Category Archives: Self-Awareness

Sit Down and Shut Up

I admit it. I’m a slacker. I have no discipline in my life. It practically takes an act of Congress to get me to do my dishes. I’d rather sit around and spend my days swimming through a sea of imagination. Whether reading books, watching movies, or daydreaming, I’m not big on the real world, and as I live alone, I don’t have anyone around to tell me I can’t. But, that doesn’t help me get the stories in my head out. It doesn’t help me get to the next level.

Oh, I could just wait for inspiration, or that terrible urgent need that comes along that makes me write because, if I don’t, my head will explode. That happens, but not often enough to produce any complete story with any speed. I have friends who do that. Who complain that they can’t finish anything because they had “writers block” or they’re living with world-builder’s disease.

My particular demons aren’t original. I get knocked down often by periodic depression. I get  mired in the difficulties of trying to construct a plot from the myriad wonderful moments I’ve concocted in my head and often like a complete failure. I forget how much I love writing. But I’ve learned the best thing for it is to keep plodding along. Even when I’m not feeling it. Even when I’d rather be reading that new book I bought. Even when I know the scene I’m writing is complete crap and will probably get cut in the next revision. It doesn’t matter. Every crappy line is one step closer to the good stuff. Every cliche is one sentence out of the sludge that keeps me down.

I’ve said it before on this site, and I will probably say it again and again. The only way to truly defeat the nagging doubts, the distracting delays, the fear that the story will never be ready, or whatever the current issue that keeps the story locked away where no one can read it, is to plant my butt in the chair and keep writing.

So, whenever I get a little lost or down or frustrated, I remind myself that no one is making me write. If I’m having trouble, it’s my own damn fault. I might feel as if writing, when I’m especially inspired, is a need rather than a want, but like the doubts that eventually creep in, that’s really just in my head. Thus, it’s up to me to get over whatever is holding me back. It’s a heady and terrifying thing to think about. It’s also easy to forget.

But even when I do forget, eventually, my inner critic slaps me in face and shouts at me to sit down, shut up, and write. This ridiculous story isn’t going to write itself.

 

 

Finding Courage in a Harsh World

Many stories, from mystery to science fiction and fantasy have inspired and awed me. But my road to writing has been a tough and painful one. It wasn’t so much inspiration I needed as the courage to overcome an environment that discouraged reading, let alone writing for a living. One author gave me that courage.

Imagine growing up in a family where reading was never encouraged and was viewed as being lazy. Where farm chores and homework were the priorities. My father occasionally read westerns and Archie comics and then only after we were in bed. My mother just read recipes. Now, imagine the frustrations of a child whose imagination is so taken by the Dick_and_Janerich worlds in books that she wants to write but must suppress that desire and limit it only to school assignments.

What did I love to read? I still remember Dick and Jane’s antics in the grade one picture books –  “See Dick run. Run Dick run!’ – those first words excited my tiny heart and showed me the power of words on paper. Then came rhyming and Dr. Seuss filled my world – “One fish two fish, red fish blue fish’. nancy drewBy grades five and six, I was sneak reading the mysteries of Nancy Drew and the Hardy Boys on the bus ride home – a book a day. Somewhere in junior high school, I discovered science fiction, fell in love with it and then got into trouble with teachers because my imagination and verbosity were greater than assignments demanded. When I took a degree in English and drama, I had relatives who shunned me for years.

Perhaps I should have quit then and for a few years life took over and I almost did. But I always dabbled and always loved reading. So, what changed? What gave me the courage to write and to overcome all the discouraging influences? Where did I find the confidence to achieve my goal of mastering and communicating in my second language? Oh yes, English isn’t my first language and throughout my life, I’ve had a desire to master it and rarely feel I have. Yet, one book, one writer gave me the courage to pursue my dream wholly – to throw myself into it with a modicum of hope to succeed. I owe my courage to J.K. Rowling.

Harry_Potter_and_the_Philosopher's_StoneWhen I read Harry Potter and the Philosopher’s Stone, I thought that if she could do it, so could I!”. Her life story, her courage to write and  her perseverance to find a publisher were the inspiration I needed. Since then, I’ve written many wild tales. I can write! My childhood desire to engage in worlds so far removed from reality, to master their voices and breathe life into them in words not my own has blossomed!

Which authors inspire me today? They all do as do the readers who buy their books. Everyone who has the courage to pen their imaginations, to give life to new worlds and voices, and to all our readers who encourage us, I give you my heartfelt thanks.

Cheers and happy writing (and reading too)!

The Great Spring Migration

The spring migration is late this year but I only learned that because someone died.

A close friend’s death pulled me from my concrete world, forcing me to travel across endless prairie, to see spring repaint winter’s stark world with the tender greens waving away the north wind’s last cold breaths. And in my journey to mourn, I see the spring migration – gathering energy to fly to thawing northern nesting grounds by fervently feeding on the last crop’s stubble, not one stray seed left behind. A friend had died and with her, part of my heart died yet here was nature, hopeful, fervent, telling me the cycle must continue, that despite all that happens, life stops for no one.

This journey takes me back to the farmstead home where I grew up – right in the middle of the great spring migration. Flocks of Greater and Lesser Canada geese, cranes and Snow geese formed feathery swarms. Circling gracefully down to water, then like arrows shot into the sky they circle yet again searching for perfect feeding fields.

The choruses of honks and krooos carried by cool spring winds are a music once familiar, now alien, to my ears.  These choruses are the excitement of spring, the energy of rebirth and creativity and somehow, through my tears of grieving, I am stilled to peace.

A walk across stubble fields, still too wet for seeding, floods me with memories, once known in my youth but now seem otherworldly. Who was that person who remembers where the trees once grew, where cattle grazed in pastures, where weeds were pulled from garden rows at a nickel a pail? Who is this person who now deigns to wear sandals through straw stubble, ankles scratched – a child of the city now – alien worlds converging, lifetimes past and present merging.

Walking along a windrow, a prairie chicken is spooked from the grass. My partner is now lost in his memories of times hunting before pesticides and farming diminished this delicacy. As we share the past I realize that few words can bring to life the images, the memories, the smells, the aching muscles, the laughter accompanying sliding down haystacks in winter … time has made  the once familiar foreign. The migration darkens the sky above us as birds swarm debating if this field will yield enough scattered grain. I feel the noisy migration sweep my old ghosts away for their focus is on today  – it is all that matters and all that ever will matter.

At 4 a.m., the winds change and I know, lying in the dark, protected from the diamond sky and sun’s first yawning, that it is time – that this is the last night of honking and krooing wakefulness and that silence will ensue. I leap from my bed to watch the geese and cranes, their last grazing of  grain speckled stubble fields completed, rise to the skies, circling, a choir in flight, summoning all to follow, their v-shaped lines flapping arrows aimed at northern nesting grounds.

Then, the earth gasps at the timeless glory of the final migration before relaxing with a sigh. But, the silence I expect never comes.

Instead, I hear the almost quiet – the earth’s soft belches and burps of spring moving to summer. Frogs croaking bass melody day and night, the percussion of duck calls, crows cawing oblivious to the frog’s melody, the crescendo and decrescendo of wind whispering then whistling through budding trees – the new, softer melodies of insects crawling over warming ground, farmers preparing the land for seeding, hoes working gardens. The south wind, carrying the frenzied migration northward now blends these spring choruses to new compositions.

Ah yes, the rhythm, the balance of the earth, timeless beyond man – these things I now ponder. And I also wonder about the worlds I create as I now sit in my walled home, in my city of concrete and asphalt and unearthly noise. Do my characters wander through worlds which gasp, belch and burp? Are they  aware of the subtle things which affect their lives? Am I aware of these things? Maybe. Maybe not. But I now know that sometimes we and our characters need to take the time to breathe – to feel the change, to feel the sorrow and the timelessness of life.

Superstars Week, Day 3: Confessions of Repeat Offenders

Hello, intrepid readers, this is Leigh, and I’d like to welcome you back to the Fictorian Era’s Superstars Week! For the last two days you’ve gotten an idea of what you can gain by attending the Superstars Writing Seminars, but today, Nancy, Clancy, and I will be telling you why we felt the need to go back for more. Yes, all three of us are Repeat Offenders, having attended both previous seminars.

So, why return to a seminar you’ve already attended?

For me, there were a number of reasons, but today, I’m going to talk about how, by returning to the Superstars Writing Seminar, you’re not just revisiting something you’ve seen before. The seminar is dedicated wholly to learning the writer’s place in the publishing industry. And let’s face it, people, that place is changing fast. This seminar is a true insiders look at what any writer looking to make a career publishing can expect, and the options available to get there.

As an example, in the first Superstars seminar, we had the core five authors, Kevin J. Anderson, Rebecca Moesta, Eric Flint, Brandon Sanderson, and David Farland. Across the board, they said that traditional publishing was the way to go. Then, Amazon unveiled their e-publishing program. Self-publishing wasn’t the pariah it previously was. The next seminar dedicated an hour to self-publishing and e-books. As part of that panel, Moses Siregar, a previous Superstar attendee, had a heated discussion with Eric Flint over e-publishing, and David was heavily leaning toward self- publishing. Since then, David’s written a post on this very site stating that he believes self-publishing to be the future of the industry, and this year, Superstars has brought in Kristine Kathryn Rusch and Dean Wesley Smith, two vocal authors on indie publishing issues. Clearly things have changed, and Superstars is keeping pace.

Yet, as with any seminar, there are portions that are repeated every year, but as Clancy will tell you, even that can be a good thing.

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Clancy here. And here’s why I’m a repeat offender: I signed up for my second Superstars seminar unsure if I would hear much that I hadn’t learned the year before. But I wanted to meet Sherrilyn Kenyon (a guest speaker) and see my alumni buddies, so I decided to go. Color me surprised me when I learned as much, if not more, as I did the first time. During the year between the two events, I had changed. Where I was with my writing and my career had also changed, and I was hearing different things even though much of the content was similar. My mindset tuned into completely different points made.

I wanted to give you an example, but I can’t think of one.  I know… challenged.  Anyway – I remember sitting there during a presentation that I’d heard before and thinking to myself, I know they discussed this last year, but I was hearing the content through a different filter and what caught my attention were not the same things that did the year prior.  I wish I had an excellent example to share.  Just know that it was a profound ‘a-ha’ like realization.  So, I wish I could go again this year because I know I would, yet again, learn more and different things than I have already.

Read on to see why Nancy is right and the contacts and friends I have made during both seminars are still with me, still in contact, and are still impacting my life in ways I will forever be grateful for.

*              *              *

Nancy Greene, on the issue of “Contacts and Kismet”: We attend conferences to make contacts including the conference speakers, vendors, and participants. I confess to being a Repeat Offender at Superstars Writing Seminars for all the reasons you’ve heard about over the last few days and for the people I meet.

Approximately 20-30 attendees at the 2011 Superstars were Repeat Offenders. I’d guess the number is about the same for April’s session. The Superstars crowd isn’t cliquey. We go out enmasse. The “we” is the Repeat Offenders, one or more of the speakers, and anyone we can convince to join us. Dinner and late night drinks at the hotel bar are similar affairs. Because we’re a social group, there’s a lot of extra time with the speakers, which is something that often doesn’t happen at other conferences. The social aspect’s a great way to forge long-term friendships. After all, we’re all writers, and can help each other after the conference ends.

I’ve written about the benefits of writers helping writers before in the Benefits of Holding Hands on this blog. Because of Superstars and the friends made there, the Fictorians have:

(1) Participated in this blog (all members are Superstars attendees),
(2) Received weekly encouragement and accountability checks,
(3) Received advice and critiques from some of the presenters,
(4) Edited or beta read novels written by the presenters,
(5) Assisted other Fictorians in getting short-stories published,
(6) Been introduced to other fabulous connections, including agents and publishers, and
(7) Advertised or promoted the other writers on the site.
The list contains the things I can think of off the top of my head. There’s more.

The writing industry is small. The way to “break-in” is to have a great product, and an even better network. We might have made the contacts and achieved the same results without Superstars, but the process would’ve probably been years longer.

Kismit happens.

But you have to ensure you’ve done your work and made the contacts you need to be “in the right place at the right time.” Superstars is an excellent place to make those contacts, and it’s why I’m a Repeat Offender.

So, if you’re a Repeat Offender, feel free to let us know why you keep going back to Superstars. And everyone should stick around for tomorrow and Friday  for a two part interview with two of the founders of this fantastic seminar, David Farland and Kevin J. Anderson. See you in April.