found the following books, articles, and resources helpful in my own journey when it comes to goal setting, especially when it comes to writing.

  1. The Artist’s Way by Julia Cameron. Some writers keep this next to (or in place of) their Bibles. It’s just that important and instrumental for their process. I think I can say with confidence that this is an objectively foundational book in cementing your process as a writer. Julia Cameron guides you every step of the way in a 12-week process of deep contemplation about who you are as a person and an artist, what’s standing in your way, how to move past those things, and how to make meaningful goals to achieve what you want. I personally give the book 5/5 stars, and if you’re interested in this book, I recommend that you surrender to the process. You’ll want to fight it and cut corners. DON’T.
  2. Letters to a Young Poet by Rainer Maria Rilke. Part of me doesn’t want to recommend this to people at large because it is so personally important to me. But, in my heart, I want everyone to succeed in being happy in doing what they want to do the most, so here it is. I’ve given away more copies of this book than I can remember, and I don’t mind buying more and more to give away until the day I die. If that alone doesn’t make you want to pick up the book, consider this quote: “Keep growing quietly and seriously throughout your whole development; you cannot disturb it more rudely than by looking outward and expecting from outside replies to questions that only your inmost feeling in your most hushed hour can perhaps answer.”
  3. Why You Quit on Your Goals (and How to Follow-Through Instead) by Jose Ramos. I like this article by Ramos because it goes into how not reaching our goals makes us feel. Those feelings can snowball and eventually stick us in what feels like quicksand, unsure of how to get ourselves out.
  4. 5 Times You Should Quit Working on Your Goal and Walk Away by Amy Morin.  Amy Morin offers practical examples of when following through with your goal doesn’t make sense anymore. Relatable and concise.
  5. A good planner. I’ve lost this habit since college, swapping out the physical planner for a To-Do list app, Google calendar, and a Notes app. This year, thanks to inspiration from friends, I’ve picked up a physical planner. Here’s a great list from people who tested out some of the best planners on the market right now and their suggestions. 

 

What are some of your favorite resources when it comes to goal setting and when it makes sense to re-evaluate? What’s your favorite planner or app that helps you organize your daily tasks and goals?

New Goal: Stop Making Goals

Growing up, I kept my goals mostly to myself. Even in my mind, they didn’t seem like goals.

“I want to be the lead in the musical.”

“I want to crochet a blanket over Christmas break.”

“I want to graduate with a 3.5 GPA.”

I don’t think I realized that I was actually setting goals. I saw it as simply evaluating what I wanted to. I don’t remember making to-do lists until my first job after college when the mass of small responsibilities became too much for my brain to hold.

Now? I’d panic if I ever accidentally deleted my to-do list. I’ve made countless pages of long-term and short-term goals. Part of me gets near-sexual satisfaction checking off a goal as completed. Oh, what’s that? Too much information? Soooooorry. 🙂

Almost exactly a year ago, I realized that I might be too far on the pendulum swing toward my Type-A tendencies. I was born an extremely Type-B girl and learned to function as a Type-A thanks to difficult and stressful jobs in my 20s. When I looked back on my teenage years and early 20s, I realized I had been juggling a *lot* of different hobbies, jobs, school, and obligations with little or no stress. But in adulthood, stress and anxiety seems to follow me everywhere I go, no matter how few my responsibilities at any given time.

A major component of my more recently developed stress and anxiety comes from, surprisingly, making goals. I have an almost militant reserve to complete every item on the to-do list, make sure every goal written down manifests. I’ll write down the smallest items on my to-do list, like “Text Stephan back” or “Research if wrapping paper is recyclable,” all the way to the biggest, like, “Edit book.” (You know, just edit a book. No problemo. I’ll do it after I clean out the litter box.) Clearly, there are big jumps in my goals and to-do actions which can, and more often than not, becomes overwhelming. I can knock off two or three things on the to-do list while that big task simply looms, bothering me and holding me hostage to its size and long-term commitment.

Watching a big goal hover over you every day, I’d argue, can incite a negative reaction instead of a positive one. While completing one’s goals usually makes people feel great, not being able to check a time-consuming one off the list for months or even years can make a person grow apathetic toward it. Which was exactly what was happening to me.

So, last year around this time, I made one goal. Stop making goals.

It forced me to live in the moment instead of in the future. “What do I want to do today?” replaced the question, “What do I have to do today?” Instead of beating myself up for not taking steps toward a big goal, I enjoyed focusing on what was in front of me that needed attention, time, and care.

I wasn’t able to cut loose my to-do list. I don’t know if I’ll ever be able to fully let go of it (my preciousssss). But at least now, I’m able to split my goals into smaller, easier to-do items that don’t intimidate me nearly as much as those big, looming goals did.

If you’re finding that setting goals is sapping your energy and leaving you apathetic, try taking a break from it. Enjoy what’s in front of you at the moment, take care of the immediate things that need your attention. When you’re ready, you’ll come back to some of those long-term goals with new enthusiasm.

“Focus on the journey, not the destination. Joy is found not in finishing an activity but in doing it.”
-Greg Anderson