Category Archives: Write Whenever You Can

Quick, describe a writer! I’ll wait, like, ten whole seconds for you to think of one.

. . .

Okay, got it? Now let me guess:

They’re a brooding loner in disheveled, dark clothing that reeks of chain-cigarettes and sadness. They’re crouched over a computer in a dimly lit, smoke-filled room, alone, sipping at another whiskey as they write their demons onto the page. They’ve been awake much too long, but sleep is an evasive beauty because there are deadlines to meet. And even if there aren’t, there are. The deadlines live inside them, monsters kept at bay only by copious amounts of coffee drunk by the pot. Their family is widowed, and their friends mourn, but one day they hope the writer will emerge and join them again.They’re writing about humanity and how people relate, don’t you know. It’s deep, important work and no one really understands their genius. They’re a martyr suffering for their art, and the long night isn’t over yet.

Oh, and it’s 8 o’clock in the morning.

writerstereotype — The creature has also become self-aware.

But of course that’s a stereotype and no one *ahem* would ever live up to it.
And maybe there is some truth behind the fact that artist-types are driven to create, and have a higher correlation with mental illness, but we don’t have to romanticize insufficient self-care to take pride in the work we do.

Please, take care of yourself. The art isn’t more important than you; no one else believes that. Your friends and family love you. They want to see you. Isolating to write can help you focus, but come out now and then to connect with the world. Drink your water. Get some sleep. Make a schedule. See appropriate doctors and therapists if you have the need and the means. Take your medicine. Get your chores done so you can focus on writing. Get your writing done so you can spend time on what’s important to you.

Eat the damn kale if you want.

Being in pain and over-tired and stressed constantly doesn’t necessarily make the story better, and it’s not worth the human cost even if it did. If you’re working on writing as a career, consider it a second job. You’d get sleep and eat and prepare and set aside time for your Breadjob, right?

Having a regular writing schedule and maintaining your health the best way you can, whatever that means for your specific needs, creates stability, which can help your writing career in the long-term, because it helps you maintain yourself and balance your life.

The best we can do, is to do what we can with what we have. Things will happen. There will be times when things creep up, and things are thrown off. Maybe we or someone we care for gets injured or physically ill. Maybe there’s a flare-up of mental illness, or common stressors from Breadjobs and relationships. There will be things that will try to throw you off, and by taking care of yourself, you’ll be able to weather them easier.

Most editors and publishers are human with things like ‘feelings’ and ‘empathy’. Scientists are still looking into whether or not there are facts to back that statement up, but in the spirit of unbridled optimism I’m going to believe it’s true.

You’ve taken care of yourself so far, right? That’s helped you meet your deadlines, and you’ve progressed as you’ve liked? But things happen. You’ve given yourself the best chance you could to weather this so far, so you’ll be more likely to handle it and still keep your obligations.

And if you can’t because of conflicts, or you need to prioritize yourself now so that you have a future later, most people will understand and work with you. You’re doing your best, and taking care of yourself, and they’re sure to have seen that.

Granted, even some Breadjobs won’t see it that way, but the rant against differing value systems within a capitalistic structure is for another day. Breadjob or Writing Deadline, you gave yourself the best chance and are doing what you can with the situation as it is.

Life’s hard enough. Torture your characters instead.

…now if you excuse me, my pot of coffee is ready.

March Wrap Up – Nathan’s Top 10 Take Aways

March 30, 2016

Nathan Barra

Author's Perspective Balancing Acts Being Gentle With Yourself Choice Day Jobs Dealing With Personal Calamities Doing Good in the World Family Giving Yourself a Break Nathan Barra Publishing Self-Awareness Starting a Career Work-Life Balance Write Whenever You Can No Comments

This month on the Fictorians, we’ve thoroughly explored the many aspects of balancing our writing with the myriad of other responsibilities we have in life. I lead this month by insisting that we all have to choose how we spend our time. I have the words “70 hours” written on my bathroom mirror to remind myself that I have plenty of time outside sleep and my job. It’s up to me to choose how I spend it. And I still stand by all of that.
However, the stories and experiences of my fellow Fictorians and our wonderful guest posters have helped me realize a few things about my own work-life balance. It’s not perfect, nor does it need to be! Instead of repeating their words, I’ll simply share my top ten favorite posts for the month. Do they line up with yours?

I found out the secret of Gama Martinez’s awesome prolificness! The man keeps up with one of the most aggressive release schedules I know of by writing his books 10 – 15 minutes at a time when necessary, capturing every opportunity he can to do what he loves.
Ace Jordyn reminded me that you don’t need to write every day to be a writer. We all have our own rhythms. Do what works for you!
Kate Corcino told us about some pretty intense points in her life, how she struggled to find time to write, and those times when writing wasn’t the most important thing she had to deal with. Writing’s a marathon, not a sprint.
David Heyman talked about the struggle to have your cake and eat it too. Sometimes, however, you must give up a slice to make time for your novels. It’s essential to remember that you need to take that slice out of your own portion of your time, not out of the work that pays the bills or the family that loves and supports you.
No one is busier than a new momma, but Joy Dawn Johnson let us peak into her crazy, distraction filled world. And yet, she still gets work done. The trick? No matter what distractions arise, always come back to the keyboard.
Speaking of distractions, there are some things that come up that we have to attend to, while others can be ignored. At least for a while. Emily Godhand talked about how to tell the difference and knowing when to remove or ignore the ones that are keeping us from getting writing done.
I’ve been obsessing about making my writing a business so much over the past couple years that I’ve lost sight of the need to let the artist run the show sometimes. Like Sean Golden, I’ve recently found that my best work has been done when I’m not worried about making a sale, but rather focus on writing a good story.
Nancy Green reminded us that you can’t have “it” all; you just have to decide what “it” actually is.
Jen Greyson talked about the difference between balance and equilibrium. After all, it doesn’t matter if the scales are even, so long as you can be happy with where they lay.
Holly Roberds’ post reminded me that you can’t be a slave to your work. Sometimes you just need to cut yourself a break and give yourself permission to do something other than writing. Seriously! It’s healthier that way.

And those lessons only represent about one third of all the insightful posts we’ve seen this month! Did you catch them all? Which were your favorites? Unfortunately the month is almost done and we need to be moving on to a new theme, but please come back for April’s topic. I promise you’ll love what Anne has in store!

Not a Secret, Not Surprising

March 29, 2016

Evan Braun

Balancing Acts Day Jobs Evan Braun Goals Life Philosophies Making Progress as a Writer Motivation Professional Behavior Self-Awareness Self-Motivation Starting a Career The Writing Life The Writing Process Work-Life Balance Write Whenever You Can No Comments

Work-life balance? Ha. If I wrote this blog post on a random Tuesday, it might be about the fact that I have finally managed to achieve a fragile balance and I’m working to maintain it. On Wednesday, I might write about the fact that I have no balance at all, and frankly it’s a bit depressing and balance might be impossible anyway. And on Thursday, I might write that I enjoy great balance.

So, as you can see, my thoughts on this subject are schizophrenic and highly unstable.

I love my family and my job is usually slightly better than tolerable (more than a lot of people can say), but like so many of us creative types I still occasionally entertain this fantasy that I could someday devote myself one hundred percent to my chosen work and not have to worry about all the other things. I fantasize that I could write nine or ten great books per year. In this scenario, my preferred cause of death is “creative exhaustion,” something which may but almost certainly doesn’t exist in the real world.

Lately I’ve been working on my writing career only intermittently, but I have big plans. (Don’t we all.) The main culprit is that I’m growing a new business that is flourishing beyond my initial expectations, and my other day job is finally becoming more lucrative than it ever has been before. So I’m a bit consumed with establishing my heretofore nonexistent nest egg. As such, my life is stable and mostly happy, but the outlook of my writing career fluctuates month to month, day to day, sometimes hour to hour.

Of course, this is a normal amount of confusion. And we’re all afflicted with it.

I will be the first to say that the kind of balance we all crave is elusive. I’d like to tell you that I believe long-term balance is possible, and here’s how to do it—but I don’t know if I really do believe that. Like any successful marriage (or comparable relationship), the balance between a writing career and the rest of one’s life must be constantly renegotiated. Solutions and strategies will change over time.

One strategy that works well for me is one of the oldest, so tried and true that it almost doesn’t bear writing about—except that it works so well for me that I still consider it a game-changer. Just break down your tasks into manageable bits, and track your daily process. Just two things, but they change everything.

I’m a huge proponent of tracking daily progress, which I’ve written about before on this blog. I track the number of words I write daily, the number of pages I get edited… even the number of minutes I exercise (as well as distance traveled and calories burned). The numbers make the progress substantial and real.

Because I need goals to succeed at anything. I’m not a good “casual” writer; I’m either all-in or it’s not on my radar. But all-in doesn’t have to mean all-consuming. For me, all-in means that I’m writing or editing a little bit everyday, in a way that I can track.

It’s not exactly a secret, nor would most people be surprised by any of this. But the keys to true success—unlike what those obnoxious click-baity Buzzfeed headlines will tell you—are rarely secrets or surprising.

Evan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, a completed trilogy. In addition to writing both hard and soft science fiction, he is the editor-in-chief of The Niverville Citizen. He lives in Niverville, Manitoba.

Write Like the Wind

March 26, 2016

fictorians

Day Jobs Finish It! Gama Martinez Professional Behavior Publishing Starting a Career The Writing Life Work-Life Balance Write Whenever You Can 2 Comments

A Guest Post by Gama Martinez

I have a rather ambitious release schedule this year. This Tuesday, March 29, Beastwalker, the third book in my Pharim War series gets released. After that, I’m releasing, on average, one project a month until the end of the year. Seven of those will be novels, and three will be short story collections. When I tell people this, the look at me like I’m crazy, but there are a couple of things I’m doing that make this much more bearable.

One of the most wonderful things the internet age has given me is the ability to write from anywhere. I save my manuscripts on my dropbox, which I can access from my computer, my tablet, or my phone. If I have thirty minutes in which I’m not doing something, it’s a simple matter to pull out my phone and add a hundred words or so to my latest project. It’s not the easiest thing to do on my phone without a keyboard, but a hundred words is a hundred words. They add up. I generally set aside at least three hours a day to write, usually at night, and during that time, I tend to write about twice what I did during the little chunks, but think about that for a second. A full third of my writing is done outside of my “writing time.” Doing this, I end up with a first draft in roughly a month.

That brings up an important point. I’ve learned to write in small time chunks. This took me a long time to learn how to do. Some people need time to make the mental transition into writing mode. It can be difficult to learn. There is one thing that really helped me overcome that, and that was realizing that it’s okay if my first drafts are terrible. They are full of plot holes. I frequently go five pages with nothing but dialog. I have major reveals that weren’t foreshadowed at all. I might have as many as thirty problems like that in a manuscript, though it’s rarely been that many. It’s the first draft so it’s fine. None of those things, by themselves, are that big of a deal. That’s the key point. Once I get to my revision phase, each of these problems might take me a day to fix. Most won’t actually be that long, but for the sake of argument, we’ll say each takes me a day. That means if I have my hypothetical first draft written in a month with thirty day long items to fix, I can have a viable draft in two months. It’s still not ready for submission, but 85% of the work is done. After that, its proofreading, beta readers, and editors. Each of those take time, but if you’ve made it this far, you probably won’t have a problem with that.

You also need to find what time works best for you. There have been cognitive studies that suggest the two halves of your brain fall asleep at different times. It varies from person to person. Some people write best early in the morning. I do late at night. Frank Herbert wrote part Dune in one hour chunks, sitting in his car during his lunch break. Multiple other have done similar things. Find when works for you.

Regarding writer’s block: I’ve already partially addressed it. Like I said earlier, it’s okay if your first draft is bad. That’s what the second draft is for. There is another school of thought on this that I don’t follow but that may be of use to you. Orson Scott Card says that when you have writer’s block, it means you’re subconsciously detecting something fundamentally wrong with what you’ve already written, and that you need to go back and fix it. I can understand that view. If there is something fundamentally wrong, your story could go off in a completely random direction, however, I am an outliner, and I always know where my story is going, that keeps me from getting too far off track. If you don’t outline, and you find yourself with writer’s block, you may want to go back and see if there’s something wrong you can fix.

There is one more thing I would like to point out. My process, the habits I’ve outlined above, work for me. It’s taken me a long time to reach this point. I started writing seriously nearly eight years ago. You probably won’t be able to read this post and churn out half a dozen books in the next year. It will take time to find your process, and that’s okay.

Gama Martinez:

Gama Martinez lives in the Salt Lake City area and collects weapons in case he ever needs to supply a medieval battalion. He greatly resents when work or other real life things get in the way of writing. He secretly dreams of one day slaying a dragon in single combat and doesn’t believe in letting pesky little things like reality stand in the way of dreams. He is currently working on the Pharim War, a series about angels as well as The Nylean Chronicles, a new series about unicorns.