Category Archives: Writing Tools

A discussion of the various software that authors employ to write, plot, backup, and ultimately use to write a novel.

When All Else Fails, Bring in a Lizard: A Guest Post by Josh Vogt

A Guest Post by Josh Vogt

Enter the Janitor - CoverLast year marked the launch of my urban fantasy series, The Cleaners, with Book #1: Enter the Janitor. The novel focuses on two main characters, Ben and Dani, as they work for a supernatural sanitation company dedicated to protecting the world from magical muck and Corruption (yes, with a capital C).

Now, I’m gonna let you in on a little secret. Gather ‘round close.

Dani used to be boring.

And I don’t mean to beta readers or anything. I mean she bored me. The author. That’s never a good sign. See, I needed a character to act, on some level, as the reader’s proxy into the weird world of the Cleaners, gawking at the absurdity of it, get the strangeness occasionally explained, and generally poking at things while asking, “Does this explode if I touch it?”

Dani did all that, but in such a bland manner, I had to stop almost halfway through the original draft when I started trying to find ways to kill her off. She needed to be a central character! Offing her would basically force me to start from scratch, which I didn’t want to do at all costs. But she, in that incarnation, refused to engage. She had no zest, no zing, zeal, oomph, spice, vigor, vim, liveliness…

*checks the thesaurus*

…or gumption. Let’s end it there, as I’m sure you get the point.

So I tried an old trick: the character interview. I sat down and imagined myself interviewing Dani, asking about her life, her passions, her fears, her neuroses, and any other quirks and tidbits she might be willing to offer.

And, boy, did I discover a lot.

First of all, I discovered her manic-obsessive fear of germs and dirt of all sorts, and how she lugged around gallons of sanitization gel to cope. I discovered her tendency to be a teensy bit foul-mouthed when stressed. I discovered she hated being pushed around and could push back just as hard if tested.

“Anything else?” I asked toward the end.

“I also have a pet lizard,” she replied.

I paused. “A lizard?”

“Yes. He’s a bearded dragon and his name is Tetris and I will rip out the heart of anyone who tries to hurt him. And then probably wash my hands for a month.”

“Why a lizard?”

My imaginary interviewee just grinned. “You’ll have to keep writing about me to find out, won’t you?”

Right then is when Dani came alive for me. Right then is when I became eager to stick her into scenes to see how much she could muck things up…and then do what she could to set things right. Because she had a pet lizard, which seemed so at odd with her original self. It presented a mystery (even a minor one) that I now wanted to unravel—and I started to see how other facets of her character could create personality paradoxes that might be both entertain and intrigue. I’ve since used this “mini-mystery” technique to give other characters extra layers, hinting at more convoluted mindsets and motivations than their surface actions suggest.

Maids of Wrath - Copy - 2Now, since Enter the Janitor came out, readers have told me how they see parts of themselves, their friends, or family members in Dani’s antics. She’s not just a reader vehicle. She resonates for some. She makes others laugh. She’s even made a few people worry for her sanity. And I look forward to finding new ways for her to surprise not only me, but everyone who might’ve grown the slightest bit fond of this spitfire.

So maybe next time you want to liven up a character or scene, don’t follow the old adage of “bring in a man with a gun.”

Bring in a lizard, instead.

Dani’s adventures with the Cleaners continue in Book #2: The Maids of Wrath.

About Josh Vogt:

Author and editor Josh Vogt’s work covers fantasy, science fiction, horror, humor, pulp, and more. His debut fantasy novel is Pathfinder Tales: Forge of Ashes, published alongside his urban fantasy series, The Cleaners, with Enter the Janitor and The Maids of Wrath. He’s an editor at Paizo, a Scribe Award finalist, and a member of both SFWA and the International Association of Media Tie-In Writers. Find him at JRVogt.com or on Twitter @JRVogt.

Stay Fit

A Guest Post by C Stuart Hardwick

What a piece of work is a man! How noble in reason, how infinite in faculty! In form and moving how infirm! In action how like a potato!

My first stories were played out in childhood, in the badlands and ghost towns of South Dakota, in tree forts and sandboxes, woods and bicycle trails, onto magnetic tape and 8mm movie film. We did not stop to create stories, we left them behind like breadcrumb trails leading back to alternate worlds.

Flash forward a few decades to when I finally decided to get serious about writing stories down. I was already married, with kids and a white-collar job. I was already suffering from a life of too much TV, too much office work, and too little sun. The last thing I needed was another few hours a week sitting in a chair, but that’s just what you need to do to be a writer. What to do?

First, I set up a standing desk. I figured, standing’s better than sitting, right? For two years, I did most of my writing at a laptop perched atop a high chest of drawers in my bedroom. I had to buy a rubber mat to keep from wearing holes through the carpet. I wrote half a million words that way. I went through my creative writing courses at Berkeley that way. I didn’t loose any weight, but at least I didn’t gain any.

Then in late 2012 several studies came out warning of the health effects of sitting. It turns out, not only do those cushy middle class office jobs make us fat, they cause potentially irreversible spinal curvature and stiffening, reduce hip flexibility, cause insulin overproduction, soften bones, obliterate posture, and cause deep vein thromboses and varicose veins. Oh, and they make us stupid.

See, humans didn’t evolve in office buildings. We evolved on the African savanna, where we were marathon hunters. Sure, it’s nice to have a comfy pad under our backside with a cup of jo and an air conditioner. It’s comfortable. But it’s not good for us. These studies were proposing something radical—we should get up and walk.

American’s should ditch the office chair and switch to a treadmill desk they said. We could loose a few pounds a week just by walking instead of sitting, and address all the other health impacts at the same time. We are not evolved to sit around, nor to stand around, but to hike.

Hardwick_walking deskSo okay, I decided to give it a try. Treadmill desks are stupid expensive, though, so I made my own. I put a laptop and $10 worth of wire shelving on a $600 Horizon T101 treadmill. I learned to touch type while walking at 2.2 MPH on an incline—just enough to barely crack a sweat. I started loosing weight.

After two months, I was so impressed, I decided to splurge on an upgrade.

I bought a dedicated workstation and bolted it to the treadmill with a monitor arm and a theatrical clamp (I blogged about it here: https://cstuarthardwick.wordpress.com/2013/08/03/upgraded-treadmill-desk-2/). My weight kept falling. In addition to the treadmill, I also started spending time on the exercycle as well, and I used MyFitnessPal to track my net calories. In six months, I lost 45 pounds.

But? There is no but. I felt great. I looked great. I thought great. Walking on the treadmill takes a certain amount of brainpower and I usually stop when working on something really mentally taxing, but it’s highly conducive to writing, especially to finding and maintaining “the flow.”

And then I went and hurt my leg and had to take an extended break. Now that I’ve started back up, I’ve worn out the tread and broken a siderail (stepping off to drink coffee), but that’s okay. New parts are on order. While I wait, I’m taking advantage of the springtime weather, taking to the neighbor hood trails, and taking Kevin J Anderson’s advice and giving mobile dictation a fair chance.

And that’s good, because some new papers have come out suggesting that many of the ailments of modern Western society may stem from inadequate exposure to sunlight…

Take care of your body. The writing muscle can’t work if the other muscles keep flopping over. We only get one stab at this life thing.

 

C Stuart Hardwick:

C Stuart Hardwick is an L Ron Hubbard Writers of the Future winner and a Jim Baen Award finalist. He writes scifi and fantasy, lives in Houston, and is married to an Aquanaut. You can follow him at www.cStuartHardwick.com, or on Twitter, Quora, or Facebook.

 

Writing is Life

A Guest Post from Scott Lee

I pulled in to the house, just back from my third time attending the Superstars Writing Seminar. I had spent the ride home rehearsing the arguments I would present to my wife as to why I should pull out the credit card and immediately pay for Superstars 2017. After all, the price was the lowest it would ever be, it was set to go up in the morning, and we had a rough idea that our tax return was going to be pretty sweet… Argument in the bag, right? In. The. Bag.

Then I noticed that our little car wasn’t in the drive way. Huh. Becca wasn’t home. Perhaps I would end up waiting awhile before delivering my winning Superstars argument. Or then again, Becca wasn’t home…but no, I’ve lived enough to recognize that thought as a trap.

So, I walk into the house, playing it cool, calm and confident. I had an argument to make.

***

So here I am. Blogging. About writing. And life. And balance. Feeling that I owe you, dear reader, some modicum of advice, insight or wisdom. So here goes.

As I’ve thought about this over the past few weeks I knew pretty quickly that the story I started the blog out with—I’ll finish it later, don’t worry—would have to be included somehow. It is too ironic not to be, and it embodies what thoughts I’ve managed to gather.

First off, I find that framing the question as finding balance between life and writing, writing and real life, or between art and life—creates a false dichotomy. When I considered opening with this point, I had to ask myself if I wasn’t nitpicking. Was I just giving way to personal prejudice against any dichotomy? Everyone talks about writing this way. But I don’t think I’m just picking nits. We can talk about balancing priorities in life, we can talk about where writing fits in our lives, but as long as we split life from writing, even subconsciously, we’re self-sabotaging.

My job doesn’t define me. I am a teacher, but it’s a single facet of who I am not the sum of my identity. Even so, I don’t separate my role as a teacher from my life. It’s not something I go and do when I’m not living. And my role as a writer is no different. If you allow yourself to separate your writing from your “life,” then you make any pursuit of writing time, let alone balance, much harder.

Furthermore, in my experience, most writers are likely to experience things in exactly the opposite direction. It is writing that feels most like life. If we adopt a mental stance where we’re saying that isn’t true, suddenly we’re trying to find time for and balance with, a triviality. Good luck with that.

Second, in practical experience I’ve most often found “balance” by being a binge writer. My typical day didn’t include writing at all. And then when the muse struck in the form of some deadline, I became a zombie with an IV drip of caffeine who taught school and was hubby/daddy during the hours in a day that a sane person was awake, and, during the late night and early morning hours, I wrote like mad in order to get the paper done while the house was quiet. I wrote my grad school papers, my published short story, and my published short story collection/thesis, in this fashion. By the way, 16-19 hours of work/family followed by 5-8 hours of writing, is not balance, it’s insanity. But when I had to, I got writing done, and that seemed like enough. Not an approach I recommend.

I began to make headway a few years ago, when we went on our 10th anniversary vacation. We picked a destination vacation rather than a running-around-seeing-things vacation, and our schedule was determined almost entirely by my writing. I got up in the morning a bit before Becca and wrote my morning pages—three pages, long hand—a daily journaling/meditation exercise I encountered through Julia Cameron’s Artist’s Way books. Then, later, we made our way down to the public library where I’d get a guest pass and a computer and write while Rebecca patiently read whatever caught her eye. I never wrote for more than an hour and a half in a sitting, and most days I wrote for just at an hour, if not a little less. In those five days I wrote well over 10,000 words of new fiction. Not the most I’d ever put together over five days, but I did it without a deadline, without having to try to kill myself in the process, and without suddenly achieving the miraculous hours and hours of writing time I had been subconsciously waiting for before I could “get serious.”

The point isn’t go take a long vacation to Telluride, Colorado without any kids, it’s that in less than two hours-a-day, I put out one of the best steady chunks of words I ever had, and at the end of the process I was neither dead, high on caffeine, delirious, nor stressed out of my mind. I did it as a small part of my ordinary life.

When I got home I had to admit to myself—for the first time, although it seems painfully obvious in retrospect—that I could in fact find balance. Make time to write without killing myself. And I started doing so.

I would love to tell you that I immediately became incredibly disciplined and dove into writing what is now my bestselling novel an hour or less at a time over the next few months. That’s not what happened. My life wasn’t transformed. Nor was my writing. But I wrote more than I ever had, with greater regularity, greater ease, and less stress. And I produced more than I’d ever produced on any single project before.

So here’s my two tiny bits of wisdom: (1) You don’t need a ton of time. Just because Kerouac supposedly wrote On the Road as a highly caffeinated high speed physical endurance test doesn’t mean you have to somehow trade life for writing time. You don’t. Make writing time a part of your life. Make it routine, work-a-day, consistent. Don’t bargain for hours, days, weeks, months, or a year’s sabbatical with your work or your family. Bargain with yourself for an hour or so at a shot, or when you get really smart for any tiny snatch of free time. Make writing life. And you will discover more time and more peace than seems possible if you haven’t done it yet.

(2) Writing isn’t separate from life. In Neil Gaiman’s excellent “Make Good Art” commencement speech, he suggests that the response to negative experiences in life ought to be make good art. I often hear people simplify this to “When life happens to you, make good art!” I know what they mean, but it makes me sad. Because it’s wrong. Art isn’t the counter to life. It’s the ultimate expression of life, and its beauty, tragedy, and value. Art—or writing—isn’t just a record of life, it is the most positive and life affirming of human of acts—the act of creation. So don’t pit your writing against your life. Because the minute you pit anything against your life instead of embracing it as part of your life and making it essential, it will lose. Every. Single. Time.

Now I promised you the rest of the story…

***

My wife was waiting for me back in our room. I felt something coming, kind of the way the lady tied to the tracks in a classic melodrama must feel something coming.

“Hi Becca,” I said. “What happened to the car?”

“Well,” she said, “about that. I was driving on the other side of town today and every warning light on the dashboard came on at once. So I took it to the Toyota dealer. They say the transmission is shot. It’s going to be $5000 dollars to replace it.”

I asked about Superstars 2017 anyway. Why? Because writing is part of my life. An essential part. My wife knows and supports this. We talked about it. I didn’t apologize for asking, and she didn’t yell at me for being stupid, selfish or ridiculous or impractical.

I haven’t paid for Superstars 2017…yet. And I won’t for a while. Seems we need that big tax return elsewhere. I didn’t insist on paying for Superstars immediately, or get down about not being able to. Instead, we made plans for exactly how to pay for it later.

I’ll pay for my car now, because that’s part of my life, and I invest in it. I’ll go to Superstars next year, because writing is part of my life, and I invest in it. In the mean time I’ve had a few hours here and there, and I’m about finished with draft one of a new short story. I’ve loved writing it. I haven’t had a lot of time, but I’m getting it done, and every minute so far has been pure pleasure.

 

Scott Lee:

Scott Lee is a strange individual who chose teaching and writing as his two primary careers. Obviously he has no desire to make any money, and on that count has largely succeeded. He has, however, written much poetry, some individual short stories, published a short story collection entitled Singular Visions, directed 15 plays, and fathered several human children to go along with his less material offspring. He has thoroughly succeeded, in his own humble opinion, at living a worthy and interesting life.

Gaining Experience from the Past: A Guest Post by Shannon Fox

I’ve never believed much in writing what you know. If everyone wrote what they knew, we’d have no fantasy or sci-fi. Imagine a world without Narnia or Hogwarts. A life without Lord of the Rings or Game of Thrones.

I consider myself a novel writer. While attending UC-San Diego’s Literature-Writing program, I became part of the departmental honors program during my senior year. I needed a new project, a manageable short story as I only had about four months to get the research, writing, and perfecting all done for the defense.

Most people know about the Tesla car, but not about Tesla, the man. I was first introduced to Nikola Tesla, the inventor, back in 2006, while watching the Christopher Nolan film, The Prestige. Though the Tesla character played by David Bowie (RIP) was only a small part in a film dominated by Christopher Bale and Hugh Jackman’s rival magicians, I was nonetheless enchanted by Bowie’s character.

Trying to brainstorm short story ideas for my senior thesis, I thought again of Bowie’s Tesla and his experiments in Colorado. But by the time I sat for my thesis defense in 2012, my committee and I both concluded that my short story, now grown into a novella, was not even that, but rather a novel.

I finished the first draft of the full-length novel in 2013. It was suggested to me that I go to Colorado Springs and look at the town for myself, to trace what I could find of Tesla’s trail. My research had uncovered little written about Tesla’s time in Colorado Springs. Tesla arrived by train on May 18th, 1899, stayed at the Alta Vista Hotel, ran experiments for roughly eighteen months at his new lab, and left. The lab was later dismantled and the pieces sold to pay Tesla’s debts. I had read everything there was to read about Tesla. I had looked at old maps and drawn from my childhood raised on the Front Range of Colorado to complete the atmosphere. But, my descriptions were lacking a certain authenticity. You couldn’t quite imagine the town yet, picture the clouds of dust rising softly around your feet. And while I couldn’t travel back in time, I could visit the town, 115 years in the future.

Shortly before Christmas 2014, I arrived in Colorado Springs. Like so much of Colorado, Colorado Springs was born of gold fever. The 1859 Pikes Peak gold rush brought the first settlers into the region. In 1871 the town of Fountain Colony was laid out, along with Manitou Springs. In addition to the mining that was done around Colorado Springs, many people came to the area for the health benefits of the dry climate. Fountain Colony would later be renamed Colorado Springs. Colorado itself achieved statehood on August 1st, 1876, and became known as the “bicentennial state”.

My first stop in Colorado Springs was Tesla’s first stop: the train station. The Denver & Rio Grande Railroad Depot was completed in 1887 and remained operational until the late 1960s. The station is not in use today, though it continues to be well-maintained and was even decorated for the Christmas Holiday.

My father used to write non-fiction books, pictorial essays, about the railroad and he always included his own photographs, shot with a traditional film camera. Though I was sporting a several years out of date Canon DSLR, I think I had never felt closer to my father. My young childhood was spent in the back of his green jeep as he and my mother carted me around the western United States, looking for trains to photograph. In addition to the death of his clientele (the old timers who worked on the railroad and still appreciated film photography), the advent of 9/11 made it all, but impossible for him to continue with his books. Where he had so easily been able to walk right up to the tracks and get onto the surrounding hillsides to frame his shots, most access points to the train tracks were now blocked by barbed wire and other deterrents.

But no one is concerned with an empty train depot. I easily creep around the back of the building to take a look at the tracks and the platform. If one could erase the highway overpasses, it is fairly easy to picture the station as it would have been over one hundred years ago. All hustle and bustle with the whine and hiss of steam engines.

Tesla stayed at the Alta Vista Hotel, in Room 222 or 207, depending upon which story you consult. It is said that Tesla selected his room on the premise that the room number was divisible by 3, a prime number. While I had known that the Alta Vista Hotel was long gone, I am not prepared for the surprise of it being completely taken over by a bank with a drive-through. I had been imagining a gaping hole where it had been. As if you could cover up something that vital to the town’s early life.

Around the corner is St. Mary’s Cathedral, one of the buildings I had come to visit more for its age than because it had any actual relevance to Tesla. According to the Church’s website, St. Mary’s was the first Roman Catholic Church in the Pike’s Peak region. More to my interest, the majority of this structure was completed in 1898, the year before Tesla arrived.

It’s a beautiful church, as most churches of a certain age are. St. Mary’s has been well-kept and modernized over the years. Many of the features of the church were embellished or added on later, though the core of the building, the beautiful red brick, has remained the same.

In the downtown area, many of the buildings and streets have retained their original layout. Tejon, Kiowa, Cascade. All names that can be found on historical maps. Many of the buildings bear historic plates, attesting to their age and the sights they have seen.

I drive down Tejon, looking for more buildings from the late nineteenth century. I discover an old day nursery and several wonderful specimens of old Victorian homes. I also find myself near one house that was built in 1902. Tesla’s lab was located outside this downtown area, about a mile behind The Colorado Deaf and Blind School. The school itself had grown from its early days as a single building. I park in the neighborhood across the street from the entrance (a neighborhood also composed entirely of Victorian Homes) and as I get out of the car, I hear a bell tolling the time.

The bell continues to peal as I walk up to the fence outside the school. Here, finally, I can feel Tesla’s ghost again. I have no proof that he ever left his lab and went into town, ever walked into the buildings I’ve just seen. But this school was about the only thing out here besides his lab. He would have been aware of it.

Though most of these buildings weren’t here in 1899, the fact remains that the deaf and blind students who were educated here lived less than a mile from Nikola Tesla.

To find the spot where Tesla’a lab stood, I don’t have to travel far, about a block or two further down. An enormous park takes up the right side of the street as I turn on Foote.

My phone’s GPS dings that I have arrived and I glance around, a little bit confused. There’s no remnant of the lab having ever been here. Residential houses, decorated for the holidays, line both sides of the street. I had known the lab had been entirely dismantled, but I didn’t imagine it would be so completely erased.

I stop in front of the largest house on the street, the one Google has dropped a pin on. A couple comes out of the backyard. They give me a curious look, but don’t ask me what I’m doing. That seems to be the theme of the day. Hardly anyone seems very concerned about me. What a difference from San Diego, where any sort of odd behavior would prompt a question or two.

I head over to the park, where there’s a marker dedicated to Tesla. As I wait for the light, I notice the statue to the fallen firemen on the corner. It’s a little bit ironic that this monument and Tesla’s marker are sharing the same park. After all, during the eighteen months Tesla was in Colorado Springs, his experiments caused at least one grassfire.

The monument to Tesla turns out to be just a plain wooden sign underneath an old tree. Tesla’s trail has officially ended here.

It starts to snow, fat, lazy flakes. It’s a good thing I only want to make one more stop. I need to leave before the storm really hits.

Lowell Elementary is a beautiful, red brick building still in use as a school today. And even more striking is the panoramic view of Pike’s Peak you’re afforded from the front lawn. I grab a few pictures of the school in the snow before admiring the mountain. Wreathed in wispy snow clouds, there’s a glow on Pike’s Peak, as if God was feeling particularly proud of his work and decided to cast a spotlight down on this mountain and all 14,114 feet of its splendor.

I learned a lot from my trip to Colorado Springs. The most important being that I had the layout of the town entirely backwards. From my reading, I had thought the Deaf and Blind School and Tesla’s lab sat in the foothills of Colorado Springs. They actually sit to the east, on the plains. I also discovered that the houses dating from the turn of the century where quite a bit larger than I had envisioned.

Petite by today’s standards as we build our McMansions, but not a shack either. I was also surprised by the use of brick and stone in the architecture. I had been convinced that everything was wood, made to burn.

I think that there’s something to be said about the authenticity, even if it’s not quite writing what you know. As authors we can try to have these crucial experiences. While I’ll never know what it was like to be in Colorado Springs while Nikola Tesla was there, I now know the streets he might have walked, the mountains he saw when he stepped off the train for the first time, the scent of the pine trees rolling off Pike’s Peak, the school he might have gazed at when he stepped outside his lab on a summer morning. We cannot know everything, but we can know what remains to us.

My pictorial diary of that day I spent in Colorado Springs in late December 2014 can be seen here. I am currently seeking representation for my historical fiction novel about Nikola Tesla. If you would like to read more about my writing journey, you can visit my blog at IsleOfBooks.com.

1adf16_4e3d92970c7a4d00b8cd53a62951e52bAbout Shannon Fox:
I have a B.A. in Literature-Writing from UC-San Diego. While at UCSD, Pulitzer prize-winning poet Rae Armantrout selected my poetry as a runner-up for the 2011 UCSD Stewart Prize in Poetry. Recently, I have worked with Tom Jenks of Narrative Magazine and am currently an Assistant Editor at Narrative. I have co-authored an article published in Scientific American Mind Magazine and was an editorial assistant for Teen 2.0 by Dr. Robert Epstein. I was also a research assistant for the recent book, Against Their Will, by Dober, Hornblum, and Newman. My fiction and poetry has appeared in Black Fox Literary Magazine, The Copperfield Review, The Fat City Review and more. I also have my own blog, Isle of Books, and am a contributing writer to the blogs Mooch Mooch Pets and Coastal Premier Properties.