Category Archives: Interacting With Professionals

Make it Happen

A Guest Post by Joy Dawn Johnson

I work best in complete silence with no distractions.

Insert pacifier in crying infant

The slightest movement can distract me and completely erase the perfect sentence I had just formed in my head. A sentence that I swear will never come together quite the same again.

Fix lunch for toddler
Make a second pot of coffee

Now it’s gone and my fingers stop. I tell myself, “Just keep writing.” I’ve always loved this advice. I give the same advice to new writers but it’s also the hardest thing to do when your time is not your own.

Take crying infant to bed and pray he takes a nap
Clean Cheerios up after toddler “made it rain”

I want to “keep writing.” The last thing I want to do is stop working on something right when it’s coming together.

Get coffee

Whether it’s flowing or I’m constantly interrupted, writing reminds me of rowing.

Add forgotten creamer to coffee after burning tongue

When I was on the crew team in college, I led two boats. First, the one that won nearly every race we entered. Second, a boat of rookies that managed to tip over before our first race. The boat trapped me beneath the water and it took me over a minute free myself. I nearly drowned that day.

Reinsert pacifier into infant
Hope the mobile twirls long enough to put him to sleep

When I get my time to write. When all is quiet and I can actually hear my own thoughts and my characters start talking to me, it feels like that first boat. I’m in the zone. My fingers race and I feel alive.

But I almost never get this.

Restroom break for me and the dog
File down broken fingernail before there’s nothing left of my digit but a nub

I’m constantly pulled in so many directions that I can’t catch a good rhythm even with a short blog post. With every sentence—like every stroke of an oar in that second boat—I’m off balance and I feel like I’m about to go under again. So often, I feel like I’m drifting in the water, wanting to row, but I have no oars, no boat. I’m doing the whole treading water thing with no hope of getting to shore. I’m not going to die if I don’t hit my word goal for the day but sometimes I get so frustrated that when the stars align just right and I actually get my perfect peace and silence, I’m so overwhelmed and exhausted that my fingers won’t move. I want to write, am ready to write, but most days it feels that everything and everyone around me (yes, even my dog) has conspired to keep me from it (even though I know that’s not the case).

Change diaper
Take toddler to bed

Part of my frustration comes from my situation and wanting to make it better. Growing up, the one thing I knew I would never be was a stay-at-home mom. For years, I was the primary breadwinner of my family. Then my first son was born, and due to circumstances, I left my incredibly stressful corporate job to take care of my kiddo and give a go at writing. Now with two children under the age of two, writing has become a bit of a challenge.

My plan for this blog was to come up with a list of things I have to do every day and talk about how I overcome them. Then I realized after having to stop on the very first line of this post that I really don’t need to “come up” with anything. Instead, I added each task that made me have to stop writing. Some were more necessary than others.

Get new box of tissue from garage because I go through them like candy when I’m sick
View slideshow of “Robert Downey, Jr.’s Face on Pin-Up Girls’ Bodies”
Spend an indeterminate amount of time scrubbing my eyeballs

The balancing act: time vs. money vs. kiddos vs. my sanity.

I knew when I left my corporate job that my family would face major financial stressors. Being at home for my children has been a blessing but as you can see, it makes it nearly impossible to write.

During Superstars this year, I made the decision to find my writing time because if I never got it, I’d be forced to do the one thing I didn’t want to ever do again: go back to a cubical. For my family, it comes down to the balance of to two things: time and money. My husband and I talked about putting the kiddos in daycare a couple days a week but that would cost far more than we could afford.

I knew what I needed to do to make it happen. I started keeping my eye out for creative writing opportunities. A few weeks later, one of my Facebook writer friends (whom I will be forever grateful to) posted that her best client was looking for more ghostwriters. Even though it was for a genre and category I’d never even considered before…I went for it (because I don’t ever say “no” to something I know I can do). The author loved my samples and I just signed the contract. I worked things out with my husband to hire a babysitter a few times a week. I’ll get my writing in and still have way more time with the kiddos than I would working full-time. I’m not going to make what I did in the corporate world, but if everything pans out, I’ll be able to work on my own novels while making enough to not ever have to go back to a cubical again.

I’m always on the lookout for new opportunities and sometimes they show up when you least expect it. Earlier this week I was asked to start instructing strength training and kickboxing at my gym. Get paid to workout? Done!

Watch live webinar on submitting for freelance jobs

I’m still figuring out what works for me. Like a good plot twist, I didn’t go for the easiest solution but I’ve found my boat and oars and I’m setting off down the river. It might take time to find my zone but I’ll make it happen.

What keeps you from finding your “zone”?

What can you do to find time in your day to make it happen?

Joy Dawn Johnson:

Shortly after receiving her BFA and MBA, Joy Dawn Johnson worked as a project manager for more than ten years, including a stint in Baghdad, Iraq, as a government contractor. She is a member of the Society of Children’s Book Writers and Illustrators and was the 2015 recipient of the Superstars Writing scholarship. Joy typically writes middle grade and young adult Sci-fi and fantasy and now ghostwrites for a USA Today bestselling author. She will begin to query agents later this year with her current work in progress, Smooth.

Read the first chapters of Smooth: JoyDawnJohnson
Website: joydawnjohnson.com
Twitter: JoyDawnJohnson
Follow and chat with Joy live on Twitch: Joylovin.

And Now for Something Completely Different

When it comes to giving advice regarding plot structure, I have found that most everyone seems to focus on the time from the beginning of the book to the climax. In a way, I completely understand. After all, that’s where the majority of your story happens. However, I find that some people seem to forget that after the climax the story must come to a graceful ending, and that this resolution is as essential to the story as any other part. You’ve made the characters struggle and suffer for their triumph, so they deserve a little time off right?

The denouement is more than just sympathy for a cast you’ve spent years torturing. It’s a matter of practicality. The climax of a story is supposed to be the defining challenge of the protagonists’ life and potentially for the entire world they live in. It doesn’t matter if the story takes a single volume or a twenty part series to tell, once the climax is resolved, the story is done. Young authors need to learn to let go even when, or perhaps especially when, you don’t want to.

I really admire a storyteller who knows when to take their bows and move on to the next work. After all, we are writers people! We are not limited to a single story. Sometimes the best endings for an old story is the beginning of a new one. The more one writes, the better the stories get. Often it is best for our career to work on something else for a while and then return to an old project when the time is right.

Over the past couple years, I’ve been pursuing a deal in traditional publishing. For the first time, I’ve had a story that I knew was good, and that friends who I trust to be honest with me say is near publishable. I’ve devoted all my time and attention to this single story. Not just drafting and editing, but also networking and promoting myself in an attempt to secure a traditional publishing contract. I’ve been obsessed with the idea, and in my attachment forgot to move on.Don’t get me wrong, the story’s not dead to me. I still believe in its potential and will continue to shop it until I find a good home for it. Publishing takes a long time. With eight months to a year between submitting the story and hearing back, I just can’t afford to wait for it anymore. It’s like trying to fish with only one line in the water. You might eventually catch something, but you may be waiting a while for that first bite.

So, in 2016 I’m going to work on something completely different. Up until now I’ve written fantasy, both the sword & sorcery and urban varieties. In order to force myself to grow as a writer, I am trying my hand at a bit of science fiction. So far, it’s been a fun ride and has forced me to rethink many of the assumptions and tropes I had grown used to relying on. Even better, once I finish drafting and polishing this new manuscript, I’ll be able to cast a second line into the pool. Then I’ll start again. And again. Eventually, I’ll get a bite.

Getting Ahead of Deadlines

I have always been a dyed-in-the-wool procrastinator, telling myself that I work best under pressure and that turning around projects at the last minute provides me with valuable motivation. This might all be true. Or it might just be something I tell myself to justify continuing to be lazy. There’s really no way to know. (Or is there? Read on.)

I’ve had to change my ways. It turns out that when you become inundated with a certain gross tonnage of deadlines all at once, you can’t actually wait until the last minute anymore. Especially when a dozen (or two dozen, or three dozen) important deadlines all congregate on the same day. When that happens, some advance planning is not just a balm to one’s state of mind; it is non-negotiable. At least it is to me—nowadays.

For the most part, I have a job that allows deadlines to be a little bit flexible. Freelance editing allows for the occasional grace period. And writing novels on spec? Well, all those deadlines exist in my own head and pretty much nowhere else. It’s possible, as a result, that I have developed some bad habits.

But in August 2015, that all changed. Abruptly. In addition to editing and writing at my previous pace, I added a third job—newspaper editor. It will surprise no one to reveal that in the newspaper business, deadlines are extremely inflexible. There aren’t any grace periods. The print deadline is the print deadline. Everything needs to be written, revised, fact-checked, and proofread on time or the whole enterprise falls apart.

This was probably one of the best things that could have happened to me, because frankly I could stand to have greater structure imposed on my work life.

The result is that I’ve been forced to get out ahead of deadlines. If twenty articles are all due on Thursday, some of them have to be finalized on Monday and Tuesday and Wednesday. There’s just no way around it.

Likewise, I’ve been forced to apply this new approach to deadlines to my other jobs. The result is that I now find myself finishing projects several days before I absolutely have to—and for a lifetime procrastinator, that is a strange feeling.

Having learned this lesson, I can confidently revisit the question posed in the first paragraph of this post and inflict a bit of newfound logic on the situation. While it may be true that working at the last minute results in strong motivation to get things done, it also ensures that only the bare minimum ever gets done. By completing projects ahead of schedule, by necessity, my productivity has significantly improved in all areas of my life.

Evan BraunEvan Braun is an author and editor who has been writing books for more than ten years. He is the author of The Watchers Chronicle, whose third volume, The Law of Radiance, was released earlier this year. In addition to specializing in both hard and soft science fiction, he is the managing editor of The Niverville Citizen. He lives in Niverville, Manitoba.

Try/Fail Cycles of Writing Advice

The Internet is filled with blogs, discussion forums, and clever tweets about writing. Though my writing friends and I do our best to keep up with the latest news and tricks, it feels like trying to drink from a fire hose. Go Google “writing advice” and you’ll find nearly half a million results!

WritingAdviceGoogle

Clearly, there is no shortage of people willing to talk to young authors about writing. So thank you for choosing to spend some of your time with us, sharing the Fictorians with your friends, and reading our thoughts and words. We appreciate your patronage and hope you find us helpful in your own writing journey!

Though we writers want to learn from the successes and failures of others, it is essential to remember that what worked for a New York Times best seller may not be effective for me, and that’s perfectly okay. Ultimately, any piece of advice should be judged based on its efficacy for the end user, not the prestige of the source.

As an example, I once read that the “best” way to be a prolific writer while also working a day job is to get up three hours early each day and spend the time writing. Not only will there be no distractions in the early hours of the morning, but your mind is freshest right after waking up, right? Okay, I gave it a try… and failed miserably. I am a morning person, but I am NOT a getting out of bed person. It’s mostly a matter of inertia. I have an alarm clock I keep across my bedroom in addition to my phone on my bedside table and set, on average, six to eight alarms a day. However, once I’m vertical and have some momentum, I’m good to go. Unsurprising to anyone, getting out of bed three hours earlier than I absolutely needed to be never happened. That piece of advice, though effective for others, failed me miserably. Oh well! Moving on.

But what if it wasn’t when I write, but rather HOW I write that was slowing me down? Kevin J Anderson swears by his dictation method for first drafts, and he’s by far the most productive author I know. He is able to hike up 14,000 ft mountains while spinning a yearn, send off the recording for transcription, and then edit the resulting manuscript into a best seller. This technique has resulted in over 23 MILLION books in print. I do a lot of driving, biking, and hiking, so why not double dip that time? Furthermore, physical activity works wonders to get my creative mind juices flowing, so I took a risk. I bought a recorder, a copy of Dragon Naturally Speaking, and spent the better part of a year practicing dictating my stories and blogs. Though I can do it, the technique just doesn’t work as well for me as it does for Kevin. Instead of a steady stream of consciousness, I stutter and stumble, resulting in a file that DNS has a rough time converting into comprehensible prose. I then spend hours cutting, reworking, and revising that mess into a finished product. In the end I spend as much total time as if I were to sit down and use manual entry from the beginning. So, for most circumstances, I have stopped using the recorder.

Beyond the basic act of producing prose, there is the fundamental question of what to write in the first place. While the basic dramatic structure has been thoroughly explored, every book or blog on story I read seems to tout a system of “rules” that are absolutely, positively, 100% mission critical to ensure success, fame, and fortune. You must always have a shot clock, must always allow time for thoughtful sequels, must always have a love triangle, and must always do this and that and whatever or you are doomed to failure, remaindered books, and discount book bins. While all these elements can work wonders to spruce up your fiction, not every technique translates well across genre boundaries.

For example, I have read advice from a big name romance writer that insisted that all stories need a happy ending. That’s a great guideline if you are writing for a romance audience. Their main emotional interest is the vicarious experience of falling in love. However, a story of romance and seduction isn’t the only payoff, else they’d be reading erotica. A romance book is a story in which two lovers are able to overcome the factors that stand in the way of their happily ever after. The relationship is as important as the sex.

However, other audiences aren’t so picky. Look at the success of the Song of Fire and Ice (Game of Thrones) books. There aren’t very many happy endings, but the story is plenty thrilling and surprising. The grimdark audience is looking to fulfill a very different set of emotional needs. Different audiences, different stories, different rules. Consider what every genre has to give, but do what works best for your readers and story.

Over the years, I have read thousands of pages of writing advice and have found that there is no one-size-fits-all answer. The best advice comes from people with whom you resonate. Look for those who have had success in similar genres, the writers you liked to read growing up, and industry professionals who are involved with authors who write like you. Find those who have overcome struggles similar to what you deal with and figure out how they did it. Read as much material as you can get your hands on, but don’t feel bound to listen to any of it. Ultimately, your writing tricks and habits should be organic, always growing towards the goal of increased productivity. Steal what works for you and leave the rest eating your dust.